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Michael Bull - Sound Moves: IPod Culture and Urban Experience

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This innovative study opens up a new area in sociological and urban studies: the aural experience of the social, mediated through mobile technologies of communication.

Whilst we live in a world dominated by visual epistemologies of urban experience, Michael Bull argues that it is not surprising that the Apple iPod, a sound based technology, is the first consumer cultural icon of the twenty-first century. This book, in using the example of the Apple iPod, investigates the way in which we use sound to construct key areas of our daily lives. The author argues that the Apple iPod acts as an urban Sherpa for many of its users and in doing so joins the mobile army of technologies that many of us habitually use to accompany our daily lives.

Through our use of such mobile and largely sound based devices, the book demonstrates how and why the spaces of the city are being transformed right in front of our ears.

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Sound Moves This innovative study opens up a new area in sociological and urban - photo 1
Sound Moves
This innovative study opens up a new area in sociological and urban studies: the aural experience of the social, mediated through mobile technologies of communication.
Whilst we live in a world dominated by visual epistemologies of urban experience, Michael Bull argues that it is not surprising that the Apple iPod is the first consumer cultural icon of the twenty-first century. Sound Moves, in using the example of the iPod, investigates the way in which we use sound to construct key areas of our daily lives. The author argues that the Apple iPod acts as an urban Sherpa for many of its users and in doing so joins the mobile army of technologies that many of us habitually use to accompany our daily lives.
Through our use of such mobile and largely sound based devices, Sound Moves demonstrates how and why the spaces of the city are being transformed right in front of our ears.
This text is essential for undergraduate and postgraduate students and researchers in the fields of Sociology of Culture, Urban Studies and Media and Communication Studies.
Michael Bull is Reader in Media and Film Studies at the University of Sussex.
International Library of Sociology
Founded by Karl Mannheim
Editor: John Urry
University of Lancaster
Recent publications in this series include:
Risk and Technological Culture
Towards a sociology of virulence
Joost Van Loon
Reconnecting Culture, Technology and Nature
Mike Michael
Advertising Myths
The strange half lives of images and commodities
Anne M. Cronin
Adorno on Popular Culture
Robert R. Witkin
Consuming the Caribbean
From arkwarks to zombies
Mimi Sheller
Between Sex and Power
Family in the world, 19002000
Goran Therborn
States of Knowledge
The co-production of social science and social order
Sheila Jasanoff
After Method
Mess in social science research
John Law
Brands
Logos of the global economy
Celia Lury
The Culture of Exception
Sociology facing the camp
Blent Diken and Carsten Bagge Laustsen
Visual Worlds
John Hall, Blake Stimson and Lisa Tamiris Becker
Time, Innovation and Mobilities
Travel in technological cultures
Peter Frank Peters
Complexity and Social Movements
Multitudes acting at the edge of chaos
Ian Welsh and Graeme Chesters
Qualitative Complexity
Ecology, cognitive processes and the re-emergence of structures in post-humanist social theory
Chris Jenks and John Smith
Theories of the Information Society, third edition
Frank Webster
Mediating Nature
Nils Lindahl Elliot
Haunting the Knowledge Economy
Jane Kenway, Elizabeth Bullen, Johannah Fahey and Simon Robb
Global Nomads
Techno and New Age as transnational countercultures in Ibiza and Goa
Anthony DAndrea
The Cinematic Tourist
Explorations in globalization, culture and resistance
Rodanthi Tzanelli
Non-Representational Theory
Space, politics, affect
Nigel Thrift
Urban Fears and Global Terrors
Citizenship, multicultures and belongings after 7/7
Victor J. Seidler
Sociology through the Projector
Blent Diken and Carsten Bagge Laustsen
Multicultural Horizons
Diversity and the limits of the civil nation
Anne-Marie Fortier
Sound Moves
iPod culture and urban experience
Michael Bull
First published 2007
by Routledge
Published 2015 by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
Simultaneously published in the USA and Canada
by Routledge
711 Third Avenue, New York, NY 10017 USA
Routledge is an imprint of the Taylor & Francis Group, an informa business
Transferred to Digital Printing 2008
2007 Michael Bull
Typeset in Sabon by
Newgen Imaging Systems (P) Ltd, Chennai, India
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging in Publication Data
A catalog record for this book has been requested
ISBN13: 978-0-415-25751-0 (hbk)
ISBN13: 978-0-415-25752-7 (pbk)
ISBN13: 978-0-203-49622-0 (eISBN)
For Pierrette (19472007)
Contents
Time away from my desk to begin this project was generously funded by the AHRC which enabled me to sift through the primary research data which I collected in 2004.
Initial thoughts on the nature of iPod culture have been presented at lectures given at Transmediale in Berlin and at the universities of Maastricht, Budapest, Nottingham, Vadstena, Berlin, Bremen and Amsterdam. My thanks to the critical questions that I frequently received.
Much of my time whilst writing this book has been taken up in lengthy media interviews on the nature and meaning of the iPod phenomenon. These interviews permitted me to clarify my thoughts on the topic, and so I would like to thank the often inquisitive and intellectually curious journalists from The New York Times, BBC Online News, The Economist, Newsweek, Il Manifesto, LExpress, LIberation, The Sydney Morning Herald, The San Francisco Times, The Los Angeles Times, Chicago Herald Tribune, The Edmonton Journal, Svenska Dagbladet and The Financial Times, Germany amongst others, who interviewed me.
Thanks also to the staff at Routledge who have been most supportive of my late manuscript which has been subject of the contingencies of the authors life over the last two years.
I would also like to thank Barry Selwyn and Stanley Unsworth for their support and friendship over the years and last but not least to Rosalinde for providing sanity and endless support at home and to Theo for bringing the sounds of laughter into my everyday life.
1
Sound moves, iPod culture and urban experience
My iPod goes everywhere with me. Its like my digital Sherpa for information and entertainment.
(iPod user)
I store my valuables on the iPod. I completed three screenplays, which I data warehouse on my iPod. If the house burns down, I am not worried, because the iPod has the family jewels.
(iPod user)
When I leave the house I check my pockets for four things: my wallet, my keys, my mobile phone, and my iPod. I never go out without all four on my person.
(iPod user)
Spatial structures are the dreams of society. Whenever the hieroglyph of any such spatial structure is decoded, the foundation of the social reality is revealed.
(Kracauer 1995: 30)
The media do not simply occupy time and space, they also structure it and give it meaning.
(Livingstone 2002: 81)
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