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Carbone Mauro - An Unprecedented Deformation

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Carbone Mauro An Unprecedented Deformation
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SUNY SERIES IN CONTEMPORARY ITALIAN PHILOSOPHY Silvia Benso and Brian - photo 1

SUNY SERIES IN CONTEMPORARY ITALIAN PHILOSOPHY

Silvia Benso and Brian Schroeder, editors

SUNY SERIES IN CONTEMPORARY CONTINENTAL PHILOSOPHY

Dennis J. Schmidt, editor

An Unprecedented Deformation

MARCEL PROUST AND THE SENSIBLE IDEAS

MAURO CARBONE

Translated by Niall Keane

STATE UNIVERSITY OF NEW YORK PRESS

Published by
S T A T E U N I V E R S I T Y O F N E W Y O R K P R E S S
Albany

2010 State University of New York

All rights reserved

Printed in the United States of America

No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher.

For information, contact
State University of New York Press, Albany, NY
www.sunypress.edu

Production, Laurie Searl
Marketing, Michael Campochiaro

Library of Congress Cataloging-in-Publication Data

Carbone, Mauro, 1956

[Deformazione senza precedenti. English]

An unprecedented deformation: Marcel Proust and the sensible ideas /
Mauro Carbone; translated by Niall Keane.

p. cm. (SUNY series in contemporary Italian philosophy)

(SUNY series in contemporary Continental philosophy)

Includes bibliographical references and index.

ISBN 978-1-4384-3021-8 (hardcover: alk. paper)
ISBN 978-1-4384-3020-1 (pbk: alk. paper)

1. Proust, Marcel, 18711922. Du ct de chez Swann. 2. Idea

(Philosophy) 3. Intuition. 4. Philosophy, Modern20th century. I. Title.

PQ2631.R63Z54548213 2010

843'.912dc22 2009021080

10 9 8 7 6 5 4 3 2 1

Abbreviations
M. MERLEAU-PONTY
ADLes Aventures de la dialectique (Paris: ditions Gallimard, 1955); Adventures of the Dialectic, trans. Joseph Bien (Evanston: Northwestern University Press, 1973).
EPEloge de la Philosophie et autres essais (Paris: ditions Gallimard, 1960); In Praise of Philosophy, trans. John Wild and James M. Edie (Evanston: Northwestern University Press, 1963).
IPL'institution/La passivit. Notes de cours au Collge de France (19541955), Prface de Claude Lefort textes tablis par Dominique Darmaillacq, Claude Lefort et Stphanie Mnas. (Paris: ditions Belin, 2003).
NLa Nature: Notes Cours du Collge de France, 195657 (Paris: Seuil, 1995); Nature: Course Notes From the Collge de France, trans. Robert Vallier (Evanston: Northwestern University Press, 2003).
NCNotes de Cours 19591961, Prface de Claude Lefort, texte tabli par Stphanie Mnas. (Paris: ditions Gallimard, 1996).
OEL'il et l'esprit (Paris: ditions Gallimard, 1964); Eye and Mind, in The Merleau-Ponty Aesthetics Reader, ed. Galen Johnson (Evanston: Northwestern University Press, 1993), 121149.
PHPrface A. Hesnard, L'vre de Freud et son importance pour le monde moderne (Paris: Payot, 1960), 510; Phenomenology and Psychoanalysis: Preface to Hesnard's L'Oeuvre de Freud, trans. Alden L. Fisher in Review of Existential Psychology and Psychiatry 18 (1982), 6772.
PPPhnomnologie de la Perception (Paris: ditions Gallimard, 1945); Phenomenology of Perception, trans. Colin Smith (London: Routledge & Kegan Paul, 1962, revised 1981).
PriPLe primat de la perception et ses consquences philosophiques (Lagrasse: ditions Verdier, 1996); The Primacy of Perception, ed. J. M. Edie (Evanston: Northwestern University Press, 1964).
RCRsums de Cours: Collge de France 19521960 (Paris: ditions Gallimard, 1968); Themes from the Lectures at the Collge de France, 19521960, trans. John O'Neill (Evanston: Northwestern University Press, 1970).
SSignes (Paris: Gallimard, 1960); Signs, trans. Richard McCleary (Evanston: Northwestern University Press, 1964).
SCLa structure du comportement (Paris, P.U.F., 1942); The Structure of Behavior, trans. Alden L. Fischer (London: Metheun, 1965).
SNSSens et Non-Sens (Paris: Nagel, 1948); Sense and Non-Sense, trans. Hubert Dreyfus and Patricia Allen Dreyfus (Evanston: Northwestern University Press, 1964).
VILe Visible et l'Invisible texte tabli par Claude Lefort accompagn d'un avertissement et d'une postface (Paris: Gallimard, 1964); The Visible and the Invisible, trans. Alphonso Lingis (Evanston: Northwestern University Press, 1968).
GILLES DELEUZE
CCCritique et clinique (Paris: ditions Minuit, 1993); Essays Critical and Clinical, trans. Daniel Smith and Michael Greco (Minneapolis: University of Minnesota Press, 1997).
DRDiffrence et rptition (Paris: P.U.F., 1968); Difference and Repetition, trans. Paul Patton (New York: Columbia University Press, 1994).
FBLSFrancis Bacon: Logique de la sensation (Paris: Editions de la diffrence, 1981); Francis Bacon: The Logic of Sensation, trans. Daniel W. Smith (Minneapolis: University of Minnesota Press, 2004).
LSLogique du sens (Paris: ditions Minuit, 1969); The Logic of Sense, trans. Mark Lester and Charles Stivale (New York: Columbia University Press, 1990).
PSMarcel Proust et les signes (Paris: P.U.F., 1964, re-edited in 1970 and 1976); Proust and Signs, trans. Richard Howard, (Minneapolis: University of Minnesota Press, 2000).
MARCEL PROUST
Rla recherche du temps perdu, 3 vols., eds. Pierre Clarac and Andr Ferr, Bibliothque de la Pliade (Paris: Gallimard, 1954); Remembrance of Things Past, 3 vols., trans. C. K. Scott Moncrieff, Terence Kilmartin, and Andreas Mayor (London: Penguin Books, 1983).
INTRODUCTION
Seek? More Than That: Create.

