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Fiona Cox - Homers Daughters: Womens Responses to Homer in the Twentieth Century and Beyond

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Fiona Cox Homers Daughters: Womens Responses to Homer in the Twentieth Century and Beyond
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This collection of essays examines the various ways in which the Homeric epics have been responded to, reworked, and rewritten by women writers of the twentieth and early twenty-first centuries. Beginning in 1914 with the First World War, it charts this understudied strand of the history of Homeric reception over the subsequent century up to the present day, analysing the extraordinary responses both to the Odyssey and to the Iliad by women from around the world. The backgrounds of these authors and the genres they employ - memoir, poetry, childrens literature, rap, novels - testify not only to the plasticity of Homeric epic, but also to the widening social classes to whom Homer appeals, and it is unsurprising to see the myriad ways in which women writers across the globe have played their part in the story of Homers afterlife. From surrealism to successive waves of feminism to creative futures, Homers footprint can be seen in a multitude of different literary and political movements, and the essays in this volume bring an array of critical approaches to bear on the work of authors ranging from H.D. and Simone Weil to Christa Wolf, Margaret Atwood, and Kate Tempest. Students and scholars of not only classics, but also translation studies, comparative literature, and womens writing will find much to interest them, while the volumes concluding reflections by Emily Wilson on her new translation of the Odyssey are an apt reminder to all of just how open a text can be, and of how great a difference can be made by a womans voice.

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Classical Presences General Editors lorna hardwick james i porter - photo 1
Classical Presences

General Editors

lorna hardwick james i. porter

Classical Presences

Attempts to receive the texts, images, and material culture of ancient Greece and Rome inevitably run the risk of appropriating the past in order to authenticate the present. Exploring the ways in which the classical past has been mapped over the centuries allows us to trace the avowal and disavowal of values and identities, old and new. Classical Presences brings the latest scholarship to bear on the contexts, theory, and practice of such use, and abuse, of the classical past.

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Great Clarendon Street, Oxford, OX2 6DP, United Kingdom

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

The editors and several contributors 2019

The moral rights of the authors have been asserted

First Edition published in 2019

Impression: 1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer

Published in the United States of America by Oxford University Press

198 Madison Avenue, New York, NY 10016, United States of America

British Library Cataloguing in Publication Data

Data available

Library of Congress Control Number: 2019934014

ISBN 9780198802587

ebook ISBN 9780192523549

DOI: 10.1093/oso/9780198802587.001.0001

Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY

Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work.

For Miranda,

Peter, and Paul.

Acknowledgements

contains excerpts from Doolittle, H. and Martz, L., Collected Poems (CP) (New York: New Directions, 1986), Doolittle, H., Helen in Egypt (New York: New Directions, 1961), and Doolittle, H., Compassionate Friendship (as yet unpublished journal, ts. Norman Holmes Pearson Collection, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT).

Excerpts from the poems A Dead Priestess Speaks (pp. 3727), Calypso or Callypso speaks (pp. 38896), At Ithaca (pp. 1634), Circe (p. 119), Calypso (p. 390), Odyssey (pp. 938), and Helen (pp. 1545), from COLLECTED POEMS, 19121944, copyright 1982 by The Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp.
Excerpts from HELEN IN EGYPT, by H.D. (Hilda Doolittle), copyright 1961 by Norman Holmes Pearson. Reprinted by permission of New Directions Publishing Corp.
Excerpts from COMPASSIONATE FRIENDSHIP (p. 16) by H.D. (Hilda Doolittle), copyright 2018 by The Schaffner Family Foundation; used by permission of New Directions Publishing Corporation, agents.

contains excerpts from Oswald, A., Memorial: A Version of Homers Iliad (New York: W. W. Norton & Co, 2012) and Memorial: An Excavation of the Iliad (London: Faber and Faber Ltd, 2011). Also from Khler, B., Niemands Frau (Berlin: Suhrkamp Verlag, 2007). Acknowledgements also given in a footnote.

