All rights reserved, including the right of reproduction in whole or in part in any form.
F IRESIDE and colophon are registered trademarks of Simon & Schuster, Inc.
Da Costa, Diane.
Textured tresses : the ultimate guide to maintaining and styling natural hair / Diane Da Costa, with Paula T. Renfroe.
p. cm.
Includes bibliographical references and index.
1. Hairdressing of Blacks. 2. HairCare and hygiene. I. Renfroe, Paula T. II. Title.
Creative Team
Author
Diane Da Costa
Co-Writer
Paula T. Renfroe
Cover
Creative Direction
PhotographyRoberto Ligresti (Diane Da Costa), George Larkins (models), Pieter M. van Hattem (Roy Hargrove)
MakeupSam Fine
Hair StylingDiane Da Costa
Hair ColorRudy/Artista Salon, NYC
Production
Creative Direction
Todd Wilson for Chemistry Lab, NYC (photo shoot)
Hollis King, VP, Verve Music Group, Consultant
Production Assistants
Pamela Greenidge, Angela Jones, Ekem Merchant, Tammi Cobbs, Victoria Powell
Photography
Kwaku AlstonBlair Underwood (Foreword)
George LarkinsInterior
Niya BascomChapter 16: Improvisation
Contributing Photographers
Marc Baptiste, Matthew Jordan Smith, Matthew Rolston, Peter Ogilvie, Jon Peden, Jack Guy, Mark Higashino, Vincent Soyez, Jimmy Bruch, Preston Thomas, Gregg Routt, Deborah Lopez, Barron Claiborne, Jinsey Dauk, Eric von Lockhart
Illustrators
Renaldo Davidson, Renaldo Studios, NYC (afros, Josephine Baker)
Alvin Kofi, Bushmen USA (Tehuti Productions), London (Massai Warrior)
James WalkerPart 2: Achieve It! (all illustrations)
Hair ArtistryCreative Direction
Diane Da Costa
Jamillah Ferris (assistant)
Contributing Stylists
Dekar Lawson, Dekar Salon, NYC
Ona the Locksmyth, Locksmyths Loc Groomers, Brooklyn, NY
Nene Ddiaye, Khamit Kinks, NYC
Renee Cooper, Turning Heads Salon Spa, NYC
Hadiiya Barbel, Studio One, Brooklyn, NY
Ray Issa, Artista Salon Spa, NYC
Makeup Artistry
Ayinde Castro, Debra Martin Agency
Fatima Thomas (M.A.C.)
Natasha Drarnel, Illusions/Click
Valente Frazier, Nikita Houston, Danni Ley, DL.d Reps, NYC
Eric Spearman, Illusions/Click
Wardrobe Stylists
Carlene Ferguson, Mary Lafayette, Kimberly Wilks, Paul Petzy, Roderick Studios & Co., Inc.
Wardrobe
Epperson-NYC, Exodus Industrial Clothing, NYC
The Brownstone, Harlem, NY
Phat Farm and Baby Phat, NYC
Minu Hu Dres, Atlanta, GA
H & M, NYC
Jewelry
Roderick Studios & Co., Inc., NYC
Accessories
denise kerr designs, Brooklyn, NY (leather rollup styling case)
Models
HBM ModelsJessica deSouza, Nanya Akuka Goodrich, Giovanna Leonardo, Nicole Fisiella, Linda Nguyen, Tanya Martinez, Shannon Quinton, Nikisha Riley, Tamikko Willis Spica, Denise Marie, Emie, Lisa Friend, Freedom Bradley, Freedom Bremner (recording artist), Tracy Grant, Alicia Hall, Malonda Richard, Chrystal Wong
Chapter 13: Textured Hair for the Family
Chelsea and Leon Dorsey, Deidre Poe and Evan Poe Sanders, Elizabeth L. Martin, Ed and Taylor Gordon, Genieva Kellarn and Kara Fowler
Prop Stylist
LaRonce Marshall (Ed Gordons photo shoot at Platinum Investment Properties)
Photo-Shoot Locations
Akwaaba Mansion, Akwaaba Caf/Moshan Enterprises, Brooklyn, NY
Artista Salon Spa, NYC
Locksmyths Loc Groomers, Brooklyn, NY
Platinum Investment Properties Mansion, NJ
Turning Heads Salon Spa, NYC
Location Coordinator
Kym NorsworthyWorth Inc. Public Relations (Ed Gordons photo shoot)
Catering
Soul Fixins, NYC
Akwaaba Caf, Brooklyn, NY
Advisors and Specialists
Dr. Deborah Simmons (dermatology), private practice, NYC
Dr. Fran Cook-Bolden (dermatology), Director of Ethnic Skin, NYC
Dr. Henry McCurtis (stress management), NYC
Contents
PART ONE
PREPPPING THE CANVAS Caring for Your Textured Hair
PART TWO
ACHIEVE IT! Styling Your Textured Hair
Foreword by Blair Underwood
F rom a very young age, I knew that I not only possessed a vivid imagination like most children, but also that I never wanted to lose my childlike spirit. A distinct part of me craved make-believe and fantasy. The possibility of opening a book, watching a movie, creating characters in a play, or escaping to magical lands, galaxies, and universes consumed me.
Because I was born into a military family, my siblings and I were raised on a healthy diet of practicality and pragmatism. So, I had a dilemma. How does a child who doesnt want to grow up compromise with other factions of himself that scream, Be sensible!? Answer: Become an actor!
Choosing this insane and wonderful business was thankfully sanctioned by my parents, who actually did an outstanding job of balancing our majestic dreams with the mundane realities of the world in which we live. So, off I went in search of as many diverse characters to portray and become as possible. Diversity, versatility, chapter and versethese were the tools I carried with me when I went off to college to study drama and later to New York in search of a show business career.
As time marched on and more and more jobs came my way, I found myself creating different characters from the inside out (as we were taught in drama school). In other words, finding the inner life first and then building the exterior. Ive always enjoyed this layer of the creative process, creating the look. His wardrobe, walk, speech patterns, etc.oh yes, and of course, his hair.
Which brings me to Diane Da Costa. I was first introduced to Diane more than a decade ago in Los Angeles. We worked in different areas of the entertainment industryDiane as a natural hair care specialist and me as an actor. Over the years, Ive consulted with Diane numerous times regarding different hairstyles. Whether I was manufacturing locs for the short film The Second Coming or sporting twists and cornrows, Diane has been a reliable and dependable source of knowledge and insight. In May 2001 while I was shooting the film G, Diane established the twisted look for my character. While she had me on lockdown in her chair, she launched into a barrage of questions about how men (collectively) and I (individually) felt about hair and women.
In my opinion, a womans hair is inextricably linked to either her sexuality or, at the very least, a mans perception of her sexuality. Sexual preferences notwithstanding, it is more a question of how she embraces her sexuality and femininity. Does she embrace them? Does she even love herself?
After a long, in-depth interview with my dear friend Diane, I was honored when she asked me to write the Foreword to Textured Tresses.
The Follic Symbol
Follicle (fol-i-cle) n. 1. A tiny anatomical cavity or sac .