The Artists Mind
For the past century psychoanalysts have attempted to understand the psychology of art, artists and aesthetic experience. This book examines how contemporary psychoanalytic theory provides insight into understanding the psychological sources of creativity, modern art and modern artists.
The Artists Mind revisits the lives of eight modern artists, including Henri Matisse, Marcel Duchamp, Jackson Pollock and Andy Warhol, from a psychoanalytical viewpoint. It looks at how opportunities for a new approach to art at the turn of the twentieth century offered artists a chance to explore different forms of creativity and artistic ambition. Key areas of discussion include:
developmental sources of the aesthetic sense
psychological functions of creativity and art
psychology of beauty, ugliness and the Sublime
co-evolution of the modern self, modernism and art
cultural context of creativity, artistic identity and aesthetic experience.
Through the examination of great artists lives and psychological dynamics, the author articulates a new psychoanalytic aesthetic model that has both clinical and historical significance. This book is essential reading for all those with an interest in the origins and fate of modern art.
George Hagman, LCSW, is a psychoanalyst and clinical social worker practicing in both New York City and Connecticut. He is also a member of the faculty of the National Psychological Association for Psychoanalysis.
Hagman invites the reader to join him on a fascinating and audacious psychoanalytic tour of the minds of significant artists of the 19th and 20th Centuries. Tracing their personal histories he demonstrates how psychological factors contribute to the aesthetic resonance in works of art and architecture. An innovative contribution to the dual fields of art and psychoanalysis, The Artists Mind is an engaging read.
Joy Schaverien, Jungian Analyst and Visiting Professor in Art Psychotherapy at Leeds Metropolitan University, UK. Author of The Revealing Image
In his second book Hagman pursues the development of a novel theory about aesthetics and creativity from self psychology and relational perspectives. He sees aesthetic experience as rooted in idealization of early attachment of the infant to his mother. In the present work he expands his ingenious formulations to Modern art which encourages personal idiosyncrasies, subjective expression, and aggressive abandonment of tradition. In this thoughtful and well researched text, he illustrates his theory by a detailed examination of a number of well known painters including, Degas, Bonnard, Duchamp, Pollock and Warhol. The list is extensive enough to enrich our understanding and appreciation of varied and at times opposing attitudes towards the process of artistic creation.
Francis Baudry, faculty New York Psychoanalytic Institute
The authors psychoanalytic readings of the eight artists are compelling like princesses in a fairy tale, each of whom is more beautiful than the last, I found each treatment to seem more fascinating than the other.
Ellen Dissanayake, author, Art and Intimacy: How the Arts Began and Homo Aestheticus: Where Art Comes From and Why
The Artists Mind offers a vitalizing, new analytic perspective on the importance of aesthetics and art as a dialogue with the world, shedding light on the evolution of modern art through the lives and works of major 20th century artists, and expanding our understanding of art into the 21st century.
Carol M.Press, Ed.D., author, The Dancing Self: Creativity, Modern Dance, Self Psychology, and Transformative Education
The Artists Mind
A Psychoanalytic Perspective on Creativity, Modern Art and Modern Artists
George Hagman
LONDON AND NEW YORK
First published 2010
by Routledge
27 Church Road, Hove, East Sussex BN3 2FA
Simultaneously published in the USA and Canada
by Routledge
270 Madison Avenue, New York, NY 10016
Routledge is an imprint of the Taylor & Francis Group, an Informa business
This edition published in the Taylor & Francis e-Library, 2010.
To purchase your own copy of this or any of Taylor & Francis or Routledges collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.
2010 George Hagman
Paperback cover design by Lisa Dynan
All rights reserved. No part of this book may be reprinted or reproduced or
utilized in any form or by any electronic, mechanical, or other means, now
known or hereafter invented, including photocopying and recording, or in
any information storage or retrieval system, without permission in writing
from the publishers.
This publication has been produced with paper manufactured to strict
environmental standards and with pulp derived from sustainable forests.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging in Publication Data
Hagman, George.
The artists mind: a psychoanalytic perspective on creativity, modern art
and modern artists/George Hagman.
p. cm.
Includes bibliographical references.
ISBN 978-0-415-46705-6 (hardback)ISBN 978-0-415-46706-3 (pbk.)
1. Artists-Psychology. 2. Art-Psychology. 3. Creation (Literary, artistic,
etc.) 4. Art, Modern-19th century. 5. Art, Modern-20th century. I. Title.
N71.H228 2010
701'.15dc22
2010000076
ISBN 0-203-84112-3 Master e-book ISBN
ISBN: 978-0-415-46705-6 (hbk)
ISBN: 978-0-415-46706-3 (pbk)
To my wonderful children
Peter Davila Hagman and Elena Christine Hagman
Contents
Acknowledgements
As I wrote this book I was supported and encouraged by a number of people: Carol Press, the late Carl Rotenberg, David Shaddock, Leslie Hogan, Karen Schwartz, Julia Schwartz, and members of the Self Psychological and Psychoanalytic communities who read my papers, reviewed my earlier book, and attended workshops and paper presentations. Most importantly, Carol has supported my work and me over the years, and I owe much to her and our friendship. I also acknowledge my friend and collaborator the late Carl Rotenberg, M.D., with whom I discussed several of these papers and who supported my initial ambitions in this area of study. In addition, I want to thank Jon Mills, Ph.D. and Eric van Brooekthuizen at Rodopi Press for publishing my first book Aesthetic Experience: Beauty, Creativity and the Search for the Ideal as part of the series Contemporary Psychoanalytic Studies. That book is the foundation of the present one, so I am grateful for their interest and support. Some chapters in this book were written for and presented at a series of workshops that Carol, Carl and I have conducted over the past ten years at the Annual Meetings on the Psychology of the Self. I also want to thank the members of the Connecticut Self Psychology Study Group for their friendships and stimulating discussions: Allison Brownlow, Nancy Boksenbaum, Larry Ludwig, Lois Fox, Alexis Johnson, Nancy Bronson, Mikey Silverman, Grete Lane and Susanne Weil; and the membership of the Connecticut Society for Psychoanalytic Psychology, an organization I have been proud to serve as the Scientific Program Chair for the past five years. I would like to thank my children, Elena and Peter, to whom this book is dedicatedthey are the joy and pride of my life. Finally, thank you to my wife Moira, whom I will love forever.
Next page