Excerpts from MEMORIAL: A VERSION OF HOMERS ILIAD by Alice Oswald. Copyright 2011 by Alice Oswald. Used by permission of W. W. Norton & Company, Inc.
Excerpts from MEMORIAL: AN EXCAVATION OF THE ILIAD by Alice Oswald. Copyright 2011 by Alice Oswald. Used by permission of Faber and Faber Ltd.
Excerpts from NIEMANDS FRAU by Barbara Khler. Copyright 2007 by Barbara Khler. Used by kind permission of Suhrkamp Verlag Suhrkamp Verlag AG Berlin.

contains excerpts from Atwood, M., Selected Poems 196575 (Boston: Houghton Mifflin, 1976; Toronto: Oxford University Press, 1976), Duffy, C. A., The Worlds Wife (London: Picador; New York: Farrar, Straus and Giroux, 1999), Glck, L., Meadowlands (Hopewell, NJ: Ecco, 1996), Graves, R., Collected Poems (London: Cassell, 1975), Doolittle, H. and Martz, L., Collected Poems (CP) (New York: New Directions, 1986), and Pastan, L., The Imperfect Paradise (New York: W. W. Norton & Co, 1988). Acknowledgements for the last of these also given in a footnote.

Excerpts from Siren Song and Circe: Mud Poems, from SELECTED POEMS 19651975 by Margaret Atwood. Copyright 1976, renewed 2004 by Margaret Atwood. Reproduced with permission of Curtis Brown Group Ltd, London, on behalf of O. W. Toad Ltd. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. Reprinted by permission of Oxford University Press, Canada. All rights reserved.
Excerpts from Circe, from THE WORLDS WIFE by Carol Ann Duffy. Copyright 1999 by Carol Ann Duffy. Reprinted by permission of Farrar, Straus and Giroux. Reprinted by permission of Pan Macmillan.
Excerpts from the poems Siren, Circes Power, Circes Torment, Circes Grief, from MEADOWLANDS by LOUISE GLCK. Copyright 1996 by Louise Glck. Reprinted by permission of HarperCollins Publishers and Carcanet Press Limited.
Excerpts from Robert Graves Ulysses (p. 56), from Graves, R., Collected Poems, reprinted by permission of Carcanet Press Limited.
Excerpts from Circe by H.D. (Hilda Doolittle), from COLLECTED POEMS, 19121944, copyright 1982 by The Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp.
Excerpts from Circe and The Sirens, from THE IMPERFECT PARADISE by Linda Pastan. Copyright 1988 by Linda Pastan. Used by permission of Linda Pastan in care of the Jean V. Naggar Literary Agency, Inc. (permissions@jvnla.com). Used by permission of W. W. Norton & Company, Inc.

contains excerpts from Aguirre, F., Ithaca (translated by Ana Valverde Osan) (Rochester, New York: BOA Editions, Ltd, 2004) and Cavafy, C. P., C.P. Cavafy Collected Poems: Bilingual Edition (trans. Edmund Keeley and Philip Sherrard; ed. George P. Savidis) (revised edition; Princeton, New Jersey: Princeton University Press, 1992).

Francisca Aguirre, Ithaca / Itaca and excerpts from From Without / Desde fuera, The Comrades / Los camaradas, Orderliness / El orden, Autophagy / Autofragia, and Loom / Telar from Ithaca. Copyright 1972 by Francisca Aguirre. Translation copyright 2004 by Ana Valverde Osan. Used by permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd, www.boaeditions.org.
Excerpts from Waiting for the Barbarians, The City, and Ithaka, excerpted from C. P. CAVAFY COLLECTED POEMS: Bilingual Edition trans. by Edmund Keeley and Philip Sherrard, edited by George Savidis. With a new foreword by Robert Pinsky. Published by Princeton University Press, 2009. Copyright C. P. Cavafy. Reproduced by permission of the author c/o Rogers, Coleridge & White Ltd, 20 Powis Mews, London W11 1JN. Bilingual edition copyright 2009 by Princeton University Press. English translation copyright 1975, 1992, 2009 by Edmund Keeley and Philip Sherrard. Reprinted by permission of Princeton University Press.
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