I propose here to follow to the letter the long and celebrated passage from the final part of the first chapter of Marcel Proust's Recherche: that part which contains what has come to be known under the title: Resurrection of Combray through involuntary memory (R 1, 522/1033). Here is the passage on which I would like to focus.

II y avait dj bien des annes que, de Combray, tout ce qui n'tait pas le thtre et le drame de mon coucher, n'existait plus pour moi, quand un jour d'hiver, comme je rentrais la maison, ma mre, voyant que j'avais froid, me proposa de me faire prendre, contre mon habitude, un peu de th. Je refusai d'abord et, je ne sais pourquoi, me ravisai. Elle envoya chercher un de ces gteaux courts et dodus appels Petites Madeleines qui semblent avoir t mouls dans la valve rainure d'une coquille de Saint-Jacques. Et bientt, machinalement, accabl par la morne journe et la perspective d'un triste lendemain, je portai mes lvres une cuillere du th o j'avais laiss s'amollir un morceau de madeleine. Mais l'instant mme o la gorge mle des miettes du gteau toucha mon palais, je tressaillis, attentif ce qui se passait d'extraordinaire en moi. Un plaisir dlicieux m'avait envahi, isol, sans la notion de sa cause. Il m'avait aussitt rendu les vicissitudes de la vie indiffrentes, ses dsastres inoffensifs, sa brivet illusoire, de la mme faon qu'opre l'amour, en me remplissant d'une essence prcieuse: ou plutt cette essence n'tait pas en moi, elle tait moi. J'avais cess de me sentir mdiocre, contingent, mortel. D'o avait pu me venir cette puissante joie ? Je sentais qu'elle tait lie au got du th et du gteau, mais qu'elle le dpassait infiniment, ne devait pas tre de mme nature. D'o venait-elle ? Que signifiaitelle ? O l'apprhender ? Je bois une seconde gorge o je ne trouve rien de plus que dans la premire, une troisime qui m'apporte un peu moins que la seconde. Il est temps que je m'arrte, la vertu du breuvage semble diminuer. Il est clair que la vrit que je cherche n'est pas en lui, mais en moi. Il l'y a veille, mais ne la connat pas, et ne peut que rpter indfiniment, avec de moins en moins de force, ce mme tmoignage que je ne sais pas interprter et que je veux au moins pouvoir lui redemander et retrouver intact, ma disposition, tout l'heure, pour un claircissement dcisif. Je pose la tasse et me tourne vers mon esprit. C'est lui de trouver la vrit. Mais comment ? Grave incertitude, toutes les fois que l'esprit se sent dpass par lui-mme; quand lui, le chercheur, est tout ensemble le pays obscur o il doit chercher et o tout son bagage ne lui sera de rien. Chercher ? pas seulement: crer. Il est en face de quelque chose qui n'est pas encore et que seul il peut raliser, puis faire entrer dans sa lumire.

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