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Jonathan P. Ribner - Broken tablets: the cult of the law in French art from David to Delacroix

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In this first study of art, law, and the legislator, Jonathan Ribner provides a revealing look at French art from 1789 to 1848, the period in which constitutional law was established in France. Drawing on several disciplines, he discusses how each of the early constitutional regimes in France used imagery suggesting the divine origin and sacred character of its laws.Primarily a study of art and politics, Broken Tablets discusses painting, sculpture, prints, and medals (many reproduced here for the first time), as well as contemporary literature, including the poetry of Alfred de Vigny, Alphonse de Lamartine, and Victor Hugo. Ribner assesses the ways in which legislation imagery became an instrument of political propaganda, and he clearly illuminates the cult of the law as it became personalized under Napoleon, monarchist under the Restoration, and defensive under Louis-Phillipe.

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Page iii
Broken Tablets
The Cult of the Law in French Art from David To Delacroix
Jonathan P. Ribner
UNIVERSITY OF CALIFORNIA PRESS
Berkeley Los Angeles Oxford
Page iv
The publisher gratefully acknowledges the contribution provided by the Art Book Endowment Fund of the Associates of the University of California Press, which is supported by a major gift of the Ahmanson Foundation
University of California Press
Berkeley and Los Angeles, California
University of California Press, Ltd
Oxford, England
1993 by
The Regents of the University of California
Library of Congress Cataloging-in-Publication Data
Ribner, Jonathan P
Broken tablets. the cult of the law in French art from
David to Delacroix / Jonathan P Ribner
p cm
Includes bibliographical references and index.
ISBN 0-520-07749-0
1 Arts, French 2 Arts, Modern19th century
France 3 Law art 4 Arts Political aspects
France 1 Title
NX549 AIR5 1993
700' 1'03dc20 92-23046
CIP
Printedthe United States of America
9 8 7 6 5 4 3 2 1
The paper usedthis publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39 48-1984 Picture 2
Page v
For Beth and Alex
Page vii
Picture 3
Il faudrait des dieux pour donner des lois aux hommes.
ROSSEAU, The Social Contract
Page ix
Contents
List of Illustrations
xi
Acknowledgments
xxi
Introduction
1
1. The Revolutionary Cult of Law
6
2. Legislative Imagery under Napoleon
29
3. Legislative Imagery under the Bourbon Restoration
50
4. Law and Disorder under Louis-Philippe
70
5. The Swansong of Legislation: The Palais-Bourbon Library
98
6. The Romantic Moses
138
Epilogue: Twilight of the Rights of Man
156
Notes
163
Selected Bibliography
197
Index
209
Photographic Credits
221

Page xi
Illustrations
Plates Following Page
64
1 J.-L. David, The Tennis Court Oath, Salon of 1791. Louvre, Paris (on long-term loan to the Muse National du Chteau de Versailles)
2. Insignia of National Legislative Assembly, 1792. Cabinet des Mdailles, Bibliothque Nationale, Paris
3. Copper-bound volume of the Constitution of 1791, vandalized in 1793 (AEI9, no. 2). Archives Nationales, Paris
4. J.-L. David, Napoleon in His Study, 1812. National Gallery of Art, Samuel H. Kress Collection, Washington
5. J.-B. Mauzaisse, Divine Wisdom Giving the Laws to the Kings and Legislators, 1827. Louvre, Paris
6. E. Delacroix, study for The Emperor Justinian Drafting His Laws, 186-27. Muse des Arts Dcoratifs, Paris
7. E. Delacroix, Attila, Followed by His Barbarian Hordes, Tramples Italy and the Arts. Palais-Bourbon, Paris

Page xii
8. E. Delacroix, Numa and Egeria. Palais-Bourbon, Paris
9. J.-E Millet, Self-Portrait as Moses, 1841. Muse Thomas Henry, Cherbourg

Figures
1. H. Daumier, The Legislative Belly, 1834. Bibliothque Nationale, Paris
3
2. L. Laurent after J.-J.-E Lebarbier, Declaration of the Rights of Man and Citizen, c. 1793. Bibliothque Nationale, Paris
11
3. J.-B.-M. Louvion, The Dagger of Patriots Is the Axe of the Law, c. 1793. Bibliothque Nationale, Paris
12
4. L.-J. Allais, print commemorating the Festival of Unity and Indivisibility, 1793. Bibliothque Nationale, Paris
13
5. P.-M. Alix after Boissier, The Triumph of the Mountain, c. 1794. Bibliothque Nationale, Paris
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