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Adolph L. Soens - I, the song: classical poetry of native North America

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I, THE SONG is an introduction to the rich and complex classical North American Poetry that grew out of and reflects Indian life before the European invasion. No generalization can hold true for all the classical poems of North American Indians. They spring from thirty thousand years of experience, five hundred languages and dialects, and ten linguistic groups and general cultures. But the poems from these different cultures and languages belong to poetry unified by similar experiences and a shared continent. Built on early transcriptions of Native American songs and arranged by subject, these poems are informed by additional content that enables readers to appreciate more fully their imagery, their cultural basis, and the moment that produced them. They let us look at our continent through the eyes of a wide range of people: poets, hunters, holy men and women, and children. This poetry achieved its vividness, clarity, and intense emotional power partly because the singers made their poems for active use as well as beauty and also because they made them for singing or chanting, rather than isolated reading. Most strikingly, classical North American Indian poetry brings us flashes of timeless vision and absolute perception: a gulls wing red over the dawn; snow-capped peaks in the moonlight; a death song. Flowing beneath them is a powerful current: the urge to achieve a selfless attention to the universe and a determination to see and delight in that universe on its own terms.

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Page iii I the Song Classical Poetry of Native North America A L - photo 1
Page iii
I ,the Song
Classical Poetry of Native North America
A. L Soens
THE UNIVERSITY OF UTAH PRESS
Salt Lake City

title:I, the Song : Classical Poetry of Native North America
author:Soens, A. L.
publisher:University of Utah Press
isbn10 | asin:0874805902
print isbn13:9780874805901
ebook isbn13:9780585112039
language:English
subjectIndian poetry--North America--Translations into English.
publication date:1999
lcc:PM197.E3I2 1999eb
ddc:897
subject:Indian poetry--North America--Translations into English.
Page iv
1999 by the University of Utah Press
All rights reserved
Acknowledgment of permissions appears on page 299.
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
I, the song : classical poetry of native North America / [edited by]
A. L. Soens.
p. cm.
Includes bibliographical references.
ISBN 0-87480-590-2 (cloth : alk. paper).ISBN 0-87480-609-7
(paper: alk. paper)
1. Indian poetryNorth AvericaTranslations into English.
I. Soens, A. L. (Adolph L.), 1931
PM197.E312 1999
897dc21 99-21102
Page v
For
Jill, Lewie, Ingrid, Chris, Rich, Meg, Rebecca,
and
Bobby, Ben, Allie, Richie, Sophie, and Peter
Page vii
That Holiness Acts 1728 att - photo 2
[That Holiness]
Acts 1728 attributed to Epimenides Page ix Contents - photo 3
Picture 4
Acts 17:28, attributed to Epimenides
Page ix
Contents
Acknowledgments
xi
Introduction
xiii
I
In a Sacred Manner
3
II
Thunder
13
III
Creation and Emergence
24
IV
Initiation
37
V
Visions
50
VI
The Great Ceremonies
70
VII
Medicine
98
VIII
Love
122
IX
Hunting
136
X
War
168
XI
Death
193
XII
Rain
213
XIII
Planting and Harvesting
231
XIV
Dawn
247
Notes
265
Glossary of Tribal Names and Territories
277
Bibliography
287
Permissions
299

Page xi
Acknowledgments
I wish to thank William F. May, Carey Maguire Professor of Ethics, Southern Methodist University, for analyzing this work and suggesting many improvements in its content, style, structure, and approach. His discussion of covenantal ethics and the theology of immanence illuminated many of the poems for me. Professor Paul A. Olson generously read early versions of this anthology, suggested additional poetry, and in his works on American Indian literature, on Chaucer, and on wisdom literature suggested ideas and approaches that helped me understand the poetics of this poetry and enriched my appreciation and enjoyment. Professor Paul Zolbrod, whose understanding of the poetics of Sir Philip Sidney illuminates his work on Navajo and other American Indian oral literatures, emphasized the primacy of performance in the structure, rhetoric, and vision of these poems in his comments on an early version of this anthology. Professor Jean-Anne Strebinger closely analyzed content and form and made many structural and interpretative suggestions that improved the commentary and made the translations smoother and more readable. The subscribers of the Native American Literature list on the Internet carried on discussions that made me reexamine my assumptions and taught me a familiarity with the cultures into which this poetry fits that I could have gained from no other source. I also wish to thank Michael Palmer, M.D., Leonard Gundersen, M.D., and Victor Trastec, M.D., without whom this book could not have been completed. Jill M., A. L. Jr., and Ingrid W. Soens displayed patience and tolerance. Jeff Grathwohl, my editor at the University of Utah Press, was very helpful, trusting that the text would finally come to fruition, in the face of delays, revisions, and interruptions. What is valuable in this book I owe to others. I do, however, with the utmost confidence, claim any errors, grotesqueries, or infelicities as entirely my own.
Page xiii
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