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Jill S. Kuhnheim - Gender, politics, and poetry in twentieth-century Argentina

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Gender Politics and Poetry in Twentieth-Century Argentina Jill S - photo 1
Gender, Politics, and Poetry in Twentieth-Century Argentina
Jill S. Kuhnheim
University Press of Florida
Gainesville Tallahassee Tampa Boca Raton
Pensacola Orlando Miami Jacksonville

title:Gender, Politics, and Poetry in Twentieth-century Argentina
author:Kuhnheim, Jill S.
publisher:University Press of Florida
isbn10 | asin:0813013933
print isbn13:9780813013930
ebook isbn13:9780813019895
language:English
subjectArgentine poetry--Women authors--History and criticism, Argentine poetry--20th century--History and criticism, Literature and society--Argentina, Subjectivity in literature.
publication date:1996
lcc:PQ7633.K84 1996eb
ddc:861
subject:Argentine poetry--Women authors--History and criticism, Argentine poetry--20th century--History and criticism, Literature and society--Argentina, Subjectivity in literature.
Page iv
Copyright 1996 by the Board of Regents of the State of Florida Printed in the United States of America on acid-free paper All rights reserved
01 00 99 98 97 96 6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Kuhnheim, Jill S.
Gender, politics, and poetry in twentieth-century Argentina/ Jill S. Kuhnheim.
p. cm.
Includes bibliographical references and index.
ISBN 0-8130-1393-3 (cloth: alk. paper)
1. Argentine poetry-Women authors-History and criticism.
2. Argentine poetry-20th century-History and criticism.
3. Literature and society-Argentina. 4. Subjectivity in literature.
I. Title
PQ7633.K84 Picture 21996 95-20489
861-dc20
The interview with Olga Orozco is published with her permission. The following poems and poerty extracts are reprinted by permission: Ins Aroz, "Estampar los intersticiales... , "from Los intersticiales. Courtesy of El imaginero, Poetry and Criticism Notebooks, Buenos Aires, Argentina. /Oliverio Girondo, "Aridandantemente," from En la Masmdula. Courtesy of the Estate of Oliverio Girondo. /Liliana Lukin, "Si yo hubiera... , "from Cortar por lo sano. Courtesy of Liliana Lukin./Olga Orozco. "Densos velos te cubren," from Mutaciones de la Realidad, 1979. Copyright by Editorial Sudamericana S.A., Buenos Aires, Argentina. /Cristina Pia. ''Oficio de mscaras," from Oficio de mscaras. Courtesy of Cristina Pia. /Alexandra Pizarnik, "has construdo tu casa," "silencio," and "slo la sed," from Extraccin de la pedra de la locura 1968. Copyright by Editorial Sudamericana S.A., Buenos Aires, Argentina.
The University Press of Florida is the scholarly publishing agency for the State University System of Florida, comprised of Florida A & M University, Florida Atlantic University, Florida International University, Florida State University, University of Central Florida, University of Florida, University of North Florida, University of South Florida, and University of West Florida.
University Press of Florida
15 Northwest 15th Street
Gainesville, FL 32611
Page v
This book is for my father,
E. James Kuhnheim
Page vii
Contents
Preface
ix
Chapter 1. Defining the Subject
1
Chapter 2. From a Distance: Posmodernismo and Other Modernisms
20
Chapter 3. The Limits of Poetic Discourse: Oliverio Girondo and Olga Orozco
46
Chapter 4. The Struggle of Imagination: Alejandra Pizarnik and Olga Orozco
64
Chapter 5. Succeeding Silence: Recent Women Poets in Argentina
90
Chapter 6. The Author as Subject
123
Conclusion: Shifting Subjects
145
Appendix
149
Notes
175
Bibliography
183
Index
193

Page ix
Preface
This book began from a desire to examine the separation between social and aesthetic concerns characteristic of the analysis of twentieth-century Latin American poetry. I wanted to reconnect the aesthetist strand, founded in modernism, that viewed the poem as an artistic construct, distant from the world, to the social thread that came to fruition in the late vanguard emphasis on literature's role in social transformation. With this theoretical problem in mind, I also sought an answer to a question frequently posed to me by my students: Why read poetry today? This study combines these problems and attempts an answer via the specific case of Argentina. I suggest that twentieth-century Argentina may offer us an instance in which lyric poetry's increasing marginality from mainstream social discourse and from an escalating attention to narrative has allowed it to work against hegemonic discourse and to open a space for the construction of different subjectivities.
Highlighting the work of female poets, but not reading them in isolation, I also wanted to bring some part of the Spanish American women's tradition to an English-speaking audience. To do so I construct a lyrical overview by reading a constellation of voices that lead us to comprehend this poetry historically, in terms of literary, social, and political changes. In the process it becomes clear that while gender differences are always a factor to be considered, the construction of a gendered subjectivity is not monolithicin every case it is necessary to speak in the plural, of subjectivit
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