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Feminist Histories and Digital Media

Addressing current trends in feminist historical and literary scholarship in relation to digital media, this book looks at how the field has developed since the first feminist archival research projects were initiated over twenty years ago.

The contributions to the book explore three key concerns: projects which document the history of womens political activism; the digitising of primary document archives by women; and the impact of digitisation on historical research about women. In addition, the book sheds light on the way in which historians and literary scholars fuse digital sources with traditional forms such as books and journal articles to imagine different and ground- breaking histories of womens experience.

With the field of feminist history and its relationship to the digital world in a dynamic position, the contributions to this volume can be read as signposts for future research in the field, posing questions for scholars and readers to explore in more detail. This book was originally published as a special issue of Womens History Review.

Paula Hamilton is Professor of History and a Visiting Fellow at the University of Technology, Sydney, Australia, and at Macquarie University, Sydney, Australia. She is a cultural historian who has published widely in oral histories and memory studies, exploring the intersection between personal and public memories. Her current research explores sensory memories of working in the home as a tool for understanding intimate class and gender relations. She is the co- editor of A Cultural History of Sound Memory and the Senses (with Joy Damousi, 2017).

Mary Spongberg is Deputy Vice Chancellor of Research at Southern Cross University, Australia. She is the author of Writing Womens History Since the Renaissance (2002), principal editor of the Companion to Womens Historical Writing (2005) and former editor- in- chief of Australian Womens Studies. Her latest book is Empathetic Histories:English Women Writers and the Nations Past 17901860 (2018).

First published 2019

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN

and by Routledge

52 Vanderbilt Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2019 Taylor & Francis

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British Library

ISBN13: 978-0-367-17853-6

Typeset in Minion pro

by Newgen Publishing UK

Publishers Note

The publisher accepts responsibility for any inconsistencies that may have arisen during the conversion of this book from journal articles to book chapters, namely the inclusion of journal terminology.

Disclaimer

Every effort has been made to contact copyright holders for their permission to reprint material in this book. The publishers would be grateful to hear from any copyright holder who is not here acknowledged and will undertake to rectify any errors or omissions in future editions of this book.

Contents

Paula Hamilton and Mary Spongberg

D-M Withers

Andrea Hajek

Mary Spongberg, Gina Luria Walker and Koren Whipp

Stephanie Green

Elisa Beshero- Bondar and Elizabeth Raisanen

Anne Jamison

Catherine Bishop

Guide

The chapters in this book were originally published in the journal Womens History Review, volume 26, issue 5 (October 2017). When citing this material, please use the original page numbering for each article, as follows:

Introduction

• Twenty Years On: feminist histories and digital media
• Paula Hamilton and Mary Spongberg
• Womens History Review, volume 26, issue 5 (October 2017) pp. 671677

Chapter 1

• Ephemeral Feminist Histories and the Politics of Transmission within Digital Culture
• D-M Withers
• Womens History Review, volume 26, issue 5 (October 2017) pp. 678691

Chapter 2

• Womens Studies 2.0. Italian Feminist Scholarship in the Digital Age
• Andrea Hajek
• Womens History Review, volume 26, issue 5 (October 2017) pp. 692704

Chapter 3

• Female Biography and the Digital Turn
• Mary Spongberg, Gina Luria Walker and Koren Whipp
• Womens History Review, volume 26, issue 5 (October 2017) pp. 705720

Chapter 4

• Inclusions and Exclusions: considerations for a Stopes digital collection
• Stephanie Green
• Womens History Review, volume 26, issue 5 (October 2017) pp. 721737

Chapter 5

• Recovering from Collective Memory Loss: the Digital Mitfords feminist project
• Elisa Beshero-Bondar and Elizabeth Raisanen
• Womens History Review, volume 26, issue 5 (October 2017) pp. 738750

Chapter 6

• Womens Literary History in Ireland: digitizing The Field Day Anthology of Irish Writing
• Anne Jamison
• Womens History Review, volume 26, issue 5 (October 2017) pp. 751765

Chapter 7

• The Serendipity of Connectivity: piecing together womens lives in the digital archive
• Catherine Bishop
• Womens History Review, volume 26, issue 5 (October 2017) pp. 766780
• For any permission-related enquiries please visit: www.tandfonline.com/page/help/permissions

Elisa Beshero-Bondar is an associate professor of English at the University of Pittsburgh, USA, and the Founder and Project Director of the Digital Mitford project. She is the author of Women, Epic, and Transition in British Romanticism (2011), as well as articles on British Romantic long poems and drama. She is currently researching the applications of TEI and network analysis to studies of complex literary genres such as the annotated epic poem.

Catherine Bishop is Honorary Research Affiliate in the School of Philosophical and Historical Inquiry at the University of Sydney, Australia. She is the author of a number of articles as well as Minding Her Own Business: Colonial Businesswomen in Sydney (2015), which won the 2016 Ashurst Business Literature Prize. Her research interests include women and business in New Zealand and Australia, post-World War II world youth forums, and women missionaries.

Stephanie Green is Program Director for the Graduate Certificate in Creative and Professional Writing program, in the School of Humanities, Languages and Social Science, at Griffith University, Australia, where she teaches writing and supervises creative research. Her academic books and journal articles include studies in creative writing, biography, literary, and screen culture. She is also a creative writer and a member of the IPSI (UCan) International Prose Poetry Project.

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