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Jewel Spears Brooker - Reading The waste land: modernism and the limits of interpretation

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title Reading The Waste Land Modernism and the Limits of Interpretation - photo 1

title:Reading The Waste Land : Modernism and the Limits of Interpretation
author:Brooker, Jewel Spears.; Bentley, Joseph
publisher:University of Massachusetts Press
isbn10 | asin:087023692X
print isbn13:9780870236921
ebook isbn13:9780585083209
language:English
subjectEliot, T. S.--(Thomas Stearns),--1888-1965.--Waste land, Modernism (Literature)
publication date:1990
lcc:PS3509.L43W3634 1990eb
ddc:821/.912
subject:Eliot, T. S.--(Thomas Stearns),--1888-1965.--Waste land, Modernism (Literature)
Page i
Reading The Waste Land
Page ii
Page iii Reading The Waste Land Modernism and the Limits of - photo 2
Page iii
Reading The Waste Land
Modernism and the Limits of Interpretation
Jewel Spears Brooker and Joseph Bentley
THE UNIVERSITY OF MASSACHUSETTS PRESS / AMHERST
Page iv
Copyright 1990 by The University of Massachusetts Press
All rights reserved Printed in the United States of America
LC 89-36484
ISBN 0-87023-692-X
Designed by Susan Bishop
Set in Linotron 202 Palatino
Printed and bound by Thomson-Shore, Inc.
Library of Congress Cataloging-in-Publication Data
Brooker, Jewel Spears, 1940
Reading The waste land: modernism and the limits of interpretation /
Jewel Spears Brooker and Joseph Bentley.
p. cm.
ISBN 0-87023-692-X
1. Eliot, T. S. (Thomas Stearns), 18881965. Waste land. 2. Modernism
(Literature) I. Bentley, Joseph, 19321988. II. Title.
PS3509. L43W3634 1990
821'.912dc20Picture 389-36484
British Library Cataloguing in Publication data are available.
Acknowledgment is made for permission to reprint from the following material under copyright:
"The Waste Land" and excerpts from "The Love Song of J. Alfred Prufrock," "Mr. Apollinax,'' "Gerontion," and ''Sweeney Agonistes" in Collected Poems 19091962, by T. S. Eliot, copyright 1936 by Harcourt Brace Jovanovich, Inc. and copyright 1963, 1964 by T. S. Eliot, are reprinted by permission of Harcourt Brace Jovanovich, Inc. and Faber and Faber Ltd.
Excerpts from "Burnt Norton," "East Coker," "The Dry Salvages," and "Little Gidding" from Four Quartets, by T. S. Eliot, copyright 1943 by T. S. Eliot and renewed 1971 by Esme Valerie Eliot, are reprinted by permission of Harcourt Brace Jovanovich, Inc., and Faber and Faber Ltd.
Excerpts from "The Metaphysical Poets," "Baudelaire," "Francis Herbert Bradley," "Dante," and "Ben Jonson" in Selected Essays, by T. S. Eliot, copyright 1950 by Harcourt Brace Jovanovich, Inc. and renewed 1978 by Esme Valerie Eliot, are reprinted by permission of the publisher.
Excerpts from The Waste Land: A Facsimile and Transcript of the Original Drafts, by T. S. Eliot, edited by Valerie Eliot, copyright 1972 by Valerie Eliot, are reprinted by permission of Harcourt Brace Jovanovich, Inc. and Faber and Faber Ltd.
Excerpts from Knowledge and Experience in the Philosophy of F. H. Bradley, by T. S. Eliot, 1964 by T. S. Eliot, are reprinted by permission of Faber and Faber Ltd and Farrat, Straus and Giroux, Inc.
Excerpts from the Introduction to Savonarola, from Vanity Fair, February 1924, and "Ulysses, Order and Myth," November 1923, by T. S. Eliot, are reprinted by permission of Mrs. Valerie Eliot and Faber and Faber Ltd.
Frontispiece: Oskar Kokoschka, London, Large Thames View I, 1926, oil on canvas, 35 1/4 X 51 1/4". Courtesy Albright-Knox Art Gallery, Buffalo, N.Y. Room of Contemporary Art Fund, 1941.
Page v
For H. Ralph Brooker and Mary Ann Bentley
Page vii
Picture 4
The finest tact after all can give us only an interpretation, and every interpretation, along perhaps with some utterly contradictory interpretation, has to be taken up and reinterpreted by every thinking mind and by every civilization.
T. S. Eliot, Knowledge and Experience in the Philosophy of F. H. Bradley
Page ix
Contents
Acknowledgments
xi
Introduction
3
1 / A Wilderness of Mirrors: Perspectives on the Twentieth Century
13
2 / Unifying Incompatible Worlds: The Sibyl of Cumae and Tiresias
34
3 / Relational Consciousness and Transcendent Reading: "The Burial of the Dead"
60
4 / Amalgamating Disparate Experience: Myth and Gender in "A Game of Chess"
94
5 / Transcending the Moral Point of View: "The Fire Sermon"
121
6 / Annihilation and Utter Night: The Hermeneutical Cycle in "Death by Water"
154
7 / Before and after Meaning: "What the Thunder Said"
172
A Speculative Postscript: Infancy and Immediate Experience in Reading The Waste Land
208
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