• Complain

Emanuele Celesia - Genoa in the 16th Century

Here you can read online Emanuele Celesia - Genoa in the 16th Century full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2017, publisher: Jovian Press, genre: Romance novel. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover

Genoa in the 16th Century: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Genoa in the 16th Century" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Emanuele Celesia: author's other books


Who wrote Genoa in the 16th Century? Find out the surname, the name of the author of the book and a list of all author's works by series.

Genoa in the 16th Century — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Genoa in the 16th Century" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
GENOA IN THE 16TH CENTURY Emanuele Celesia JOVIAN PRESS Thank you for reading - photo 1
GENOA IN THE 16TH CENTURY
Emanuele Celesia
JOVIAN PRESS
Thank you for reading. If you enjoy this book, please leave a review.
All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the authors permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.
Copyright 2016 by Emanuele Celesia
Published by Jovian Press
Interior design by Pronoun
Distribution by Pronoun
ISBN: 9781537805764
TABLE OF CONTENTS
AUTHORS INTRODUCTION
~
CATILINE AND FIESCHI COMPARED.CATILINES AIMS OF A GENEROUS CHARACTER.FIESCHI SOUGHT TO FREE HIS COUNTRY FROM THE SPANISH YOKE.HISTORY UNJUST TO THE VANQUISHED.SOURCES OF THIS HISTORY.MATERIALS FOR THE FUTURE HISTORIAN OF ITALY.
It would be difficult to find in the history of the sixteenth century a name more fiercely assailed than that of Gianluigi Fieschi. From Bonfadio down to the most recent historians, the Count of Lavagna has received the same treatment at the hands of our writers which the learned vulgar are accustomed to give to Catiline. This levity of judgment is a new proof that history is too high a pursuit for servile minds.
The classic invectives of Cicero and the glittering falsehoods of Sallust, both written with masterly eloquence, and their echo taken up by inferior writers have disfigured the manly form of Sergius, and his cause, supported by the most generous and cultivated Romans, has come down to us described as the base plot of abandoned men.
Catiline could not have been base. He was illustrious by birth, well-known for his talents and powerful on account of his numerous dependants and friends. He stood on the last round of the ladder leading to the consulship and was supported by knights and senators; by Antonius Geta, Lentulus, Cethegus and even by Csar who was no stranger to the conspiracy. Crassus favoured him, though he afterwards turned informer against the conspirators. Entire colonies and Municipalities supported him. In upper Spain, Gneus Piso, in Mauritania, Publius Sittius Nucerinus and the legions were his partisans; in fine, he was the head of all the reformers of Italy and Gaul.
I do not excuse his violence, his disorderly life and his vices; though we know of these only through his enemies. But his aims were unquestionably high and noble. Roman liberty was buried in his tomb and not even the dagger of Junius Brutus could recall her to life. I hold it incontestable that the movement, far from being a plot of reckless men, was general and spontaneous towards that freedom which Lucius Sylla had extinguished in blood; a movement for which there was crying urgency in Italy, where crowds of slaves were supplanting the Latin races, and throughout the dominions of the Republic. In vain have cunning rhetoricians taught us to execrate the name of the great Roman, the last of the Tribunes. He has left for history a page written with his own blood which is more lasting than all envy. It shows us one who fell dead on the same ground where he steadfastly fought, displaying in his last hour an heroism which is inconsistent with the crimes coupled with his name.
Cicero himself tells us that the friendship of Catiline had such fascinations that he had barely escaped its influence. It may be true that his pallid face, his fierce eyes and his nervous step, now quick, now slow, terrified the publicans and patricians of Rome; but none can believe that he butchered his own son, immolated victims to the silver eagle of Marius, or handed round in nocturnal conventicles a cup full of foaming blood. Catiline was a bad man because he was vanquished; but Salvator Rosa, the soldier and painter of Masaniello, when he drew Catiline as a stern and magnanimous man did not believe him a low plotter, and the great captain of our century declared that he preferred the part of the great Latin conspirator to that of the versatile Tully.
The character of the Count of Lavagna has been depicted in similar colours by servile writers skilful in inventing calumnies. Catiline and Fieschi had the same ambition and a common aim. The former, in his familiar letters to Lentulus which were published in the Senate, declared that no venal ambition led him to make war. He said that his estates were security for his debts and that the liberality and wealth of Orestilla and his daughter would provide for any deficiency. He averred, he was impelled by wrongs and slanders, that he made the cause of the unfortunate his own, because he was defrauded of the fruit of his labours, and, while he was falsely suspected, was forced to see base men taking his place.
The same is true of Fieschi, whose death, Gianettino Doria had sworn. In Genoa, not less than in Rome, a partisan contest between the nobles and the people had lasted for centuries. Here, after the civil conflagrations, as after the scourgings of Rome by Marius and Sylla, liberty gradually expired. In both Republics, the people were bowed down by the insolence of the great. They were deprived of all share in the government, and corrupt ambition had unbounded sway. In Liguria, Andrea Doria had completed the triumph of the party of the nobles and imperialists and the ruin of popular liberty. Though he forbore to assume a princely title, he was a true king in authority, his nephew aspired to regal honours, and every popular right was trampled down by the Spanish power. According to Bonfadio this subjection was too bitter for the great soul of the Count Lavagna long to endure the humiliation. But his enemies wrote, and by a thousand channels circulated, the most incredible things as parts of his designs:That he attempted by base intrigues to ruin the Republic, that he aimed to seduce it to servitude to his family or to France, to exterminate the Doria family, to lay bloody and felonious hands on the bank of St. George, to put the city to fire and sack. The decrees and official reports of the Republic do not warrant such statements, and a theory more honourable to him is justified by the gentleness of his character, by the Guelph traditions of his house, by the fact that he prevented the murder of Doria, in his palace, and by the conspiracy itself, the fury of which was directed against the ships of Doria, sparing those of the Republic.
It was necessary for Doria that black designs should be attributed to Fieschi, otherwise his fearful vengeance would have been unjustifiable. The slander was profitable also to the Spanish Csar, for it took away from his path a powerful family opposed to the Aragonese power in Italy. And as matter of fact, these idle tales, written in Genoa and diffused in France and Spain, were never believed among us. The greater part of the patricians did not credit them for they were Fieschis friends and would have saved him if the overbearing spirit of Doria had not imposed his will upon the senate. Such slanders found no credit with the people, who placed their love upon that philanthropic family and perpetuated its memory in national songs.
Catiline and Fieschi intended to awaken in their native lands the love of expiring liberty, and in that aim they had the support of many nobles and of the people. The pride of Roman patricians could bend to an alliance with the people, but they scorned to share their rights with foreign slaves. The Count of Lavagna grasped the hand of the people, but he refused the alliance of France. This fact testifies for both to the honesty of their designs; for to a traitor all paths are good so they but lead to his end.
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Genoa in the 16th Century»

Look at similar books to Genoa in the 16th Century. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Genoa in the 16th Century»

Discussion, reviews of the book Genoa in the 16th Century and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.