Clive Cazeaux - The Continental Aesthetics Reader

The following are reproduced with kind permission. Any omissions brought to the publishers attention will be remedied in future editions.

• Immanuel Kant, extracts from Analytic of aesthetic judgment and Dialectic of aesthetic judgment, Critique of Judgment , trans. W.S. Pluhar, Indianapolis: Hackett, 1987, 3238, 4449, 5659; pp. 14556, 17288, 21030. Hackett Publishing Company. Reprinted with permission. All rights reserved.
• G.W.F. Hegel, Concept of the beauty of art and Division of the subject, Aesthetics: Lectures on Fine Art , trans. T.M. Knox, Oxford: Oxford University Press, 1975, pp. 13, 2225, 6990. By permission of Oxford University Press.
• Friedrich Nietzsche, On truth and lie in an extramoral sense, Philosophy and Truth: Selections from Nietzsches Notebooks of the Early 1870s , trans. and ed. D. Breazeale, Amherst, NY: Humanity Books, 1990, pp. 7991. 1979 by David Breazeale. All rights reserved. Reprinted with permission of the publisher.W

• Martin Heidegger, The origin of the work of art, Poetry, Language, Thought , trans. A. Hofstadter, New York: Harper and Row, 1971, pp. 1787. 1971 by Martin Heidegger. Reprinted by permission of HarperCollins Publishers.
• Jean-Paul Sartre, What is writing?, What is Literature?, London: Routledge, 1997, pp. 125. Reproduced by permission of Taylor & Francis Books UK.
• Emmanuel Levinas, Reality and its shadow, Collected Philosophical Papers , trans. A. Lingis, Dordrecht: Martinus Nijhoff, 1987, pp. 114. Martinus Nijhoff. Reproduced with permission of Blackwell Publishing Ltd.
• Mikel Dufrenne, The world of the aesthetic object, The Phenomenology of Aesthetic Experience , trans. E.S. Casey, Evanston: Northwestern University Press, 1966, pp. 16698. Northwestern University Press.
• Gaston Bachelard, The dialectics of outside and inside, The Poetics of Space , trans. M. Jolas, New York: Orion Press, 1964, pp. 21131. 1964 by The Orion Press, Inc. Original copyright 1958 by Presses Universitaires de France. Used by permission of Viking Penguin, a division of Penguin Group (USA), Inc.
• Hans-Georg Gadamer, Aesthetics and hermeneutics, Philosophical Hermeneutics , ed. and trans. D.E. Linge, Berkeley: University of California Press, 1977, pp. 95104. University of California Press.
• Paul Ricoeur, What is a text? Explanation and understanding, Hermeneutics and the Human Sciences: Essays on Language, Action and Interpretation , trans. J.B. Thompson, Cambridge: Cambridge University Press, pp. 14664. Cambridge University Press.
• Gianni Vattimo, The death or decline of art, The End of Modernity , trans. J.R. Snyder, Cambridge: Polity, 1988, pp. 5164. 1988 Polity Press. Reprinted with permission of The Johns Hopkins University Press.

• Karl Marx, Private property and communism, Early Writings , trans. R. Livingstone and G. Benton, London: Penguin, 1992, pp. 34558. Permission granted by New Left Review.
• Theodor W. Adorno, Extracts from Minima Moralia: Reflections from Damaged Life , trans. E.F.N. Jephcott, London: Verso, 1978, pp. 13852, 21231. Verso.
• Herbert Marcuse, Nature and revolution, Counterrevolution and Revolt , Boston: Beacon Press, 1972, pp. 5978. Beacon Press. Reprinted by permission of Beacon Press, Boston.
• Mikhail Bakhtin, Heteroglossia in the novel, The Dialogic Imagination , trans. C. Emerson and M. Holquist, Austin: University of Texas Press, 1981, pp. 30031. University of Texas Press.
• Jrgen Habermas, Modernity versus postmodernity, New German Critique , 1981, vol. 22, pp. 314. 1981, New German Critique, Inc. All rights reserved. Used by permission of the publisher, Duke University Press.

