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Susan Ferentinos - Interpreting LGBT History at Museums and Historic Sites

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LGBT individuals and families are increasingly visible in popular culture and local communities; their struggles for equality appear regularly in news media. If history museums and historic sites are to be inclusive and relevant, they must begin incorporating this community into their interpretation. Interpreting LGBT History at Museums and Historic Sites is straightforward, accessible guidebook for museum and history professionals as they embark on such worthy efforts.
This book features:
  • An examination of queer history in the United States. The rapid rate at which queer topics have entered the mainstream could conceivably give the impression that LGBT people have only quite recently begun to contribute to United States culture and this misconception ignores a rich history. A brief overview of significant events in LGBT history highlights variant sexuality and gender in U.S. history, from colonization to the first decades of the twenty-first century.
  • Case studies on the inclusion and telling of LGBT history. These chapters detail how major institutions, such as the Chicago History Museum, have brought this topic to light in their interpretation.
  • An extensive bibliography and reading list. LGBT history is a fascinating story, and the limited space in this volume can hardly do it justice. These features are provided to guide readers to more detailed information about the contributions of LGBT people to U.S. history and culture.

  • This guide complements efforts to make museums and historic sites more inclusive, so they may tell a richer story for all people.

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    Interpreting LGBT History at Museums and Historic Sites

    Interpreting History

    SERIES EDITOR

    Russell Lewis, Chicago History Museum

    EDITORIAL ADVISORY BOARD

    Eloise Batic, Indiana Historical Society

    Jessica Dorman, The Historic New Orleans Collection

    W. Eric Emerson, South Carolina Department of Archives and History

    Tim Grove, National Air and Space Museum

    Lorraine McConaghy, Museum of History and Industry, Seattle, Washington

    Sandra Smith, Heinz History Center

    Ellen Spear, Heritage Museums & Gardens

    Larry Wagenaar, Historical Society of Michigan

    STAFF

    Bob Beatty, AASLH

    Charles Harmon, Rowman & Littlefield Publishers

    About the Series

    The American Association for State and Local History publishes the Interpreting History series in order to provide expert, in-depth guidance in interpretation for history professionals at museums and historic sites. The books are intended to help practioners expand their interpretation to be more inclusive of the range of American history.

    Books in this series help readers:

    quickly learn about the questions surrounding a specific topic,

    introduce them to the challenges of interpreting this part of history, and

    highlight best-practice examples of how interpretation has been done by different organizations.

    They enable institutions to place their interpretative efforts into a larger context, despite each having a specific and often localized mission. These books serve as quick references to practical considerations, further research, and historical information.

    Titles in the Series

    Interpreting Native American History and Culture at Museums and Historic Sites by Raney Bench

    Interpreting the Prohibition Era at Museums and Historic Sites by Jason D. Lantzer

    Interpreting African American History and Culture at Museums and Historic Sites by Max van Balgooy

    Interpreting LGBT History at Museums and Historic Sites by Susan Ferentinos

    Interpreting Slavery at Museums and Historic Sites by Kristin L. Gallas and James DeWolf Perry

    Interpreting LGBT History at Museums and Historic Sites

    By Susan Ferentinos

    ROWMAN & LITTLEFIELD

    Lanham Boulder New York London

    Published by Rowman & Littlefield

    A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc.

    4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706

    www.rowman.com

    Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB

    Copyright 2015 by Rowman & Littlefield

    All rights reserved . No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review.

    British Library Cataloguing in Publication Information Available

    Library of Congress Cataloging-in-Publication Data Available

    ISBN 978-0-7591-2372-4 (cloth : alk. paper)

    ISBN 978-0-7591-2373-1 (pbk. : alk. paper)

    ISBN 978-0-7591-2374-8 (electronic)

    Picture 2 The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.

    Printed in the United States of America

    For Danielle,

    My Sunshine

    Acknowledgments

    T he first time I ever spoke with Bob Beatty, I was on vacation in the LGBT tourist town of Provincetown, Massachusetts. He called to discuss a business matter, but we soon became dear friends. A few years later, Bob once again intersected with my love of the queer past, when he called to suggest I write a book on interpreting LGBT history for museums and historic sites. He has been a wonderful colleague since the day I met him, and it is only fitting that I begin my acknowledgments with him.

    Bob gave me the idea for this project, but it was Lois H. Silverman who convinced me to do it. Her enthusiasm for the project at its conceptual stage shifted my thinking from a scarcity of time to an abundance of possibility, and I am very grateful, because this effort became a labor of love for me. Likewise, encouragement from Barbara J. Howe, Heather Huyck, and Margaret (Peg) Strobel in the books early stages set me on a steady path of exploration and productivity.

    At key stages of the research and writing, I had the privilege of presenting my work and participating in conversations with audience members. I thank the Indiana University Department of History, the University of Michigan Eisenberg Institute for Historical Studies, the American Association for State and Local History Annual Meeting, and the American Alliance of Museums Annual Meeting for hosting me, and I thank those who attended these talks for their feedback and questions. I also thank Mary Rizzo and the rest of the editorial staff at the Public Historian for inviting me to reflect on this topic as part of the journals blog.

    To me, research often feels like detective work, and that was certainly true when locating examples of LGBT historical interpretation and its related literature. I am grateful to Donna Graves, Stacy Klingler, Laura A. Miller, and Stephanie Lehner Rowe for pointing me toward sources I would not have found otherwise. Bob Beatty again proved indispensable in this regard, sending me everything of relevance that he found in his wide travels of the museum world.

    This book has benefited from the expertise of those who guided its progress. Wendy Gamber has patiently guided my professional development for nearly twenty years, and most recently this mentoring has expanded to include book writing. Charles Harmon, my editor at Rowman & Littlefield, filled a similar role, walking me through the more mysterious parts of the publishing process.

    In the same vein, the authors of this volumes case studiesJill Austin, Jennifer Brier, Kyle Parsons, Kenneth C. Turino, and Stewart Van Clevemade significant contributions, both to the manuscript and to my thinking on the topic. I thank them for their willingness to share their experiences so that others might learn from them. Numerous othersErin Bailey, Wesley Chenault, David Jobin, Stacia Kuceyeski, Janice Monger, Nicole Robert, and Elizabeth Tuckerwere kind enough to share their insights on interpreting LGBT history. Nearly all of these folks, plus Melissa Bingmann, Michelle McClellan, Marla R. Miller, Lori Osborne, Margaret Puskar-Pasewicz, and John Spurlock, reviewed parts of the manuscript and offered useful feedback.

    Any author is fortunate who has a band of dedicated friends who will cook good food and happily provide an antidote to the solitude of writing while at the same time being flexible if inspiration should happen to strike shortly before a planned rendezvous. For conviviality and support, I thank Beth Applegate, Tracy Bee, Joe Donnelly, Robert Downey, Lori Garraghty, Gabrielle Goodwin, Matthew Hicks, Jennifer Hottell, Trish Kerl, Pam MacLaughlin, Rebecca Stanze, Harvey Stark, Julia Valiant, and Jennifer Wagelie. I thank Oscar Hicksbee for offering me the sweet escape of baby love and Mora MacLaughlin for allowing me to simply be an adult fixture of her life, no questions asked.

    While I immersed myself in these explorations, real life was happening all around me. I am profoundly grateful to my parents, Joan Romano Ferentinos and Spero Ferentinos, and my siblings and their spouses, Ann Ferentinos, Peter Ferentinos, Joann Zaloga, and Paul Zaloga, for granting me the space to complete this project. Each of them shouldered a heavier burden of family responsibility so that I could write this book, and I thank them all for their willingness to do so.

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