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Roger Balm - Archaeologys Visual Culture: Digging and Desire

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Archaeologys Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing.

Throughout the book Balm considers the potential for documentary images and visual material held in archives to perform cultural work within and between groups of specialists. With primary sources ranging from the mid-nineteenth to the early twenty-first century, this volume also maps the intellectual and social connections between archaeologists and their peers. Geographical settings include Britain, Cyprus, Mesoamerica, the Middle East and the United States, and the sites of visual encounter are no less diverse, ranging from excavation reports in salvage archaeology to instrumentally derived data-sets and remote-sensing imagery. By forensically examining selected visual records from published accounts and archival sources, enduring tropes of representation become apparent that transcend issues of style and reflect fundamental visual sensibilities within the discipline of archaeology.

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Archaeologys Visual Culture Archaeologys Visual Culture explores archaeology - photo 1
Archaeologys Visual Culture
Archaeologys Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing.
Throughout the book Balm considers the potential for documentary images and visual material held in archives to perform cultural work within and between groups of specialists. With primary sources ranging from the mid-nineteenth century to the 1980s, this volume also maps the intellectual and social connections between archaeologists and their peers. Geographical settings include Britain, Cyprus, Mesoamerica, the Middle East and the United States, and the sites of visual encounter are no less diverse, ranging from excavation reports in salvage archaeology to instrumentally derived data-sets and remote-sensing imagery. By forensically examining selected visual records from published accounts and archival sources, enduring tropes of representation become apparent that transcend issues of style and reflect fundamental visual sensibilities within the discipline of archaeology.
Roger Balm is a geographer with a research interest in the ancient cultural landscapes of Mexico, South America and the Mediterranean. He was a 2010 Fulbright scholar in Cyprus and has also held a fellowship with the American Geographical Society. He is an independent scholar.
Routledge Studies in Archaeology
1An Archaeology of Materials
Substantial Transformations in Early Prehistoric Europe
Chantal Conneller
2Roman Urban Street Networks
Streets and the Organization of Space in Four Cities
Alan Kaiser
3Tracing Prehistoric Social Networks through Technology
A Diachronic Perspective on the Aegean
Edited by Ann Brysbaert
4Hadrians Wall and the End of Empire
The Roman Frontier in the 4th and 5th Centuries
Rob Collins
5U.S. Cultural Diplomacy and Archaeology
Soft Power, Hard Heritage
Christina Luke and Morag M. Kersel
6The Prehistory of Iberia
Debating Early Social Stratification and the State
Edited by Maria Cruz Berrocal, Leonardo Garca Sanjun, and Antonio Gilman
7Materiality and Consumption in the Bronze Age Mediterranean
Louise Steel
8Archaeology in Environment and Technology
Intersections and Transformations
Edited by David Frankel, Jennifer M. Webb and Susan Lawrence
9An Archaeology of Land Ownership
Edited by Maria Relaki and Despina Catapoti
10From Prehistoric Villages to Cities
Settlement Aggregation and Community Transformation
Edited by Jennifer Birch
11Space and Time in Mediterranean Prehistory
Edited by Stella Souvatzi and Athena Hadji
12Open-Air Rock-Art Conservation and Management
State of the Art and Future Perspectives
Edited by Timothy Darvill and Antnio Pedro Batarda Fernandes
13Knowledge Networks and Craft Traditions in the Ancient World
Material Crossovers
Edited by Katharina Rebay-Salisbury, Ann Brysbaert and Lin Foxhall
14Sharing Archaeology
Academe, Practice, and the Public
Edited by Peter G. Stone and Zhao Hui
15The Archaeology of Roman Britain
Biography and Identity
Adam Rogers
16The Maritime Archaeology of a Modern Conflict
Comparing the Archaeology of German Submarine Wrecks to the Historical Text
Innes McCartney
17The Archaeology of Bronze Age Iberia
Argaric Societies
Edited by Gonzalo Aranda Jimnez, Sandra Montn-Subas and Margarita Snchez Romero
18Debating Archaeological Empiricism
The Ambiguity of Material Evidence
Edited by Charlotta Hillerdal and Johannes Siapkas
19Archaeologys Visual Culture
Digging and Desire
Roger Balm
Archaeologys Visual Culture
Digging and Desire
Roger Balm
First published 2016 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 2
First published 2016
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2016 Roger Balm
The right of Roger Balm to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Names: Balm, Roger, 1947
Title: Archaeologys visual culture : digging and desire / Roger Balm.
Description: Milton Park, Abingdon, Oxon : Routledge, 2016. | Series: Routledge studies in archaeology ; 19 | Includes bibliographical references.
Identifiers: LCCN 2015023554 | ISBN 9781138941151 (hardback : alkaline paper) | ISBN 9781315673868 (ebook)
Subjects: LCSH: ArchaeologyPhilosophyCase studies. | ArchaeologyPsychological aspectsCase studies. | ArchaeologistsPsychologyCase studies. | Visual perceptionCase studies. | Visual communicationCase studies. | AntiquitiesCollection and preservationCase studies. | Excavations (Archaeology)Case studies. | Archaeological museums and collectionsCase studies.
Classification: LCC CC72 .B35 2016 | DDC 930.1dc23
LC record available at http://lccn.loc.gov/2015023554
ISBN: 978-1-138-94115-1 (hbk)
ISBN: 978-1-315-67386-8 (ebk)
Typeset in Sabon
by Apex CoVantage, LLC
Contents
This book had its beginnings during a brief time spent in the archaeological zone of Copn, Honduras, as one of a group of traveling scholars. There, through the course of a muggy morning, the architectural morphology of the sites acropolis was described to us, along with the sequence of Maya rulers who contributed to its construction. Their names, from Kinich Yax Kuk Mo to Yax Pasah, do not roll easily off the English tongue, and I do a poor job recalling who followed whom. My recollection of the physical remains of what those rulers commissioned and presided over remains sharp, however. Looking back over my notes, I find them interspersed with doodled sketches of elaborately embellished temples nested like Russian dolls and separated one from another by dark shading indicative of architectural voids and gaps in time. In addition to my own scribbled records, the archaeological explanations of the site that day were insistently visual, with conjecture, speculation and evidence about the past keyed to the visible present.
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