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Isabel Hoving - Writing the Earth, Darkly: Globalization, Ecocriticism, and Desire

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Isabel Hoving Writing the Earth, Darkly: Globalization, Ecocriticism, and Desire
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Why do we find so many references to nature and the environment in the many Caribbean literary texts that try to come to terms with the contemporary age of globalization? Even when these novels and poems do not seem to be concerned with environmental issues at all, they abound with fragrant, creepy or dark references to flowers, insects, trees, gardens, and mud. This book discusses a range of Anglophone and Dutch-language Caribbean literary texts to propose an answer. It shows that some writers evoke nature to question oppressive notions of what is natural, and what is not, when it comes to race, gender, and desire. Other writers choose to counter the destructive dichotomies of wildness/order, nature/culture, nature/human that marked colonialism. Instead, they represent the environment as a field of interconnectedness, marked by intense semiotic interaction, in which human beings are also implicated. But writing about nature can also be a means to reconnect with the very foundations of life itself. In the most dramatic cases, references to nature evoke an extra-discursive space that then functions to subvert existing discourses. That space may even mark the site of the annihilation of discourse, or of the self. These texts suggest that, in times of globalization, it is only the dark, queer turn to matter that will free the path to imagining human existence in a new way. The books proposal to understand some of these fascinating texts as an effort to relate to the mind-baffling, explosive real is inspired by postcolonial trauma theory, posthumanism, and new materialism. However, Caribbean literature is a layered practice, that does much more than merely explore the worlds materiality. It works simultaneously as cultural critique, counter-discourse, and as the manipulation of affect. This book therefore brings together ecocriticism with Caribbean and postcolonial studies, the study of globalization, trauma theory, the study of gender and sexuality, posthumanism and new materialism, to bring out the full complexity of these wise texts. Thus, it hopes to show its readers their extraordinary innovative potential.

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Writing the Earth, Darkly

Ecocritical Theory and Practice

Series Editor: Douglas A. Vakoch, METI International, USA


Ecocritical Theory and Practice highlights innovative scholarship at the interface of literary/cultural studies and the environment, seeking to foster an ongoing dialogue between academics and environmental activists.


Advisory Board:

Bruce Allen, Seisen University, Japan; Hannes Bergthaller, National Chung-Hsing University, Taiwan; Zlia Bora, Federal University of Paraba, Brazil; Izabel Brando, Federal University of Alagoas, Brazil; Byron Caminero-Santangelo, University of Kansas, USA; Simo Farias Almeida, Federal University of Roraima, Brazil; George Handley, Brigham Young University, USA; Isabel Hoving, Leiden University, The Netherlands; Idom Thomas Inyabri, University of Calabar, Nigeria; Serenella Iovino, University of Turin, Italy; Daniela Kato, Kyoto Institute of Technology, Japan; Petr Kopeck, University of Ostrava, Czech Republic; Serpil Oppermann, Hacettepe University, Turkey; Christian Schmitt-Kilb, University of Rostock, Germany; Heike Schwarz, University of Augsburg, Germany; Murali Sivaramakrishnan, Pondicherry University, India; Scott Slovic, University of Idaho, USA; J. Etienne Terblanche, North-West University, South Africa; Julia Tofantuk, Tallinn University, Estonia; Cheng Xiangzhan, Shandong University, China; Hubert Zapf, University of Augsburg, Germany

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Writing the Earth, Darkly: Globalization, Ecocriticism, and Desire, by Isabel Hoving

Dark Nature: Anti-Pastoral Essays in American Literature and Culture, edited by Richard J. Schneider

Thinking about Animals in the Age of the Anthropocene, edited by Morten Tnnessen, Kristin Armstrong Oma, and Silver Rattasepp

Romantic Ecocriticism: Origins and Legacies, edited by Dewey W. Hall

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Interdisciplinary Essays on Environment and Culture: One Planet, One Humanity, and the Media, edited by Jean-Marie Kauth and Luigi Manca

Romantic Sustainability: Endurance and the Natural World, 17801830, edited by Ben P. Robertson

Ishimure Michikos Writings in Ecocritical Perspective: Between Sea and Sky, edited by Bruce Allen and Yuki Masami

The Ecopolitics of Consumption: The Food Trade, edited by H. Louise Davis, Karyn Pilgrim, and Madhu Sinha

Writing the Earth, Darkly

Globalization, Ecocriticism,
and Desire

Isabel Hoving


LEXINGTON BOOKS

Lanham Boulder New York London

Published by Lexington Books

An imprint of The Rowman & Littlefield Publishing Group, Inc.

