Iona Singh - Color, Facture, Art and Design: Artistic Technique and the Precisions of Human Perception

I would like to acknowledge those who have supported and contributed to this book over the years sometimes without even knowing it.

Valerie Bayes, Jack Ameriglio, Joel Kovel, Karen Charman, Agnes Tedman, Marion Hasson, Najma Abbas, Jeffery Steele, Gary Tedman, Peter Townsend, Ken Voyce, Susan McCrae, Joseph and Noella Tripetti, John Evans, Diane and Steve McHenry, Claire Weldin, Francoise Caselles, Pierre Cadiou, David Ruccio, Eric and Eleanor Clark, The Teachers Benevolent Fund, Jo Kirby and Ashok Roy - National Gallery Conservation Department, Ann Hulland, John and Annie Singh, Arthur Wilson, Bridgette McCarthy, Croydon Youth Theatre Organization, Clore Gallery Library, Joyce Townsend - Tate Gallery Conservation Department, The Rijksmuseum - Holland, Georges and Noelle Perceau, Suzanne Sbidan, Colin Parkinson, Estate of Mary Martin, Paul Martin, Charmalene Asha Catania, La Famille Brousse, Michael Parsons, Maurice Dennis.

A

Anderson, Perry. 1998. The Origins of Post Modernity . London; Verso.

Althusser, Louis. 1969. For Marx , Reading Capital. Ideology and Ideological State Apparatuses. Verso.

For Marx. 1969. London; Verso.

1969. Lenin and Philosophy . 1969. Monthly Review Press.

Lisa Atkins and Beverley Skeggs. 2004. Feminism after Bourdieu . Blackwell Publishing.

Azzopardi, Paul and Cowey, Alan. December 1997. Is Blindsight Like Normal, Near-threshold Vision? Psychology. Volume 94. pp. 14190 - 14194

AVRC Clinical and Physiological Optics Research Group. City University website: www.city.ac.uk

B

Bailey, Anthony. 1997. Standing in the Sun . Harper.

Ball, Phillip. 2001. Bright Earth. London; Penguin.

Barrett, B. D. 2008. North Sea Artists Colonies . Phd. Thesis. University of Groningen Digital Library.

Baudrillard, Jean. 1985. The Ecstacy Of Communication . In Postmodern Culture. Edited by H. Forster. London: Pluto Press.

Beachy, Robert and Roth, Ralf. 2007. Who Ran the Cities (Historical Urban Structures) City Elites and Urban Power Structures in Europe and North America 1750-1940 . Ashgate.

Beasley, C. 1999. What is feminism?: an introduction to feminist theory. Unwin and Allen/books.google.co.uk.

Benhabib, Seyla. 1994 Feminist Contributions: A Philosophical Exchange . Routledge.

Bellori, Giovanni. 1995 Lives of the Modern Painters, Sculptors and Artists . Phaidon.

Belting, H. (1984) 1995. The End Of Art History? In Art history and its methods: A critical anthology. Edited by. E. Fernie. London: Phaidon.

Benjamin, W., 2000. Art in the Age of Mechanical Reproduction . From The Continental Aesthetics Reader, Routledge: Taylor and Francis Group.2000, Edited by Clive Cazeaux

Benjamin, W., (1934) 1983. The Author As Producer. In Understanding Brecht. Translated by A. Bostock. London: Verso.

(1936) 2000. Art in the age of Mechanical Reproduction . In the Continental Aesthetics Reader, ed. C Cazeaux. London: Routledge.

1970. One Way Street and other writings . Verso.

Boyer, C. B. 1991. A History of Mathematics. Revised by Uta C. Merzbach. John Wiley and Sons, Inc.

Bentham, Jeremy. Works of Jeremy Bentham . Volume 2. Part2. Edited by Sir John Bowring, Google.books.fr

Bloch Ernst, (1959) 2000. Artist Illumination As Visible Anticipatory Illumination . In the Continental Aesthetics Reader, ed. C. Cazeaux. London: Routledge.

Bourdieu, Pierre. 1987. Distinction: A social critique of the judgment of taste. Translated by R. Nice. Cambridge, Mass.: Harvard University Press.

Bockemuhl, Michael. 1991. Turner. Taschen.

Brillat-Savarin, Jean Anthelme. 1838. The Physiology of Taste . Tessier.