• Sigmund Freud, The unconscious, The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. XIV: Papers on Metapsychology , ed. J. Strachey, London: Hogarth Press, 1974, pp. 16676, 196204. The Institute of Psycho-Analysis and The Hogarth Press. Reprinted by permission of The Random House Group Ltd and Basic Books, a member of Perseus Books Group.
• Maurice Blanchot, The original experience, The Space of Literature , trans. A. Smock, Lincoln: University of Nebraska Press, 1982, pp. 23447. University of Nebraska Press.
• Georges Bataille, Sanctity, eroticism and solitude, Erotism , trans. M. Dalwood, San Francisco: City Lights, 1962, pp. 25264. City Lights Books. Reprinted by permission of City Lights Books, Marion Boyars Publishers (London 2006).
• Jacques Lacan, The agency of the letter in the unconscious or reason since Freud, crits: A Selection , trans. A. Sheridan, London: Tavistock, 1977, pp. 16197. Tavistock/Routledge. Reproduced by permission of Taylor & Francis Books UK.
• Luce Irigaray, Cos fan tutti, This Sex Which is Not One , trans. C. Porter with C. Burke, Ithaca: Cornell University Press, 1985, pp. 86105. Cornell University Press. Used by permission of the publisher.
• Julia Kristeva, Approaching abjection, Powers of Horror , trans. L.S. Roudiez, New York: Columbia University Press, 1982, pp. 131. Originally appeared in French as Pouvoirs de lhorreur . 1980 Editions du Seuil. Reprinted by permission of Georges Borchardt, Inc., for Editions du Seuil.
• Slavoj iek, Pornography, nostalgia, montage: a triad of the gaze, Looking Awry: An Introduction to Jacques Lacan Through Popular Culture , Cambridge, Mass.: MIT Press, 1991, pp. 10722. Massachusetts Institute of Technology, by permission of The MIT Press.

• Walter Benjamin, The work of art in the age of mechanical reproduction, Illuminations. 1955 by Suhrkamp Verlag, Frankfurt a.M., trans. H. Zohn, London: Jonathan Cape, 1970, pp. 21953. 1968 and renewed 1996 by Houghton Mifflin Harcourt Publishing Company, reprinted by permission of Houghton Mifflin Harcourt Publishing Company.
• Maurice Merleau-Ponty, Eye and mind, The Merleau-Ponty Aesthetics Reader , ed. G.A. Johnson, trans. M.B. Smith, Evanston: Northwestern University Press, 1966, pp. 12150. Northwestern University Press (North America) and Editions Gallimard, Paris (world excluding North America).
• Jean Baudrillard, The evil demon of images, The Evil Demon of Images , trans. P. Patton and P. Foss, Sydney: Power Institute of Fine Arts, 1987, pp. 1334. Power Publications.
• Judith Butler, Gender is burning: questions of appropriation and subversion, Bodies That Matter , London: Routledge, 1993, pp. 12140. Used with permission of Taylor & Francis Group.
• Paul Virilio, Part IV, The Aesthetics of Disappearance , trans. P. Beitchman, New York: Semiotext(e), 1991, pp. 99111. 2009 by Semiotext(e). Used by permission of the publisher: http://www.semiotexte.com.

• Roland Barthes, The death of the author, Image, Music, Text , trans. S. Heath, London: Fontana, 1977, pp. 14248. 1977 HarperCollins. Reproduced by permission of HarperCollins Publishers Ltd.
• Michel Foucault, What is an author?, Language, Counter-Memory, Practice: Selected Essays and Interviews , ed. D.F. Bouchard, trans. J.V. Harari, Ithaca: Cornell University Press, 1977, pp. 11338. Cornell University Press. Used by permission of the publisher.
• Jacques Derrida, The parergon, The Truth in Painting , trans. G. Bennington and I. McLeod, Chicago: University of Chicago Press, 1987, pp. 3782. University of Chicago Press.
• Paul de Man, The resistance to theory, Yale French Studies , New Haven: Yale University Press, 1982, pp. 35571. Yale University Press.
• Jean-Franois Lyotard, The sublime and the avant-garde, The Lyotard Reader , ed. A. Benjamin, Oxford: Blackwell, 1989, pp. 196211. Edinburgh University Press, http://www.euppublishing.com.