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Foreman - The Manifestos and Essays

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Foreman The Manifestos and Essays
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Richard Foreman reinvented dialogue, action, sound, stage design, and philosophical groundwork as no other stage artist in our history.PEN/Laura Pels Master American Dramatist Award citation

These writings, collected from two earlier books now long out-of-print along with two recent interviews, provide a fascinating window into Richard Foremans singular mind and creative process. Also included is The Gods Are Pounding My Head! (AKA Lumberjack Messiah), his last play before transitioning to more multi-media work.

Richard Foreman has written, directed, and designed more than fifty of his own plays, both internationally and at his Ontological-Hysteric Theater, which he founded in 1968. He has received many OBIE awards, an NEA Lifetime Achievement Award, and a MacArthur Genius Fellowship.

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THE MANIFESTOS AND ESSAYS OTHER BOOKS BY RICHARD FOREMAN PUBLISHED BY TCG - photo 1

THE

MANIFESTOS AND ESSAYS

Picture 2

OTHER BOOKS BY RICHARD FOREMAN

PUBLISHED BY TCG

Love & Science: Selected Music-Theatre Texts

INCLUDES:

Hotel for Criminals (The American Imagination)

Love & Science

Africanus Instructus

Yiddisher Teddy Bears

Unbalancing Acts: Foundations for a Theater

INCLUDES ESSAYS AND THE PLAYS:

The Cure

Film Is Evil: Radio Is Good

Symphony of Rats

What Did He See?

Lava

Bad Boy Nietzsche! and Other Plays

INCLUDES:

Bad Boy Nietzsche!

Now That Communism Is Dead My Life Feels Empty!

Maria Del Bosco (A Sound Opera: Sex and Racing Cars)

Bad Behavior

Panic! (How to Be Happy!)

King Cowboy Rufus Rules the Universe!

The Manifestos and Essays is copyright 2013 by Richard Foreman The Manifestos - photo 3
The Manifestos and Essays is copyright 2013 by Richard Foreman The Manifestos - photo 4

The Manifestos and Essays is copyright 2013 by Richard Foreman

The Manifestos and Essays is published by Theatre Communications Group, Inc., 520 Eighth Avenue, 24th Floor, New York, NY 10018-4156.

All Rights Reserved. Except for brief passages quoted in newspaper, magazine, radio or television reviews, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publisher.

Professionals and amateurs are hereby warned that this material, being fully protected under the Copyright Laws of the United States of America and all other countries of the Berne and Universal Copyright Conventions, is subject to a royalty. All rights, including but not limited to, professional, amateur, recording, motion picture, recitation, lecturing, public reading, radio and television broadcasting, and the rights of translation into foreign languages are expressly reserved. Particular emphasis is placed on the question of readings and all uses of this book by educational institutions, permission for which must be secured from the authors representative: Gregor Hall, Bookport International, 2104 Albemarle Terrace, Brooklyn, NY 11226.

The publication of The Manifestos and Essays by Richard Foreman is made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

TCG books are exclusively distributed to the book trade by Consortium Book Sales and Distribution.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Foreman, Richard, 1937

[Essays. Selections]

The manifestos and essays / Richard Foreman.First edition.

pages cm

Includes bibliographical references.

ISBN 978-1-55936-398-3 (trade paper)

ISBN 978-1-55936-652-6 (ebook)

I. Title.

PS3556.O7225A6 2013

814.54dc23

2013002064

Cover and book design and composition by Lisa Govan

Cover photograph by Anne Nordmann

First Edition, October 2013

ONTOLOGICAL-HYSTERIC MANIFESTO I APRIL 1972 - photo 5

ONTOLOGICAL-HYSTERIC MANIFESTO I APRIL 1972 - photo 6

ONTOLOGICAL-HYSTERIC MANIFESTO I

(APRIL, 1972)

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ONTOLOGICAL-HYSTERIC MANI - photo 31

ONTOLOGICAL-HYSTERIC MANIFESTO II JULY 1974 O ne always begins with the - photo 32

ONTOLOGICAL-HYSTERIC MANIFESTO II JULY 1974 O ne always begins with the - photo 33

ONTOLOGICAL-HYSTERIC MANIFESTO II JULY 1974 O ne always begins with the - photo 34

ONTOLOGICAL-HYSTERIC MANIFESTO II

(JULY, 1974)

O ne always begins with the desire to write a certain kind of sentence (to put on stage a certain kind of gesture. That kind then turns out to be about that-which-becomes-your-content).

The key, however, is in this sentence (gesture) cell. Most people dont see the cell, are perceptually unable to see small enough (ephemeralization). Because their LIFE training is that to see small means to enter the realm where contradictions are seen to be at the root of realityand that disturbing realization they would avoid at all costs.

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