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Bruce Michelson - Wilburs poetry: music in a scattering time

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title Wilburs Poetry Music in a Scattering Time author - photo 1

title:Wilbur's Poetry : Music in a Scattering Time
author:Michelson, Bruce.
publisher:University of Massachusetts Press
isbn10 | asin:0870237411
print isbn13:9780870237416
ebook isbn13:9780585223766
language:English
subjectWilbur, Richard,--1921- --Criticism and interpretation.
publication date:1991
lcc:PS3545.I32165Z78 1991eb
ddc:811/.52
subject:Wilbur, Richard,--1921- --Criticism and interpretation.
Page iii
Wilbur's Poetry
Music in a Scattering Time
Bruce Michelson
Page iv Copyright 1991 by The University of Massachusetts Press All rights - photo 2
Page iv
Copyright 1991
by The University of Massachusetts Press
All rights reserved
Printed in the United States of America
LC 9020353
ISBN 0-87023-741-1
Designed by Susan Bishop
Set in Linotron Bembo by Keystone Typesetting, Inc.
Printed and bound by Thomson-Shore, Inc.
Library of Congress Cataloging-in-Publication Data
Michelson, Bruce, 1948 .
Wilbur's poetry : music in a scattering time / Bruce Michelson.
p. cm.
Includes bibliographical references and index.
ISBN 0-87023-741-1 (alk. paper)
1. Wilbur, Richard, 1921 Criticism and interpretation. I. Title.
PS3545.132165Z78 1991
811'.52dc20 9020353
British Library Cataloguing in Publication data are available.
Chapter 2, "Words," is a revised and expanded version of "Wilbur's Words," originally published in The Massachusetts Review 23, no. 1 (1982), 1982 by The Massachusetts Review, Inc.
Acknowledgment is made to publishers, journals, and individuals for permission to reprint selections from material by Richard Wilbur under copyright.
Harcourt Brace Jovanovich. From The Beautiful Changes and Other Poems, 1947 and renewed 1975 by Richard Wilbur: "Attention Makes Infinity" and "The Regatta"; excerpts from ''Water Walker," "Superiorities," "A Simplification," "Caserta Garden," and "The Beautiful Changes." From Ceremony and Other Poems: excerpts from "Year's End," 1949 and renewed 1977, and "Beowulf," 1950 and renewed 1978 by Richard Wilbur. From Things of This World: "The Mill"; excerpts from "Love Calls Us to the Things of This World," "John Chrysostom," "Marginalia," "The Beacon," "For the New Railway Station in Rome," "Charles Baudelaire: L'Invitation au Voyage," and "Beasts," 1956 and renewed 1984, and from "Merlin Enthralled," 1981 by Richard Wilbur. Excerpts from the following translations: The School for Wives, 1971 by Richard Wilbur; Jean Racine: Andromache, 1982 by Richard Wilbur; Jean Racine: Phaedra, 1986 by Richard P. Wilbur; Molire's Tartuffe, 1961 and renewed 1989 by Richard Wilbur; "Introduction" to The Misanthrope, 1955 and renewed 1983 by Richard Wilbur.
Harcourt Brace Jovanovich, Inc., and Faber and Faber. From Advice to a Prophet and Other Poems, 1961 and renewed 1989 by Richard Wilbur: "Ballade for the Duke of Orleans" and "Stop"; excerpts from "The Undead," "Eight Riddles from Symphosius," "A Christmas Hymn," and "Junk." From The Mind-Reader: New Poems: "In Limbo," 1975; excerpts from "The Fourth of July," 1974, "Rillons, Rillettes," 1966, and from "Cottage Street, 1953," "Teresa," "Children of Darkness," "Flippancies," and "The Prisoner of Zenda," 1976 by Richard Wilbur. From New
(Permissions to reprint copyrighted material continue on page 258)
Page v
For Theresa, Hope, and Sarah
Page vii
Contents
Acknowledgments
ix
1. Homelessly at Home
3
2. Words
36
3. Quarreling with Poe
61
4. Longer Poems
82
5. Chances
121
6. Wilbur as Translator
162
7. The Figure a Poet Makes
197
Notes
225
Bibliography
243
Index
253

Page ix
Acknowledgments
Portions of this book were completed with support from the University of Illinois Research Board and the Illinois Department of English. Here in Urbana, Robert Dale Parker, James Hurt, Zohreh T. Sullivan, and Joel Super have read all or part of the manuscript and have offered generous and wise suggestions, as has Robert B. Shaw of Mount Holyoke College. I have had important help as well from Melanie Wisner and the staff of the Houghton Library at Harvard, from John Lancaster of the Amherst College Library, and from J. W. C. Hagstrom, an independent and learned Wilbur enthusiast. While Richard and Charlotte Ward Wilbur have treated me to exhilarating, gracious, and candid conversation, failures in my reading of Wilbur's work or my commentary on his personae are my own mischief, not theirs. Earlier and shorter versions of chapters 2 and 3 have appeared, respectively, in The Massachusetts Review and The Southern Review, and I am grateful for permission to redevelop them here.
Page 3
1
Homelessly at Home
People who rove in the papers of American writers must occasionally reckon with the peculiar etiquette of the modern mind, small rituals in the West's formal and informal definitionand circumscriptionof the self. In libraries we can examine the notebooks of fine postwar poets, who as young men and women hammered out verse which astonished reviewers, altered the directions American poetry would take, and assured their eminence as prophets for this age, and sometimes as its martyrs. On those same notebook pages, where individual lines may change and build like storm clouds, one sometimes sees grocery lists in the poet's ink and hand, little errand reminders, memos to buy milk or drop off the car for an oil change. By consensus, and for many sound reasons, none of that "counts": we postulate, or take it for granted, that dramas enacted on the page proper of a self struggling to voice cosmic-scale intuitions and terrors, reveal somehow a different entity from other sides and moods of the same creatureother, marginal selves who stubbornly wonder, all the while perhaps, what their children, lovers, or editors are up to, what the new shocks will cost, what is in the icebox for lunch, where the clean clothes are for tonight's reception. This reflexive culture of ours endorses such compartmentalizations of self, and this wonderful or terrible capacity for being ordinary and sublime, manic-visionary and flat-footed sane, in the same half hour. And as a culture we seem to lack the vocabulary or the will to address that many-sidedness or discuss what it might signify about our real and continuing relationship to our own most powerful experiences and ideas. We do, however, know how to be ironic about this condition and keep such paradoxes at bay with jokes: this anarchist-nihilist craves tenure and a big raise; that dismantler of the bourgeois identity is a loving, bourgeois wife and mother; the science-hating, world-chagrined poet, now on a state payroll, chairs the policy committee of the faculty senate and worries
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