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M. Keith Booker - Techniques of subversion in modern literature: transgression, abjection, and the carnivalesque

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Techniques of subversion in modern literature: transgression, abjection, and the carnivalesque: summary, description and annotation

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Mario Vargas Llosa is one of the worlds most respected and widely read living writers. His work is marked by technical sophistication and by its alliance with a variety of trends in modern culture. To date little criticism of his work has made use of the important developments in literary theory in the past two decades. This book does that, analyzing Vargas Llosas place in modern and postmodern criticism.

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title Techniques of Subversion in Modern Literature Transgression - photo 1

title:Techniques of Subversion in Modern Literature : Transgression, Abjection, and the Carnivalesque
author:Booker, M. Keith.
publisher:University Press of Florida
isbn10 | asin:0813010659
print isbn13:9780813010656
ebook isbn13:9780813019123
language:English
subjectEnglish literature--20th century--History and criticism, American literature--20th century--History and criticism, Literature and society--History--20th century, Deviant behavior in literature, Social norms in literature, Carnival in literature.
publication date:1991
lcc:PR478.S57B66 1991eb
ddc:820.9/355
subject:English literature--20th century--History and criticism, American literature--20th century--History and criticism, Literature and society--History--20th century, Deviant behavior in literature, Social norms in literature, Carnival in literature.
Page iii
Techniques of Subversion in Modern Literature
Transgression, Abjection, and The Carnivalesque
M. Keith Booker
University of Florida
Press/Gainesville
Page iv
Copyright 1991 by the Board of Regents of the State of Florida.
Printed in the U.S.A. on acid-free paper
Library of Congress Cataloging-in-Publication Data
Booker, M. Keith.
Techniques of subversion in modern literature : transgression, abjection, and the
carnivalesque / M. Keith Booker.
p. cm.
Includes bibliographical references and index.
ISBN 0-8130-1065-9
1. English literature20th centuryHistory and
criticism. 2. American literature20th century
History and criticism. 3. Literature and society
History20th century. 4. Social problems in
literature. 5. Carnival in literature. I. Title.
PR478.S57B66 1991
820.9355dc20 91-15888
Quotations from Shame by Salman Rushdie, copyright 1983 by Salman Rushdie, reprinted by permission of Alfred A. Knopf, Inc. Quotations from The Satanic Verses by Salman Rushdie, copyright 1988 by Salman Rushdie; from Gravity's Rainbow by Thomas Pynchon, copyright 1973 by Thomas Pynchon; and from Nights at the Circus by Angela Carter, copyright 1984 by Angela Carter, reprinted by permission of Viking Penguin, Inc. Quotations from Mulligan Stew by Gilbert Sorrentino, copyright 1979 by Gilbert Sorrentino, reprinted by permission of Grove Press, Inc. Quotations from The French Lieutenant's Woman by John Fowles, copyright 1969 by John Fowles, reprinted by permission of Little, Brown and Company. Quotations from Nightwood by Djuna Barnes, copyright 1937 by Djuna Barnes, reprinted by permission of New Directions Publishing Corporation. Quotations from Orlando by Virginia Woolf, copyright 1955 by Leonard Woolf, reprinted by permission of Harcourt Brace Jovanovich, Inc.
The University of Florida Press is a member of the University Presses of Florida, the scholarly publishing agency of the State University System of Florida. Books are selected for publication by faculty editorial committees at each of Florida's nine public universities: Florida A & M University (Tallahassee), Florida Atlantic University (Boca Raton), Florida International University (Miami), Florida State University (Tallahassee), University of Central Florida (Orlando), University of Florida (Gainesville), University of North Florida (Jacksonville), University of South Florida (Tampa), and University of West Florida (Pensacola).
Orders for books published by all member presses should be addressed to: University Presses of Florida, 15 Northwest 15th Street, Gainesville, FL 32611.
Page v
FOR DUBRAVKA
Page vii
Contents
Acknowledgments
ix
Introduction: Is Literary Transgression Stupid Stuff?
1
1
Postmodernism in Medieval England: Chaucer, Pynchon, Joyce, and the Poetics of Fission
20
2
Beauty and the Beast: Dualism as Despotism in the Fiction of Salman Rushdie
49
3
The Dynamics of Literary Transgression in Sorrentino's Mulligan Stew
72
4
Transgression without God: Sexuality, Textuality, and Infinity in The French Lieutenant's Woman
102
5
"The Penis He Thought Was His Own": Castration as Literary Transgression
132
6
What's the Difference?: The Carnivalization of Gender in Virginia Woolf's Orlando
162
7
Women in Love and War: Lesbianism as Subversion in the Fiction of Monique Wittig
186
8
Abjection and the Carnivalesque: Transgression in Nightwood and Nights at the Circus
210
Postscript
244
Notes
249
Works Cited
274
Index
291

Page ix
Acknowledgments
Numerous individuals read all or part of the manuscript and offered valuable suggestions for improvement, including Cheryl Herr of the University of Iowa and Marsha Bryant, Caryl Flinn, Anne Jones, Brian Richardson, Malini Schueller, and Al Shoaf, all of the University of Florida. Alistair Duckworth also belongs in this latter group, but deserves special mention for his encouragement to me in developing this manuscript and for his help in bringing it to fruition. Similarly, I would like to offer special thanks to Beth Schwartz for her valuable comments on Virginia Woolf and for originally bringing the work of Angela Carter to my attention. Finally, I would like to acknowledge most of all the contributions of my old mentor Brandy Kershner, who not only read all of the manuscript (most of it more than once), but offered inestimable support and encouragement throughout my stay at Florida.
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