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Giuseppe Caruso - The Botany of Beer: An Illustrated Guide to More Than 500 Plants Used in Brewing

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Giuseppe Caruso The Botany of Beer: An Illustrated Guide to More Than 500 Plants Used in Brewing

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From mass-produced lagers to craft-brewery IPAs, from beers made in Trappist monasteries according to traditional techniques to those created by innovative local brewers seeking to capture regional terroir, the world of beer boasts endless varieties. The diversity of beer does not only reflect the differences among the people and cultures who brew this beverage. It also testifies to the vast range of plants that help give different styles of beer their distinguishing flavor profiles.

This book is a comprehensive and beautifully illustrated compendium of the characteristics and properties of the plants used in making beer around the world. The botanical expert Giuseppe Caruso presents scientifically rigorous descriptions, accompanied by his own hand-drawn ink images, of more than 500 species. For each one, he gives the scientific classification, common names, and information about morphology, geographical distribution and habitat, and cultivation range. Caruso provides detailed information about each plants applications in beer making, including which of its parts are employed, as well as its chemical composition, its potential toxicity, and examples of beers and styles in which it is typically used. The book also considers historical uses, aiding brewers who seek to rediscover ancient and early modern concoctions.

This book will appeal to a wide audience, from beer aficionados to botany enthusiasts, providing valuable information for homebrewers and professional beer makers alike. It reveals how botanical knowledge can open new possibilities for todays and tomorrows brewers.

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Table of Contents
The Botany of Beer Arts and Traditions of the Table Giuseppe Caruso The - photo 1
The Botany
of Beer
Arts and Traditions of the Table
Giuseppe Caruso
The Botany
of Beer
An Illustrated Guide to More Than
500 Plants Used in Brewing
Foreword by Marika Josephson
Translated by Kosmos, Reggio Emilia, Italy
Columbia University Press New York This book was translated thanks to a - photo 2
Columbia University Press
New York
This book was translated thanks to a grant awarded by the Italian Ministry of Foreign Affairs
and International Cooperation.
Columbia University Press gratefully acknowledges the generous support for this - photo 3
Columbia University Press gratefully acknowledges the generous support for this book provided
by Publishers Circle member the Knapp Family Foundation.
Columbia University Press
Publishers Since 1893
New YorkChichester, West Sussex
cup.columbia.edu
Translation copyright 2022 Columbia University Press
Originally published as La botanica della birra. Caratteristiche e propriet di oltre
500 specie vegetali usate nel brassaggio
, by Giuseppe Caruso.
Texts and illustrations by Giuseppe Caruso
2019 Slow Food Editore
Via Audisio, 512042 Bra (Cn)
www.slowfoodeditore.it
All rights reserved
EISBN 978-0-231-55417-6
An Infinite World excerpted from T. Musso and M. Drago,
Baladin. La birra artigianale tutta colpa di Teo (Craft Beer Is All Teos Fault)
(Milan: Feltrinelli, 2013). Authorized reproduction Giangiacomo Feltrinelli Editore, Milan.
First edition in Serie Bianca, May 2013.
A Columbia University Press E-book.
CUP would be pleased to hear about your reading experience with this e-book at .
Cover design: Noah Arlow
Cover image: Giuseppe Caruso
To Aurora Iolanda Pellegrino, my mother,
to whom I owe the determination
that writing this book required.
Teo Musso I would be there like a madman trying to capture every little - photo 4
Teo Musso
I would be there like a madman, trying to capture every little nuance, every little change in flavor, in smell. I would put the ingredients in cold water, then I would try an infusion at 95 degrees Celsius for half an hour, everything to try out nuances... I began with the ten spices that are usually used, only to soon realize that that world is infinite: spices, herbs, petals, sticks, leaves, really everything is good for creating flavor. Theres no end to it. I experimented with a hundred types of petals, thirty varieties of coriander, gentian root sourced from twenty-five different origins. I proceeded obsession by obsession: one month submerged in mountain herbs, one month in something else. My most impressive fixation was resins. All things considered, the world of petals is more familiar, while the world of resins is unexploredand therefore even more fascinating. Really awesome. We have very limited knowledge of resins: not many people know that the incense burned in churches is a resin from the myrrh family. This makes us automatically associate resins with something exclusively aromatic, and above all we are mostly familiar with burnt resins. Instead, I started making infusions and discovered a fantastic universe of flavors and scents.
It is a very complicated world because we are talking about the products of the earth, subject to changes and variables. If you base your work on things like flavors and fragrances, you put yourself completely in the hands of your suppliers. When you change suppliers, you have to restart smelling everything because sometimes the differences are remarkable. For me, this is the most beautiful thing in the world.
The master brewer Teo Musso is the founder of the innovative Baladin brewery and Birra Baladin.
Contents
In the summer of 2009 my partner now husband and I packed up a U-Haul with - photo 5
In the summer of 2009 my partner now husband and I packed up a U-Haul with - photo 6
In the summer of 2009, my partner (now husband) and I packed up a U-Haul with the modest belongings acquired by a couple of twenty-somethings who had been bouncing between tiny apartments in New York City. Nick had been accepted into a doctoral program at Southern Illinois University, Carbondale, and I was finishing my dissertation at the New School for Social Research, mobile and working from home.
We were two philosophers ready for a new adventure as we pulled into the spacious duplex that would become our home, smack dab in the middle of the Shawnee National Forest. In two days we had traded New York City, population 9 million, for Makanda, Illinois, population 350.
Steps outside our condo were wild persimmons, elderflowers, nettle, juniper, rose, sassafras, and a densely packed oak and hickory forest peppered by the hooting of great horned owls. But all I could name when we settled down that summer were the dandelions that grew abundantly in the grassy lawn between the homes in our small, unpaved cul-de-sac. I had no idea what was in store for me in the next ten years.
Almost immediately I began brewing beer at home. I had been surrounded by beer throughout my childhood. Carboys lining the side of the garage of our San Diego home are some of my earliest memories, and my father never missed an opportunity to stop at a new brewery while we were on vacation or had a free weekend or were simply on the way to the grocery store. He never really needed a reason. Throughout the 1990s, when craft beer in Southern California was in its infancy, I remember having root beer with my mother and her parents at the tables of the Karl Strauss brewpub in downtown San Diego and buying bottles of Stone Brewing Companys Arrogant Bastard Ale for uncles visiting from Canada and North Dakota.
So it was little surprise that when we arrived in Makanda with a full kitchen and a back deck and plenty of storage space for our hobbies, I jumped right into making beer. My family and friends equipped me with books and kettles as a kind of housewarming gift. During the day I worked on my dissertation, and on the weekends I brewed beer.
True to the spirit of that time, I started a blog for family and friends to follow my progress and to connect with others in the area who were exploring the now burgeoning craft beer scene. In no time I found a small and passionate group of beer lovers and home brewers who lived in the southern delta of Illinois, a huge expanse that is defined on the west by the Mississippi River, and on the south and east by the Ohio and Wabash Rivers. We gathered once a week at a now-defunct store and restaurant, where we shared beer and stories, including the beer we brewed at home. These were people with an intimate knowledge of the regiona life hunting, fishing, gardening, and foraging in the woods for morel mushroomsall with a passion for the ingredients and processes that made good beer. I loved them immediately and found it easy to call this new place home.
Around that time, some major books and films were being released nationally that took a deep dive into our food systems. Michael Pollans
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