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Jonathan Karl - Front Row at the Trump Show

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Jonathan Karl Front Row at the Trump Show
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Front Row at the Trump Show: summary, description and annotation

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An account like no other from the White House reporter who has known President Trump for more than 25 years. We have never seen a president like this...norm-breaking, rule-busting, dangerously reckless to some and an overdue force for change to others. One thing is clear: We are witnessing the reshaping of the presidency. Jonathan Karl brings us into the White House in a powerful book unlike any other on the Trump administration. Hes known and covered Donald Trump longer than any other White House reporter. With extraordinary access to Trump during the campaign and at 1600 Pennsylvania Avenue, Karl delivers essential new reporting and surprising insights. These are the behind-the-scenes moments that define Trumps presidencyan extraordinary look at the president, the person, and those closest to him. This is the real story of Trumps unlikely rise; of the struggles and battles of those who work in the administration and those who report on it; of the plots and schemes of a senior staff enduring stunning and unprecedented unpredictability. Karl takes us from a TV set turned campaign office to the strange quiet of Trumps White House on Inauguration Day to a high-powered reelection campaign set to change the countrys course. He shows us an administration rewriting the role of the president on the fly and a press corps that has never been more vital. Above all, this book is only possible because of the surprisingly open relationship Donald Trump has had with Jonathan Karl, a reporter he has praised, fought, and branded an enemy of the people.

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An imprint of Penguin Random House LLC penguinrandomhousecom - photo 1
An imprint of Penguin Random House LLC penguinrandomhousecom Copyright 2020 - photo 2

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An imprint of Penguin Random House LLC

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Copyright 2020 by Jonathan Karl Penguin supports copyright Copyright fuels - photo 4

Copyright 2020 by Jonathan Karl

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

DUTTON and the D colophon are registered trademarks of Penguin Random House LLC.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Names: Karl, Jonathan, author.

Title: Front row at the Trump show / Jonathan Karl.

Description: [New York]: Dutton, [2020] | Includes index.

Identifiers: LCCN 2019046582 (print) | LCCN 2019046583 (ebook) | ISBN 9781524745622 (hardcover) | ISBN 9781524745646 (ebook)

Subjects: LCSH: Trump, Donald, 1946 Press coverage. | PresidentsUnited StatesElection2016. | PresidentsPress coverageUnited StatesHistory21st century. | Press and politicsUnited States. | United StatesPolitics and government2017 | Karl, Jonathan.

Classification: LCC E912 .K37 2020 (print) | LCC E912 (ebook) | DDC 973.933092dc23

LC record available at https://lccn.loc.gov/2019046582

LC ebook record available at https://lccn.loc.gov/2019046583

While the author has made every effort to provide accurate telephone numbers, internet addresses, and other contact information at the time of publication, neither the publisher nor the author assumes any responsibility for errors or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

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For Maria, Emily, and Anna

CONTENTS

I didnt have his phone number, so I dialed the one listed in the phone book for the Trump Organization.

Can I speak to Donald Trump? I asked.

It was an audacious call. I had been working as a reporter in New York City for less than a year. I had never met the man, and at this moment Trumps home and office were the epicenter of the most intense media frenzy I had ever witnessed.

What do you want?

The woman on the line was Norma Foerderer, Trumps longtime gatekeeper and someone so integrally involved in all his dealingsbusiness and personalthat The New York Times had reported a few years earlier, Some suspect she runs the company.

At this point, all I knew about Donald Trump was what I had read in the newspapers or seen on television. But I figured I knew enough to say exactly the right thing to get him on the phone.

It was August 1994, and the public was fixated on the tabloid story of the decade: Michael Jackson had just secretly married Lisa Marie Presleythe King of Pop together with the daughter of the King of Rock n Roll. And the newlyweds, who had not yet been spotted together in public, were trying to stay out of sight right in the middle of Manhattanat Trump Tower.

The news had brought a mob of paparazzi, Michael Jackson fans, Elvis Presley fans, and a parade of onlookers hoping to catch the first glimpse of the married couple. So many people had surged to Trump Tower that the NYPD had cordoned off the sidewalks around the building, forcing the growing crowd to watch from across the street.

I was a twenty-six-year-old reporter more interested in politics than celebrity sightings and spent most of my time reporting on a new mayor in City Hall named Rudy Giuliani, but I was working for the NewYork Post and on this particular day, my editors only cared about one story.

So I made what I believed would be a slam-dunk pitch to get Trump on the phone:

I want to do a story on why the most famous newlyweds in the world would have their honeymoon at Trump Tower.

And sure enough, I got a quick call back. Donald Trump was on the line telling me to come on over. Along with New York Post photographer Francis Specker, I hustled uptown to Trump Tower. Walking past the police cordon set up to keep the paparazzi mobs away, I was whisked up to meet Trump in an office on the twenty-sixth floor filled with framed magazine covers featuring his favorite subject: Donald Trump.

It was a whirlwind from the start, a private tour of Trump Tower given by the man himself. The ground rules were simple: He would show me everything, I could use all the information he gave me, and I could quote him as a source in the Trump Organization. We met with Michael Jacksons bodyguards and photographed the basement tunnels Jackson and Presley were using to get in and out without being spotted by the mob outside. He showed me a blue van with tinted windows in the garagethe couples secret getaway car.

He showed it all offfrom basement to penthouseand along the way my source in the Trump Organization gave me all the gossipy details. I learned the terms of Michael Jacksons lease of the apartment directly below Trumps own. He wanted me to know that Michael and Lisa Marie had lots of famous neighbors. Steven Spielberg had an apartment on the sixty-fourth floor, Andrew Lloyd Webber on the sixtieth. My source pointed out apartments he said were owned by Elton John, King Fahd of Saudi Arabia, Sophia Loren, and the British royal family. He told me of a woman who bought one apartment for several million and then bought the one below so she could put in a swimming pool. Its the most expensive pool in the world, a source in the Trump Organization told me.

None of this was serious, but my editors at the New York Post ate it up. They had a screaming front-page headlineINSIDE MICHAELS HONEYMOON HIDEAWAYand four separate articles inside the newspaper, including one headlined Tour Bares the Secrets of Lisa and Michaels Honeymoon Nest. If any of the residents of Trump Tower were unhappy with the New York Posts printing a graphic of the building with arrows pointing to where they lived, they would need to take it up with a source in the Trump Organization. The Post had a big exclusive for the front page and I had a new source.

At one point while he was showing me his apartment on the sixty-eighth floorthe same floor plan and dcor as Michaels, he told meTrump stopped, turned, and asked if I wanted a picture. At first, I was a little confused. Didnt he notice I had come with a photographer who had been snapping photos the entire time? But I quickly realized he was asking if I wanted to get a picture taken with him. And with that I stood next to Donald Trump and faced photographer Francis Specker.

At some point while I was still in New York, I put the photo in a frame, but when I moved to Washington some two decades ago, I tossed it in a box of other old photographs. And for more than a decade it has been in the box down in my basement. Looking at the picture now, it appears to me as if it just came out of a time capsule. I am wearing a heavily wrinkled suit and a tie I almost certainly bought for three dollars from a New York street vendor. The background is pure Trump: a crystal chandelier, glossy marble, a decadent ceiling adorned with carved stone, and goldlots of gold. I have long hair and the awkward grin of a reporter trying to figure out why the guy hes interviewing suddenly stopped to pose for a photograph with him. As for Trump, he is considerably slimmer than he is now, but it is striking how little about his appearance has changed: Hes wearing the same style of dark suit he wears now, the same long red tie, the same facial expression I have seen in a thousand other photos.

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