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Anton Strout - Stonecast

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Stonecast: summary, description and annotation

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The adventures of a girl and her gargoyle continue in the second installment of this thrilling, funny and eerie fantasy series. Romantic Times on Alchemystic No Stone Unturned... Alexandra Belarus was an artist stuck working in her New York familys businessuntil she discovered her true legacya deep and ancient magic. Lexi became the last practicing Spellmason, with the power to breathe life into stone. And as her powers awoke, so did her familys most faithful protector: a gargoyle named Stanis. But when a centuries-old evil threatened her family and her city, Stanis sacrificed himself to save everything Lexi held dear. With Stanis gone, Lexis efforts to master Spellmasonryeven with the help of her dedicated friendsare faltering. Hidden forces both watch her and threaten her, and she finds herself suddenly under the mysterious wing of a secret religious society determined to keep magic hidden from the world. But the question of Staniss fate haunts herand as the storm around her grows, so does the fear that she wont be able to save him in her turn.

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Stonecast

The Spellmason Chronicles 2

by

Anton Strout

To Benjamin and Julia my future adventures you were always on my mind during - photo 1

To Benjamin and Julia, my future adventures you were always on my mind during the writing of this particular adventure

Acknowledgments

Welcome, my dear book nerds, to the second book of The Spellmason Chronicles. Much like Alexandra Belarus uncovering the arcane secrets of the Spellmasons, a book also needs others to make it happen.

Stonecast would not exist without the help of some pretty amazing people:

Each and every Penguin we keep in the penguin house at Penguin Group, especially my friends (and coworkers) in the paperback sales department; my editorial wizard, Jessica Wade (she may indeed be an actual wizard to make my words look good); production editor Michelle Kasper, assistant production editor Jamie Snider, and copy editors Sara and Bob Schwager; Judith Murello, Diana Kolsky, and Blake Morrow for a gorgeously creepy cover; Erica Martirano and her marketing and promo team; my publicity superstars, Rosanne Romanello, Jodi Rosoff, and Brad Brownson; my agent, Kristine Dahl, and Laura Neely at ICM; the League of Reluctant Adults for continued support and stocking of the bar; my family; and the still-elusive Orlycorn for her infinite patience with me when I disappear down the writing hole. And as always, dear reader, to you and your twisted little mind for venturing forth with me.

So without further ado, shall we?

For a charm of powerful trouble,

Like a hell-broth boil and bubble.

MACBETH (IV, I, 1819), SECOND WITCH

One

Alexandra For the record I hate running Marshall Blackmoore huffed his - photo 2

Alexandra

For the record, I hate running, Marshall Blackmoore huffed, his shaggy brown mop of hair stuck to his forehead with sweat, covering part of his eyes. Especially after creepy monsters.

Despite his tall, skinny Ichabod physique, my friend wheezed away like he was a three-hundred-pound fat-camp escapee chasing down an ice-cream truck. Theres a reason I opened a game store, you know. Lots . . . more . . . sitting.

I didnt have the energy to think about whatever my dear, nerdy friend was saying about Roll for Initiative. For me, running actually helped me concentrate, and in my newfound arcane life, focus was indeed a handy skill to have. Like now.

I actually enjoy this, I said. The running part.

How do you feel about the chasing-a-rampaging-golem part of it? my other friend Aurora Torres called over her shoulder as she ran by. Her short blue hair and black horn-rimmed glasses flew past me, her dancers legs pumping hard as she easily pulled much farther ahead of Marshall and me. As she took the lead, her lean frame disappeared into the distance, the bounce of an artists tube strapped across her back almost comical.

Not so crazy about the rampaging, I said. Especially given that its my fault.

Dont beat yourself up too bad, she called back. Occupational hazard of being the one and only existing Spellmason.

Up ahead in the distance, the lumbering but still-speedy creature I had empowered continued on through the night, thankfully charging down one of the quieter side avenues near Manhattans South Street Seaport.

The oversized human shapecomprised entirely of animated red bricksmoved gracelessly, crunching into anything and everything in its path: parked cars, tree trunks, low-hanging branches, hydrantsall of them coming away worse from their encounter.

Dont beat yourself up, Marshall repeated, pointing at it. Youve got that thing to beat you up.

Just be glad I chose to run these experiments late at night, I said. We only have to deal with property damage and not, you know . . .

People damage . . . ? Rory finished.

I nodded. Exactly.

Rory turned back forward, pointing to a dark area up ahead that lay between two streetlamps. Its heading for that alley! she called out.

Not wanting to lose sight of it, I pushed myself harder, both physically and mentally. I pressed the power of my will out to it, fighting to regain the control I had lost over its form. I pulled at its spirit, but there was a resistance in the animated creature.

No luck, I said, and the connection snapped shut as the brick monster vanished down the alley.

Ill try to head it off, Rory called back, and sprinted farther off down the block, one hand already unscrewing the top of the art tube strapped across her back. By the time she had gone half the block, Rory had pulled two wooden shaft pieces free from it, coupling them together before affixing a third, longer, bladed piece to it.

Not the most subtle weapon to cart around the city, I called back to Marshall, who I was steadily outpacing now.

Says the woman who had a magical gargoyle as her weapon of choice, he said. At least Rory can break her glaive guisarme down. Besides, theres no talking Ms. Torres out of something once she gets it in her head. She loves that thing.

She does make it dance, I admitted.

Surprising for a dancer! Marshall added with a wheeze.

I didnt respond. The sheer act of talking winded me, so I shut my mouth as I headed into the alleyway after the creature. The darkness was worse here, and given the overturned cans and dented Dumpsters along the way, I slowed as I negotiated a path through it all.

Rory came into the alley farther up ahead of me from the side somewhere and, true to her calling in life, danced her way deftly after the creature, leaving me to feel all the more clumsy an oaf for slamming into everything as I went.

Cans rolled, and empty delivery pallets flew back and forth in the wake of the lumbering creature as it made its destructive way, but Rory managed to dodge them all with her natural grace and speed. Not wanting to leave my best friend since childhood to face the golem all alone, I secretly wished I had half her agility. When wishing didnt make me any more gracefulevidenced by the sudden sound of tearing fabric from my jeans as a stray pallet nail caught on themI instead opted for focusing more on my immediate environment. I needed to pay attention. I wasnt going to be any use if I bled out right here.

Being more cautious slowed me, but it was a small comfort that I was still farther ahead than Marshall, whose every bump and crash behind me fell farther and farther away as I pushed myself harder down the alley.

You doing okay back there, Marsh? I asked, keeping my eyes glued to my path.

Dont worry about me, he said. Again, my bad for living the gamers life. Just keep on them!

I chanced a glance up. The alley turned left farther ahead, and Rory and the creature were no longer in sight. I pushed on, rounding the corner in time to catch the two of them roughly thirty feet straight ahead, where the alley dead-ended.

Trapped, the creature reached out to the brick wall in front of it, as if sensing that the wall was comprised of the same material it was made from. When it found no means of escape, though, it spun, its tall figure menacing Rory as I arrived by her side.

Despite the clear danger and its towering size, Rory didnt back down from it, extending her pole arm in front of her.

Can you control it? she asked. You know, like you did for about, oh, twenty seconds back in Gramercy?

Shut it, I spat out. You know that Hendrix didnt learn guitar in a day.

True, Rory said, but then again, a guitar doesnt threaten to kill you or crush you in quite the same way an animated pile of bricks does.

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