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John Jennings - The Cowboy Legend: Owen Wisters Virginian and the Canadian-American Ranching Frontier (The West, 6) (Volume 6)

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The Cowboy Legend: Owen Wisters Virginian and the Canadian-American Ranching Frontier (The West, 6) (Volume 6): summary, description and annotation

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The cowboy, as perhaps no other figure, has captured the imagination of North Americans for over a century. Before Owen Wisters publication of The Virginian in 1902, the image of the cowboy was essentially that of the dime novel - a rough, violent, one-dimensional drifter, or the stage cowboy variety found in Buffalo Bill Codys Wild West show. Wisters novel was to transform, almost overnight, this image of the cowboy. Soon after its publication, Wister sent a copy, inscribed To the hero from the author, to Everett Johnson, a cowboy from Virginia who had been a friend of Wisters in Wyoming in the 1880s. Johnson had migrated to Alberta by the 1890s, eventually settling in the Calgary area. Before his death in 1946, his daughter-in-law, Jean Johnson, transcribed Everetts stories of the old west and collected them into a manuscript, now on deposit in the Glenbow Archives.

In The Cowboy Legend, John Jennings, building on Jean Johnsons work, details the evidence that Everett Johnson was the initial and prime inspiration for Wisters cowboy, and in the process shows that Johnson led a fascinating life in his own right. His memories of both the Wyoming and Alberta cattle frontiers provide insight into ranch life on both sides of the border, and the compelling parallel biographies of Johnson and Wister feature vignettes of legendary period figures such as Buffalo Bill Cody, Wild Bill Hickok, Wyatt Earp, and Butch Cassidy, not to mention the best man at Johnsons wedding, Henry Longabaugh, a.k.a. the Sundance Kid.

With an impressive range of scholarship and archival research, Jennings melds this realistic study of the cowboy frontier with an intriguing account of Wisters subsequent creation of the cowboy mystique, aided by two close friends and perhaps somewhat unexpected collaborators, Frederic Remington and Theodore Roosevelt. As compulsively readable as it is informative, this unique contribution to western history and literature will be welcomed by fans and scholars alike.v