4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706

www.rowman.com


Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB


Copyright 2017 by Lexington Books


All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review.


British Library Cataloguing in Publication Information Available


Library of Congress Cataloging-in-Publication Data


Includes bibliographical references and index.

ISBN 978-1-4985-2675-3 (cloth : alk. paper)

ISBN 978-1-4985-2676-0 (Electronic)


Picture 1 TM The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.


Printed in the United States of America

Acknowledgments This book has grown slowly in response to the exhilarating - photo 2
Acknowledgments

This book has grown slowly, in response to the exhilarating developments in academic fields such as Caribbean studies, postcolonial studies, gender studies, and the environmental humanities, and I am deeply indebted to the many colleagues who guided my explorations in these fields. I would like to thank the Faculty of Humanities at Leiden University that funded a postdoc-project, my always inspiring, supportive colleagues and fellow travelers of the Department of Film and Literary Studies and the Leiden University Centre for the Arts in Society, and my coteacher Rob Zwijnenberg and the students who participated in the adventure of teaching and studying the environmental humanities. I am grateful to the many scholars who commented on earlier versions or presentations of parts of this book, offered me valuable advice, edited parts of the book in various stages, and/or discussed ideas; among them Mieke Bal, Elizabeth DeLoughrey, Maria Cristina Fumagalli and Bndicte Ledent, Catherine Lord, Shani Mootoo, Nanne Timmer, Jonathan Todd, Ginette Verstraete, Gloria Wekker, Janet Wilson, the anonymous readers who commented on this manuscript, and earlier versions of separate chapters, and many others. My understanding of the environmental humanities has greatly benefited from the collaboration with my good friends at EASLCE and Ecozon@, and most recently the Benelux Association for the Study of Literature, Culture and the Environment, BASCE. I thank all those who edited earlier versions of parts of these chapters: Sean de Koekkoek, Jonathan Todd (again), Michael Katzberg, and Jonathan Smit. A big thank you, too, to Lindsey Porambo and Marilyn Ehm, the very patient editorial staff at Lexington Books, and Douglas Vakoch, for his support and encouragement. I owe special thanks to Olive Senior for granting me the permission to quote her wonderful poems. They were originally published by Calabash and Insomniac Press. Earlier versions of several chapters in this book were published elsewhere. A previous, shorter version of chapter 2, Alterity, appeared as Moving the Caribbean Landscape: The New Imagination of the Caribbean Environment in Caribbean Womens Writing, pages 15468 in Caribbean Literature and the Environment: Between Nature and Culture, edited by Elizabeth DeLoughrey et al. (Charlottesville and London: University of Virginia Press, 2005). A much shorter version of chapter 7, Trans, appeared as Broadcasters and Butterflies: Sexual Transgression as Cultural Critique in Dutch Caribbean Writing, pages 477513 in The Cross-Dressed Caribbean: Sexual Politics after Binarism, edited by Roberto Del Valle, Alcala Maria Cristina Fumagalli, and Benedicte Ledent (Charlottesville and London: University of Virginia Press, 2014). Both chapters are reproduced with permission of the University of Virginia Press. Fragments of chapter 4 first appeared in my Remaining Where You Are: Kincaid and Glissant on Space and Knowledge, pages 12540 in Mobilizing Place, Placing Mobility: The Politics of Representation in a Globalized World, edited by Ginette Verstraete and Tim Cresswell (Amsterdam: Rodopi, 2002). Chapter 8 appeared in an earlier, shorter version as On Invasions, Weeds and Wilderness: The Dutch Imagination of Globalisation (Thrice), 15371 in Global Fissures: Postcolonial Futures, Cross/Cultures 85, edited by Clara A.B. Joseph and Janet Wilson (Amsterdam: Rodopi, 2006). Chapter 9 appeared in an earlier, shorter version as Opacity and Openness: Creating New Senses of Dutchness, pages 297312 in

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