Anna Cora Ogden Mowatt Ritchie - Fairy Fingers A Novel

IN PRESS:

BY THE AUTHOR OF THIS VOLUME,

THE MUTE SINGER;
A Novel.

FAIRY FINGERS.

BY

AUTHOR OF "THE AUTOBIOGRAPHY OF AN ACTRESS," "MIMIC LIFE," "TWIN ROSES," "ARMAND," "FASHION," ETC.

NEW YORK:
CARLETON, PUBLISHER, 413 BROADWAY.

MDCCCLXV.

Entered, according to Act of Congress, in the year 1865, by
GEO. W. CARLETON.

In the Clerk's Office of the District Court for the Southern District of New York.

They were seated in the drawing-room of an ancient chteau in Brittany,the Countess Dowager de Gramont and Count Tristan, her only son,a mansion lacking none of the ponderous quaintness that usually characterizes ancestral dwellings in that locality. The edifice could still boast of imposing grandeur, especially if classed among "fine ruins." Within and without were harmoniously dilapidated, and a large portion of the interior was uninhabitable. The limited resources of the count precluded even an apologetic semblance of repairs.

The house was surrounded by spacious parks and pleasure-grounds, in a similarly neglected condition. Their natural beauty was striking, and the rich soil yielded fruits and flowers in abundance, though its only culture was received from the hands of old Baptiste, who made his appearance as gardener in the morning, but, with a total change of costume, was metamorphosed into butler after the sun passed the meridian. In his button-hole a flower, which he could never be induced to forego, betrayed his preference for the former vocation.

The discussion between mother and son was unmistakably tempestuous. A thunder-cloud lowered on the noble lady's brow; her eyes shot forth electric flashes, and her voice, usually subdued to aristocratic softness, was raised to storm-pitch.

"Count Tristan de Gramont, you have taken leave of your senses!"

A favorite declaration of persons thoroughly convinced of their own unassailable mental equilibrium, when their convictions encounter the sudden check of opposition.

As the assertion, unfortunately, is one that cannot be disproved by denial, the count sank resignedly behind the shield of silence. His mother returned to the attack.

"Do you mean me to understand that, in your right mind, you would condescend to mingle with men of business?that you would actually degrade yourself into becoming a shareholder, or manager, or director, or whatever you please to term it, in a railway company?you, Count Tristan de Gramont! The very proposal is a humiliation; to entertain it would be an absurdityto consent, an impossibility. I repeat it, you have taken leave of your senses!"

"But, my dear mother," answered the count, with marked deference, "you are forgetting that this railway company chances to be an American association; my connection with it, or, rather, its very existence, is not likely to be known here in Brittany,therefore, my dignity will not be compromised. The only valuable property left us is the transatlantic estate which my roving brother purchased during his wanderings in the New World, and bequeathed to my son, Maurice, for whom it is held in trust by an American gentleman. The members of the association, who desire to interest me in their speculation, assert that the proposed railroad may pass directly through this very tract of land. Should that be the case, its value will be greatly increased. At the present moment the estate yields us nothing; but the advent of this railroad must insure an immense profit. We estimate that, by judicious management, the land may be made to bring in"

His mother interrupted him with a haughty gesture. "'Speculation!' 'yield!' 'profit!' 'bring in!' What language to grow familiar to the lips of a son of mine! You talk like a tradesman already! My son, give up all idea of this plebeian enterprise!"

The count did not answer immediately. He seemed puzzled to determine what degree of confidence it was necessary to repose in his stately mother. After a brief pause, he renewed the conversation with evident embarrassment.