Cover
title | : | Introduction to Visual Culture |
author | : | Mirzoeff, Nicholas. |
publisher | : | Taylor & Francis Routledge |
isbn10 | asin | : | 0415158753 |
print isbn13 | : | 9780415158756 |
ebook isbn13 | : | 9780203014134 |
language | : | English |
subject | Art and society, Visual communication, Visual perception, Mass media, Communication and culture, Postmodernism, Sociologie visuelle , Culture populaire , Communication visuelle , Mdias , Art et socit , Postmodernisme |
publication date | : | 1999 |
lcc | : | N72.S6M57 1999eb |
ddc | : | 306 |
subject | : | Art and society, Visual communication, Visual perception, Mass media, Communication and culture, Postmodernism, Sociologie visuelle , Culture populaire , Communication visuelle , Mdias , Art et socit , Postmodernisme |
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An Introduction to Visual Culture
An Introduction to Visual Culture is the best book I have read on cultural theory this decade The book is crisply written and offers a clear view of a complex, multidisciplinary field which has emerged over the past three years.
Anne Massey, Art Monthly
An original, well-researched and engaging text that makes a unique contribution to the analysis and understanding of visual culture. Mirzoeffs masterful handling of his material makes for a timely work that will have an immediate and direct appeal to many readers and students.
John Di Stefano, The School of the Art Institute of Chicago
Mirzoeffs careful attention to issues ranging from Renaissance perspective to popular media culture makes this book a valuable starting point for readers interested in sampling the range of topics covered in visual culture studies.
Lisa Cartwright, University of Rochester, New York
An Introduction to Visual Culture provides a comprehensive introduction to the exciting new interdisciplinary field of visual culture.
Tracing the history and theory of visual culture from painting to the World Wide Web, An Introduction to Visual Culture asks how and why visual media have become so central to contemporary everyday life. Mirzoeff suggests that our primary way of understanding the world is now increasingly visual, and not textual.
In this innovative introductory text, Nicholas Mirzoeff explores:
What is visual culture?
Elements of the visual, including perspectives, color, line, and vision.
A wide range of visual media, including painting, sculpture, photography, television, cinema, Virtual Reality, and the Internet.
The importance of race and ethnicity, gender and sexuality, and the body in visual culture.
The international media event which followed the death of Princess Diana, as marking the coming of age of a global visual culture.
Nicholas Mirzoeff is Associate Professor of Art at the State University of New York, Stony Brook. He is the author of Bodyscape: Art, Modernity and the Ideal Figure (1995) and editor of The Visual Culture Reader (1998) and Diaspora and Visual Culture: Representing Africans and Jews (1999).
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An Introduction to Visual Culture
Nicholas Mirzoeff
London and New York
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First published 1999
by Routledge
11 New Fetter Lane, London EC4P 4EE
Simultaneously published in the USA and Canada
by Routledge
29 West 35th Street, New York, NY 10001
Routledge is an imprint of the Taylor & Francis Group
This edition published in the Taylor & Francis e-Library, 2004.
1999 Nicholas Mirzoeff
All rights reserved. No part of this book may be reprinted or
reproduced or utilized in any form or by any electronic,
mechanical, or other means, now known or hereafter
invented, including photocopying and recording, or in any
information storage or retrieval system, without permission in
writing from the publishers.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloguing in Publication Data
A catalogue record for this book has been requested
ISBN 0-203-01413-8 Master e-book ISBN
ISBN 0-415-15875-3 (hbk)
ISBN 0-415-15876-1 (pbk)
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CONTENTS
List of illustrations | ix |
Acknowledgments | xiii |
Introduction: What is visual culture? | |
VISUALIZING | |
VISUAL POWER, VISUAL PLEASURE | |
VISUALITY | |
CULTURE | |
EVERYDAY LIFE | |
PART ONEVISUALITY | |
| Picture definition: Line, color, vision | |
PERSPECTIVES | |
DISCIPLINE AND COLOR | |
NORMALIZING COLOR: COLOR BLINDNESS | |
LIGHT OVER COLOR | |
WHITE | |
CODA | |
| The age of photography (18391982) | |
THE DEATH OF PAINTING | |
THE BIRTH OF THE DEMOCRATIC IMAGE | |
DEATH AND PHOTOGRAPHY | |
FROM PHOTO NOIR TO POST-PHOTOGRAPHY | |
THE DEATH OF PHOTOGRAPHY | |
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| Virtuality: From virtual antiquity to the pixel zone | |
INTERFACES WITH VIRTUALITY | |
VIRTUALITY GOES GLOBAL | |
TELESUBLIME | |
VIRTUAL REALITY | |
VIRTUAL REALITY AND EVERYDAY LIFE | |
VIRTUAL IDENTITY | |
NET LIFE | |
MORE PIXELS ANYONE? | |
VIRTUAL BODIES | |
PART TWOCULTURE | |
| Transculture: From Kongo to the Congo | |
INVENTING THE HEART OF DARKNESS | |
RESISTANCE THROUGH RITUAL | |
CULTURAL MEMORY | |
NEW VISIONS FROM THE CONGO | |
| Seeing sex |
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