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THE COWBOY LEGEND THE WEST SERIES Aritha van Herk Series Editor ISSN - photo 1
THE
COWBOY
LEGEND
THE WEST SERIES
Aritha van Herk, Series Editor
ISSN 1922-6519 (Print) ISSN 1925-587X (Online)
This series focuses on creative non-fiction that explores our sense of place in the West - how we define ourselves as Westerners and what impact we have on the world around us. Essays, biographies, memoirs, and insights into Western Canadian life and experience are highlighted.
No. 1 Looking Back: Canadian Women's Prairie Memoirs and Intersections of Culture, History, and Identity S. Leigh Matthews
No. 2 Catch the Gleam: Mount Royal, From College to University, 19102009 Donald N. Baker
No. 3 Always an Adventure: An Autobiography Hugh A. Dempsey
No. 4 Promoters, Planters, and Pioneers: The Course and Context of Belgian Settlement in Western Canada Cornelius J. Jaenen
No. 5 Happyland: A History of the Dirty Thirties in Saskatchewan, 19141937 Curtis R. McManus
No. 6 My Name is Lola Lola Rozsa, as told to and written by Susie Sparks
No. 7 The Cowboy Legend: Owen Wisters Virginian and the Canadian-American Frontier John Jennings
No. 8 Sharon Pollock: First Woman of Canadian Theatre Edited by Donna Coates
2015 John Jennings University of Calgary Press 2500 University Drive NW - photo 2
2015 John Jennings
University of Calgary Press
2500 University Drive NW
Calgary, Alberta
Canada T2N 1N4
www.uofcpress.com
This book is available as an ebook which is licensed under a Creative Commons license. The publisher should be contacted for any commercial use which falls outside the terms of that license.
Library and Archives Canada Cataloguing in Publication
Jennings, John, 1941-, author
The cowboy legend : Owen Wisters Virginian and the
Canadian-American frontier / John Jennings.
(The west ; 7)
Includes bibliographical references and index.
Issued in print and electronic formats.
ISBN 978-1-55238-528-9 (paperback).ISBN 978-1-55238-529-6 (pdf).
ISBN 978-1-55238-752-8 (epub).ISBN 978-1-55238-753-5 (mobi)
1. Johnson, Everett, 1860-1946. 2. CowboysWest (U.S.)Social
life and customs. 3. CowboysAlbertaSocial life and customs.
4. Frontier and pioneer lifeWest (U.S.)History. 5. Frontier and
pioneer lifeAlbertaHistory. 6. Wister, Owen, 1860-1938. Virginian.
7. Cowboys in literature. 8. Cowboys in popular culture. I. Title.
II. Series: West series (Calgary, Alta.) ; 7
F596.J46 2015 978 C2015-904842-7
C2015-904843-5
The University of Calgary Press acknowledges the support of the Government of Alberta through the Alberta Media Fund for our publications. We acknowledge the financial support of the Government of Canada through the Canada Book Fund for our publishing activities. We acknowledge the financial support of the Canada Council for the Arts for our publishing program.
The Cowboy Legend Owen Wisters Virginian and the Canadian-American Ranching Frontier The West 6 Volume 6 - image 3
The Cowboy Legend Owen Wisters Virginian and the Canadian-American Ranching Frontier The West 6 Volume 6 - image 4
Cover design page design and typesetting by Melina Cusano E-book conversion - photo 5
Cover design, page design, and typesetting by Melina Cusano
E-book conversion by Human Powered Design
To Jean Johnson
Contents
Acknowledgments
This book is dedicated to Jean Johnson. Her manuscript of her father-in-laws life, deposited in the Glenbow Archives, is the basis for this book. I also owe a large debt to her daughter Donna Butters for all her help over the years. Donnas sons, Erik and Lamont, read the manuscript and provided important information.
All historians of the Canadian West are very fortunate to have the Glenbow Archives and Library. It is a fabulous resource, as are the people who work there. I would especially like to thank Hugh Dempsey and Sheilagh Jameson for sharing their vast knowledge of the early western Canadian frontier, first when I was working on my doctoral thesis on the early Mounted Police and Native relations and, later, as I was researching the history of the early Alberta range. I would also like to thank Doug Cass, a former student of mine at the University of Calgary, and now Director, Library and Archives, at the Glenbow Museum, for all his help over the years.
This book required research in a number of archives in both eastern and western United States: the American Heritage Center at the University of Wyoming; the Buffalo Bill Center of the West in Cody, Wyoming; the Library of Congress; the Houghton Library at Harvard University; the Historical Society of Pennsylvania in Philadelphia; the Historical Society of New Hampshire in Concord; and the Remington Museum in Ogdensburg, New York. Without exception, the staff of these institutions were generous with their time and often bombarded me with extra material that they thought might prove useful.
A number of individuals were also very generous with their knowledge. In Wyoming, Bill Henry, the grandson of Mike Henry, the model for Wisters Judge Henry, put aside a busy day to show me around the ranching country of Wyoming and to provide me with useful material. In the ranching community of Johnson County, Wyoming, and in its urban centre, Buffalo, I met many people with an extensive knowledge of early Wyoming history and a refreshing openness to share it with me.
I have been very fortunate in receiving generous advice from historians of the Alberta ranching frontier, starting with Lewis G. Thomas, the dean of Alberta ranching history; Simon Evans, who read an early version of the manuscript and gave me much invaluable advice and detailed suggestions; David Breen, whose work on the Alberta ranching frontier is the starting point for any work in the area; Donald Smith, one of Canadas foremost experts in the field of Native history; Ted Chamberlin, whose broad knowledge and fresh insights into both the history and the literature of the early West were exceedingly useful; Rod Macleod, the foremost historian of the Mounted Police and early law in Alberta; and my great friend Max Foran, who stood up with me when I was married in the little log church in Millarville in the heart of Alberta ranching country. Max is equally ferocious in his pursuit of history and on the squash court!
I was very fortunate in having editorial advice from Ramsay Derry, with his great breadth of literary knowledge, and from Peter Enman at the University of Calgary Press, who was a delight to work with. Donna Livingstone, former Director of the University of Calgary Press and now President and CEO of the Glenbow Museum, was very helpful in the early stages of this book.
And, finally, to my wife Nicola, a very special thanks for your unwavering encouragement, your keen eye for mistakes, and discerning ear for the English language. This book owes much to you.
Preface
The cowboy is, arguably, Americas foremost folk figure. The creation of this most American of folk heroes began quite suddenly with the publication of Owen Wisters novel The Virginian in 1902. The romantic cowboy that Wister created launched a deluge of cowboy literature that firmly placed the cowboy at the forefront of American popular culture. It is the main contention of this book that Wisters Virginian was based on Everett Johnson, a cowboy from Virginia, who lived on the cattle frontiers of Wyoming and Alberta during their most exciting and decisive times.
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