Brodinak D. O. and Woods C. 2002. Compelling Classroom Evidence That Link Visual System Anatomy. Physiology and Behavior American Physiology Society .

Buchanan, R. A. 1992. The Power of the Machine . London; Viking. Burckhardt, J. 1995. Reflections on History . Phaidon.

Burgin, V. 1992. The End of Art Theory. Macmillan.

Burke, Edmund. 1761. A Philosophical Enquiry Into The Origins Of Our Ideals Of The Sublime And Beautiful . 3rd Edition. R and J Dodsley. www.google.book.fr

Burton, W. 1927. Designing for Machine Made Goods . London; Penguin.

Butler, J. 1990. Gender Trouble . Routledge.

1993 Bodies That Matter. Routledge.

C

Cennini, Cennino. 1954. The Craftsmans Handbook . Translated by D. V. Thompson, Jr. New York: Dover.

Chevalier, T. 1999. Girl with a Pearl Earring . London: Harper Collins.

Ian Chilvers, Harold Osborne, Dennis Farr. 1993. The Oxford Dictionary of Art. Oxford University Press.

Chomsky, Noam. 1964. Current Issues in Linguistic Theory . p.50 On the Notion Rule of Grammar. From The Structure of Language: Readings in the Philosophy of Language, edited by Jerry A. Foder/Jerrold Katz, Prentice Hall, New Jersey, USA. -1980. Rules and Representations. Basil Blackwell.
- 2000. New Horizons in the Study of Language and Mind. Cambridge University Press.

Clark, J. 1995. The Conditions of Artistic Creation. In Art history and its methods: a critical anthology. London: Phaidon Press.

Cole, Bruce. 1983. The Renaissance Artist At Work . John Murray.

Collet, Bernard. Youtube.com. Interview . Broadcast November 2011.

V J Cook. Chomskys Universal Grammar . Blackwell. 1986?

Craske, M.1997. Art in Europe 1700-1830 . Oxford University Press.

Csny V.. 2000. The human behavior- complex and the compulsion of communication: Key factors of human evolution. Department of Ethology, University Budapest, Hungary. Semiotica 128-3/4. (p.45-60)

Cullen, Althea. 1993. Techniques of the Impressionists. London; Burlington Books.

Cumming, Elizabeth and Kaplan,Wendy. 1991. The Arts and Crafts Movement. London; Thames & Hudson.

D

Damasio, Antonio. 2006. Descartes Error. Vintage Books.
- 2000. The Feeling of What Happens. A Harvest Book. Harcourt Inc.

DArcy Thompson. 1992. On Growth and Form. Canto Edition.

De Beauvoir, Simone. 2011 (1949). The Second Sex. Translated by Constance Borde and Sheila Malonvany. Knopf Doubleday.
- 1999. She Came to Stay . Norton W.W. and Company.

Delaware, Francois and Guineau, Elizabeth. 2000. Color: The Story of Dyes and Pigments. London; Thames and Hudson

Derrida, Jacques. 1985. Freud and the Scene of Writing. Writing and Differance . New York /London; Routledge Kegan Paul.
- 1985. Cogito and the History of Madness. Writing and Difference. Translated by G. C. Spivak. New York: Routledge and Keegan Paul.
-1994. Specters of Marx. Translated. P. Kamuf. New York: Routledge.
-1985. Margins of Philosophy. University of Chicago Press.

Descartes Rene.1989. Discourse On Method. Penguin Books.

Descartes, Rene.1992. Discourse on Method. J.M. Dent & Sons

Doerner, Max. (1921) 1970. The Materials of the Artist. Translated by E. Neuhaus. London: Granada.

E

Ebert, Teresa, 1995. (Ultimately) Critique for Red Feminist. Post-Ality , Marxism and Post-modernism. Maisonneuve Press.

Engels, Frederick.
-1941. The Part Played by Labor in the Transition of Ape to Man . From The Dialectics of Nature. Translated and Edited by Clemens Dutt. London; Lawrence and Wishart.
-1975. Socialism: Utopian and Scientific. Foreign Languages

Press. Peking.
-1977. The German Ideology. Lawrence & Wishart.
-1891 . Origins of the Family Private Property and the State. English Translation made from the fourth German Edition. Foreign Languages Press. Peking.
-1868. From letter written in April 1868 . Translated by Andy Blunden. Marx and Engels Complete Works. Volume 43. London: Lawrence and Wishart (p.541)