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Victoria Frenkel Harris - The Incorporative Consciousness of Robert Bly

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Victoria Frenkel Harris traces the aesthetic journey of poet Robert Bly from his early structured works of mystical imagery and lyrical landscapes to his recent explorations of intimate relationships and male socialization.Examining the various ways Blys prose poems articulate his opposition to the Vietnam War and his recent writings manipulate more formal patterns in detailing the intricacies of human relationships, Harris labels this evolution in form, subject, and imagery the incorporative consciousness, incorporative because it assimilates Jungian psychological categories, international poetic traditions, and a compelling breadth of topics.Harris relies in part on contemporary feminist theory to throw revealing new light on Blys recent works. Though sympathetic to Bly, Harris finds thatin spite of his affirmation of the interaction of psychic, creative, and intellectual energies in both sexesthe poets later, erotic poems tend to objectify women in counterproductive ways. Blys idealization of woman as a Jungian universal, Harris contends, can blind him toward actual women.Harris is at her best as she delimits with balance and precision the full complexity of the poets work.

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title The Incorporative Consciousness of Robert Bly Victoria Frenkel - photo 1

title:The Incorporative Consciousness of Robert Bly : Victoria Frenkel Harris
author:Harris, Victoria Frenkel.
publisher:Southern Illinois University Press
isbn10 | asin:0809317311
print isbn13:9780809317318
ebook isbn13:9780585200569
language:English
subjectBly, Robert--Criticism and interpretation.
publication date:1992
lcc:PS3552.L9Z67 1992eb
ddc:811/.54
subject:Bly, Robert--Criticism and interpretation.
Page iii
The Incorporative Consciousness of Robert Bly
Victoria Frenkel Harris
Southern Illinois University Press
Carbondale and Edwardsville
Page iv
Copyright 1992 by the Board of Trustees, Southern Illinois University
All rights reserved
Printed in the United States of America
Edited and designed by Anna R. Paddon
Production supervised by Natalia Nadraga
95 94 93 92 4 3 2 1
"Counting Small-Boned Bodies" from The Light Around the Body by Robert Bly. Copyright 1967 by Robert Bly. Reprinted by permission of HarperCollins Publishers. Picture 2 "October Frost," "Cornpicker Poem,'' "Walking and Sitting," "Passing an Orchard by Train," "Walking Where the Plows Have Been Turning," and "An Empty Place" from This Tree Will Be Here for a Thousand Years by Robert Bly. Copyright 1979 by Robert Bly. Reprinted by permission of HarperCollins Publishers. Picture 3 "Walking Swiftly" and "Going Out to Check the Ewes" from This Body Is Made of Camphor and Gopherwood by Robert Bly. Copyright 1977 by Robert Bly. Reprinted by permission of HarperCollins Publishers. Picture 4 "Three Kinds of Pleasure," "Waking from Sleep," "Surprised by Evening," "Sunset at a Lake," "Unrest," "Poem Against the Rich," "Love Poem," "Watering the Horse," "In a Train," "After Working," and "Snowfall in the Afternoon" from Silence in the Snowy Fields, Wesleyan University Press, 1962, by Robert Bly. Copyright 1962 by Robert Bly. Reprinted by permission of the author.Picture 5 "Written at Mule Hollow, Utah" and "Four Ways of Knowledge" from The Man in the Black Coat Turns by Robert Bly. Copyright 1981 by Robert Bly. Used by permission of Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc. Picture 6 " 'Out of the Rolling Ocean, the Crowd... ,' " "The Whole Moisty Night," "Secrets," "At Midocean," "Conversation," and "The Horse of Desire" from Loving a Woman in Two Worlds by Robert Bly. Copyright 1985 by Robert Bly. Used by permission of Doubleday, a division of Bantam Doubleday Dell Publishing Group, Inc.
Library of Congress Cataloging-in-Publication Data
Harris, Victoria Frenkel, 1945
The incorporative consciousness of Robert Bly / Victoria Frenkel
Harris.
p. cm.
Includes bibliographical references and index.
1. Bly, RobertCriticism and interpretation. I. Title.
PS3552.L9Z67 1992
811'.54dc20 90-27337
ISBN 0-8093-1731-1 CIP
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
Page v
For Charlie
Page vii
Contents
Acknowledgments
ix
1. Bly and the Incorporative Consciousness
1
2. The Community of Isolation
10
3. Vision in the Dark: Silence in the Snowy Fields
32
4. Our Ears Hear Tinier Sounds: This Tree Will Be Here for a Thousand Years
60
5. Prose Poems of Freedom and Dissent
85
6. Archives of Consciousness: The Man in the Black Coat Turns and Loving a Woman in Two Worlds
103
Notes
143
Works Cited and Consulted
151
A Bly Bibliography
159
Index
215

Page ix
Acknowledgments
Like all books of criticism, The Incorporative Consciousness of Robert Bly represents a congeries of colloquiesbetween the critic and her subject, her anticipated audience, and the sources and resources that have influenced her thought and helped to shape the final product of that thought. I have benefited from the astute critics and ground-breaking theorists listed at various places throughout this study. A sabbatical leave granted by Illinois State University and released time for research granted by ISU's English Department provided me with some of the time this study required. Ralph Bellas, Paul Friedrich, Murray Krieger, Carol Kyle, J. Hillis Miller, and Cary Nelsonwonderful teachers and superb models of the intellectual lifehave influenced me far more than they know. Special thanks to Alice Ryerson Hayes, Ron Wray, and the staff at the Ragdale Foundation in Lake Forest, Illinois; during my residencies there, the quiet, beautiful ambience and supportive camaraderie contributed much to the eventual completion of this study. My gratitude to Roger Easson, whose collaboration resulted in a more comprehensive bibliography, to Howard Nelson and Walter Kalaidjian, whose careful reading of this study in manuscript resulted in a better book, and to Carol A. Burns, project editor, and Anna R. Paddon, copyeditor
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