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Patrick Low (editor) - Execution Culture in Nineteenth Century Britain (Routledge SOLON Explorations in Crime and Criminal Justice Histories)

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This edited collection offers multi-disciplinary reflections and analysis on a variety of themes centred on nineteenth century executions in the UK, many specifically related to the fundamental change in capital punishment culture as the execution moved from the public arena to behind the prison wall. By examining a period of dramatic change in punishment practice, this collection of essays provides a fresh historical perspective on nineteenth century execution culture, with a focus on Scotland, Wales and the regions of England.

From Public Spectacle to Hidden Ritual has two parts. Part 1 addresses the criminal body and the witnessing of executions in the nineteenth century, including studies of the execution crowd and executioners memoirs, as well as reflections on the experience of narratives around capital punishment in museums in the present day. Part 2 explores the treatment of the execution experience in the print media, from the nineteenth and into the twentieth century.

The collection draws together contributions from the fields of Heritage and Museum Studies, History, Law, Legal History and Literary Studies, to shed new light on execution culture in nineteenth century Britain. This volume will be of interest to students and academics in the fields of criminology, heritage and museum studies, history, law, legal history, medical humanities and socio-legal studies.

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Execution Culture in Nineteenth Century Britain
This edited collection offers multi-disciplinary reflections and analysis on a variety of themes centred on nineteenth-century executions in the UK, many specifically related to the fundamental change in capital punishment culture as the execution moved from the public arena to behind the prison wall. By examining a period of dramatic change in punishment practice, this collection of essays provides a fresh historical perspective on nineteenth century execution culture, with a focus on Scotland, Wales and the regions of England.
From Public Spectacle to Hidden Ritual has two parts. Part 1 addresses the criminal body and the witnessing of executions in the nineteenth century, including studies of the execution crowd and executioners memoirs, as well as reflections on the experience of narratives around capital punishment in museums in the present day. Part 2 explores the treatment of the execution experience in the print media, from the nineteenth and into the twentieth century.
The collection draws together contributions from the fields of Heritage and Museum Studies, History, Law, Legal History and Literary Studies, to shed new light on execution culture in nineteenth century Britain. This volume will be of interest to students and academics in the fields of criminology, heritage and museum studies, history, law, legal history, medical humanities and socio-legal studies.
Patrick Low is an independent researcher and freelance TV historian (regular contributor to BBC Ones Murder, Mystery and My Family). He received his PhD from the University of Sunderland in 2019; his thesis examined capital punishment in the North East of England between 1800 and 1878 and its attendant post-mortem punishments from 1752 to 1878. He created the Wellcome Trust and University of Leicesters website Harnessing the Power of the Criminal Corpse and presents ongoing research on his blog, www.lastdyingwords.com.
Helen Rutherford is a Solicitor and Senior Lecturer in the Law School at Northumbria University. She is also in the final stages of PhD research at Newcastle University. She has published on legal education, legal history and the English Legal System. Her research interests focus on the life and work of the Victorian Coroner for Newcastle upon Tyne and nineteenth-century crime and punishment with a North East England focus.
Clare Sandford-Couch is a Visiting Lecturer in the Law School at Newcastle University. She practiced as a solicitor and was Senior Lecturer in law at Northumbria University for a number of years. She received her PhD in Art History from the University of Edinburgh in 2014. She has published on legal history, art history and the role of the arts and humanities in legal education. Her research interests largely address interactions of law and visual culture, and late medieval Italian art history. Her current research focus includes crime histories in nineteenth century Newcastle upon Tyne.
Routledge SOLON Explorations in Crime and Criminal Justice Histories
Edited by Kim Stevenson, University of Plymouth; Judith Rowbotham, University of Plymouth; David Nash, Oxford Brookes University and David J. Cox, University of Wolverhampto
This series is a collaboration between Routledge and the SOLON consortium (promoting studies in law, crime and history), to present cutting edge interdisciplinary research in crime and criminal justice history, through monographs and thematic collected editions which reflect on key issues and dilemmas in criminology and socio-legal studies by locating them within a historical dimension. The emphasis here is on inspiring use of historical and historiographical methodological approaches to the contextualising and understanding of current priorities and problems. This series aims to highlight the best, most innovative interdisciplinary work from both new and established scholars in the field, through focusing on the enduring historical resonances to current core criminological and socio-legal issues.
Historical Perspectives on Organized Crime and Terrorism
Edited by James Windle, John F. Morrison, Aaron Winter and Andrew Silke
Private Security and the Modern State
Historical and Comparative Perspectives
Edited by David Churchill, Dolores Janiewski, Pieter Leloup
Execution Culture in Nineteenth Century Britain
From Public Spectacle to Hidden Ritual
Edited by Patrick Low, Helen Rutherford, and Clare Sandford-Couch
Parricide and Violence Against Parents
A Cross-Cultural View across Past and Present
Marianna G. Muravyeva, Phillip Shon and Raisa Maria
For more information about this series, please visit: https://www.routledge.com/Routledge-SOLON-Explorations-in-Crime-and-Criminal-Justice-Histories/book-series/HCCJ
First published 2021
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
52 Vanderbilt Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2021 selection and editorial matter, Patrick Low, Helen Rutherford and Clare Sandford-Couch; individual chapters, the contributors
The right of Patrick Low, Helen Rutherford and Clare Sandford-Couch to be identified as the author[/s] of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
A catalog record has been requested for this book
ISBN: 978-0-367-33245-7 (hbk)
ISBN: 978-0-429-31883-2 (ebk)
Typeset in Times New Roman
by codeMantra
To our long-suffering families and partners. Should they ever read this.
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Rachel Bennett received her PhD in History from the University of Leicester in 2016. She was a Research Fellow at the University of Warwick (2016 to 2019) before joining Teesside University. Her research specialisms include capital punishment and execution culture in eighteenth- and nineteenth-century Britain, the posthumous treatment of the body and the social history of medicine. Her first monograph, Capital Punishment and the Criminal Corpse in Scotland, 17401834, was published Open Access by Palgrave in 2018 with funding from the Wellcome Trust. Her current research examines the history of womens health in prison.
Stephanie Emma Brown is an ESRC DTP PhD candidate in History at the University of Cambridge. Her thesis is titled Identity and the prosecution of violent crime in late medieval Yorkshire. She is a member of the Cambridge Group for the History of Population and Social Structure; editor of Doing History in Public and the Social History Societys Community Exchange; a convenor of the Legal and Social History Workshop; and is on the committee of the Crime and Punishment Network Collections. Research interests include the history of crime and punishment 12001900, focussing on the socio-economic backgrounds of suspects and victims.
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