Attempts to receive the texts, images, and material culture of ancient Greece and Rome inevitably run the risk of appropriating the past in order to authenticate the present. Exploring the ways in which the classical past has been mapped over the centuries allows us to trace the avowal and disavowal of values and identities, old and new. Classical Presences brings the latest scholarship to bear on the contexts, theory, and practice of such use, and abuse, of the classical past.
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Acknowledgements
contains excerpts from Doolittle, H. and Martz, L., Collected Poems (CP) (New York: New Directions, 1986), Doolittle, H., Helen in Egypt (New York: New Directions, 1961), and Doolittle, H., Compassionate Friendship (as yet unpublished journal, ts. Norman Holmes Pearson Collection, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT).
Excerpts from the poems A Dead Priestess Speaks (pp. 3727), Calypso or Callypso speaks (pp. 38896), At Ithaca (pp. 1634), Circe (p. 119), Calypso (p. 390), Odyssey (pp. 938), and Helen (pp. 1545), from COLLECTED POEMS, 19121944, copyright 1982 by The Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp.
Excerpts from HELEN IN EGYPT, by H.D. (Hilda Doolittle), copyright 1961 by Norman Holmes Pearson. Reprinted by permission of New Directions Publishing Corp.
Excerpts from COMPASSIONATE FRIENDSHIP (p. 16) by H.D. (Hilda Doolittle), copyright 2018 by The Schaffner Family Foundation; used by permission of New Directions Publishing Corporation, agents.
contains excerpts from Oswald, A., Memorial: A Version of Homers Iliad (New York: W. W. Norton & Co, 2012) and Memorial: An Excavation of the Iliad (London: Faber and Faber Ltd, 2011). Also from Khler, B., Niemands Frau (Berlin: Suhrkamp Verlag, 2007). Acknowledgements also given in a footnote.
Excerpts from MEMORIAL: A VERSION OF HOMERS ILIAD by Alice Oswald. Copyright 2011 by Alice Oswald. Used by permission of W. W. Norton & Company, Inc.
Excerpts from MEMORIAL: AN EXCAVATION OF THE ILIAD by Alice Oswald. Copyright 2011 by Alice Oswald. Used by permission of Faber and Faber Ltd.
Excerpts from NIEMANDS FRAU by Barbara Khler. Copyright 2007 by Barbara Khler. Used by kind permission of Suhrkamp Verlag Suhrkamp Verlag AG Berlin.
contains excerpts from Atwood, M., Selected Poems 196575 (Boston: Houghton Mifflin, 1976; Toronto: Oxford University Press, 1976), Duffy, C. A., The Worlds Wife (London: Picador; New York: Farrar, Straus and Giroux, 1999), Glck, L., Meadowlands (Hopewell, NJ: Ecco, 1996), Graves, R., Collected Poems (London: Cassell, 1975), Doolittle, H. and Martz, L., Collected Poems (CP) (New York: New Directions, 1986), and Pastan, L., The Imperfect Paradise (New York: W. W. Norton & Co, 1988). Acknowledgements for the last of these also given in a footnote.
Excerpts from Siren Song and Circe: Mud Poems, from SELECTED POEMS 19651975 by Margaret Atwood. Copyright 1976, renewed 2004 by Margaret Atwood. Reproduced with permission of Curtis Brown Group Ltd, London, on behalf of O. W. Toad Ltd. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. Reprinted by permission of Oxford University Press, Canada. All rights reserved.
Excerpts from Circe, from THE WORLDS WIFE by Carol Ann Duffy. Copyright 1999 by Carol Ann Duffy. Reprinted by permission of Farrar, Straus and Giroux. Reprinted by permission of Pan Macmillan.
Excerpts from the poems Siren, Circes Power, Circes Torment, Circes Grief, from MEADOWLANDS by LOUISE GLCK. Copyright 1996 by Louise Glck. Reprinted by permission of HarperCollins Publishers and Carcanet Press Limited.
Excerpts from Robert Graves Ulysses (p. 56), from Graves, R., Collected Poems, reprinted by permission of Carcanet Press Limited.
Excerpts from Circe by H.D. (Hilda Doolittle), from COLLECTED POEMS, 19121944, copyright 1982 by The Estate of Hilda Doolittle. Reprinted by permission of New Directions Publishing Corp.
Excerpts from Circe and The Sirens, from THE IMPERFECT PARADISE by Linda Pastan. Copyright 1988 by Linda Pastan. Used by permission of Linda Pastan in care of the Jean V. Naggar Literary Agency, Inc. (permissions@jvnla.com). Used by permission of W. W. Norton & Company, Inc.
contains excerpts from Aguirre, F., Ithaca (translated by Ana Valverde Osan) (Rochester, New York: BOA Editions, Ltd, 2004) and Cavafy, C. P., C.P. Cavafy Collected Poems: Bilingual Edition (trans. Edmund Keeley and Philip Sherrard; ed. George P. Savidis) (revised edition; Princeton, New Jersey: Princeton University Press, 1992).
Francisca Aguirre, Ithaca / Itaca and excerpts from From Without / Desde fuera, The Comrades / Los camaradas, Orderliness / El orden, Autophagy / Autofragia, and Loom / Telar from Ithaca. Copyright 1972 by Francisca Aguirre. Translation copyright 2004 by Ana Valverde Osan. Used by permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd, www.boaeditions.org.
Excerpts from Waiting for the Barbarians, The City, and Ithaka, excerpted from C. P. CAVAFY COLLECTED POEMS: Bilingual Edition trans. by Edmund Keeley and Philip Sherrard, edited by George Savidis. With a new foreword by Robert Pinsky. Published by Princeton University Press, 2009. Copyright C. P. Cavafy. Reproduced by permission of the author c/o Rogers, Coleridge & White Ltd, 20 Powis Mews, London W11 1JN. Bilingual edition copyright 2009 by Princeton University Press. English translation copyright 1975, 1992, 2009 by Edmund Keeley and Philip Sherrard. Reprinted by permission of Princeton University Press.