John Mercer is Professor in Gender and Sexuality at the Birmingham School of Media, Birmingham City University.
Mercers book is dense and erudite, bedazzling in its connoisseurship, rich in the detail of case studies that ring a clear bell or make you wonder how you missed that one, as witty as it is weighty. Discerning contemporary gay porn or any porn for that matter through the vortex of saturated masculinity turns out to be immensely productive. Its all here, all of the inhabitants of the pornosphere from the 1970s celluloid twink to the 21st-century postporn amateur care bear virtual daddy, situated carefully in the astutely defined dynamics of fantasy and sociality that keep them all alive. Mercers central place in the still-proliferating field of porn studies across the board is guaranteed.
Thomas Waugh, Professor of Film Studies, Mel Hoppenheim School of Cinema, Concordia University
Hugely impressive, the most interesting thing Ive read on these areas for years; it will be enormously helpful for scholars of pornography and a real gift to students.
Feona Attwood, Professor of Cultural Studies, Communication and Media, Middlesex University
Library of Gender and Popular Culture
From Mad Men to gaming culture, performance art to steam-punk fashion, the presentation and representation of gender continues to saturate popular media. This new series seeks to explore the intersection of gender and popular culture, engaging with a variety of texts drawn primarily from Art, Fashion, TV, Cinema, Cultural Studies and Media Studies as a way of considering various models for understanding the complementary relationship between gender identities and popular culture. By considering race, ethnicity, class, and sexual identities across a range of cultural forms, each book in the series will adopt a critical stance towards issues surrounding the development of gender identities and popular and mass cultural products.
For further information or enquiries, please contact the library series editors:
Claire Nally: claire.nally@northumbria.ac.uk
Angela Smith: angela.smith@sunderland.ac.uk
Advisory Board:
Dr Kate Ames, Central Queensland University, Australia
Prof Leslie Heywood, Binghampton University, USA
Dr Michael Higgins, Strathclyde University, UK
Prof sa Kroon, rebro University, Sweden
Dr Niall Richardson, Sussex University, UK
Dr Jacki Willson, Central St Martins, University of Arts London, UK
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Published and forthcoming titles:
Ageing Femininity on Film: The Older Woman in Contemporary Cinema
Niall Richardson
All-American TV Crime Drama: Feminism and Identity Politics in Law and Order: Special Victims Unit
Lisa Cuklanz and Sujata Moorti
Beyonc: Celebrity Feminism in the Age of Social Media
Kirsty Fairclough-Isaacs
Female Bodies and Performance in Film: Queer Encounters with Embodiment and Affect
Katharina Lindner
Framing the Single Mother: Gender, Politics and Family Values in Contemporary Popular Cinema
Louise Fitzgerald
Gay Pornography: Representations of Sexuality and Masculinity
John Mercer
Gender and Austerity in Popular Culture: Femininity, Masculinity and Recession in Film and Television
Helen Davies and Claire OCallaghan (Eds)
The Gendered Motorcycle: Representations in Society, Media and Popular Culture
Esperanza Miyake
Gendering History on Screen: Women Filmmakers and Historical Films
Julia Erhart
Girls Like This, Boys Like That: The Reproduction of Gender in Contemporary Youth Cultures
Victoria Cann
Love Wars: Television Romantic Comedy
Mary Irwin
Masculinity in Contemporary Science Fiction Cinema: Cyborgs, Troopers and Other Men of the Future
Marianne Kac-Vergne
Paradoxical Pleasures: Female Submission in Popular and Erotic Fiction
Anna Watz
Positive Images: Gay Men and HIV/AIDS in the Popular Culture of Post-Crisis
Dion Kagan
Queer Horror Film and Television: Sexuality and Masculinity at the Margins
Darren Elliott-Smith
Queer Sexualities in Early Film: Cinema and Male-Male Intimacy
Shane Brown
Shaping Gym Cultures: Body, Image and Social Media
Nicholas Chare
Steampunk: Gender and the Neo-Victorian
Claire Nally
Television Comedy and Femininity: Queering Gender
Rosie White
Television, Technology and Gender: New Platforms and New Audiences
Sarah Arnold
Tweenhood: Femininity and Celebrity in Tween Popular Culture
Melanie Kennedy
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Published in 2017 by
I.B.Tauris & Co. Ltd
London New York
www.ibtauris.com
Copyright 2017 John Mercer
The right of John Mercer to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher.
References to websites were correct at the time of writing.
Library of Gender and Popular Culture 16
ISBN: 978 1 78076 517 4 (HB)
ISBN: 978 1 78076 518 1 (PB)
eISBN: 978 1 78672 091 7
ePDF: 978 1 78673 091 6
A full CIP record for this book is available from the British Library
A full CIP record is available from the Library of Congress
Library of Congress Catalog Card Number: available
Contents
Acknowledgements
Its taken a long time to reach the stage where writing this book could become a practical reality and there is a very long list of people who have helped me along the way, from my initial postgraduate research in this area, to developing a career as an academic, writing, in part at least, about masculinity and gay porn. This includes many colleagues (and now friends) who have offered help and expressed enthusiasm for the work I was trying to do, back in those days when writing about gay porn still seemed like an odd career choice.
This project would not have been possible at all without the support of the Faculty of Arts, Media and Design at Birmingham City University, an institution which has provided the resources and time that have enabled the research and writing of this book. I owe a particular debt of gratitude to Professor Tim Wall, Associate Dean for Research, who has been a regular source of motivation and an invaluable supporter of my work over the years. I owe Tim a great deal.
I also want to thank my colleagues at the Birmingham Centre for Media and Cultural Research. A supportive, collegiate and enabling working environment really enables scholars to flourish and Ive been lucky to have those kinds of working conditions. Thanks in particular to the centre directors Nick Webber, for working so hard to cultivate those conditions, and Paul Long, for leading the centre and for reading through drafts of this book, and to my research cluster colleagues, especially Inger Lise Bore and my dear friend Oliver Carter.