Nietzsche is one of the most important modern philosophers and his writings on the nature of art are amongst the most influential of the Nineteenth and Twentieth centuries. Nietzsche on Art introduces and assesses:
Nietzsches continuing importance to philosophy and contemporary thought.
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Nietzsche on Art
Aaron Ridley
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2007 Aaron Ridley
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To the memory of Larry Wakefield, painter
Contents
Preface
Several people have helped me significantly in writing this book, but the lions share of thanks is owed, not for the first time, to Alex Neill and David Owen, both of whom were characteristically generous and penetrating in their comments on earlier drafts of everything that appears here. For equally valuable assistance of a more episodic kind I am indebted to Chris Janaway and to two anonymous readers for Routledge: each of them pointed out some real shortcomings, and made helpful suggestions for improvement. And for what one might term environmental support, I am, as ever, grateful to the proprietors and staff of the Avenue Bar, Padwell Road, where this book was largely written. At Routledge, I would like to thank Tony Bruce Priyanka Pathak and Jean Rollinson, whose efforts in seeing the project to completion were as whole-hearted and as smoothly orchestrated as one could wish.
Versions of parts of this book have previously appeared elsewhere. Sections (2005); and parts of the Appendix derive from the same source, as well as from an entry, Wagner, contributed to M. Kelly, ed., The Encyclopedia of Aesthetics (Oxford: Oxford University Press, 1998). My thanks to those concerned for allowing me to make use of the relevant material here.
Aaron Ridley
Southampton, 2006
SOURCES AND ABBREVIATIONS
With the exception of TL, where references in the text are to page-numbers, all references are to sections. So, for example, HH I.314 refers to section 314 of the first volume of Human, All Too Human; GM II.12 to section 12 of the second essay of On the Genealogy of Morals; D P.5 to section 5 of the preface to Daybreak; TI IX.31 to section 31 of the part of Twilight of the Idols called Expeditions of an Untimely Man.
AC | The Anti-Christ, trans. R.J. Hollingdale, Harmondsworth, Penguin, 1968. |
ASC | Attempt at a Self-Criticism, trans. W. Kaufmann, in The Birth of Tragedy and The Case of Wagner, New York, Vintage, 1967, pp.1727. |
BGE | Beyond Good and Evil, trans. W. Kaufmann, New York, Vintage, 1966. |
BT | The Birth of Tragedy, trans. W. Kaufmann, in The Birth of Tragedy and The Case of Wagner, New York, Vintage, 1967. |
CW | The Case of Wagner, trans. J. Norman, in The Anti-Christ, Ecce Homo, Twilight of the Idols and other writings, Cambridge, Cambridge University Press, 2005. |
D | Daybreak, trans. R.J. Hollingdale, Cambridge, Cambridge University Press, 1997. |
EH | Ecce Homo, trans. J. Norman, in The Anti-Christ, Ecce Homo, Twilight of the Idols and other writings, Cambridge, Cambridge University Press, 2005. |
GM | On the Genealogy of Morals, trans. W. Kaufmann and R.J. Hollingdale, New York, Vintage, 1969. |
GS | The Gay Science, trans. W. Kaufmann, New York, Vintage, 1974. |
HH | Human, All Too Human, trans. R.J. Hollingdale, Cambridge, Cambridge University Press, 1996. |