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Winifred Bird - Eating Wild Japan: Tracking the Culture of Foraged Foods, with a Guide to Plants and Recipes

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Winifred Bird Eating Wild Japan: Tracking the Culture of Foraged Foods, with a Guide to Plants and Recipes
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Eating Wild Japan: Tracking the Culture of Foraged Foods, with a Guide to Plants and Recipes: summary, description and annotation

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From bracken to butterbur to princess bamboo, some of Japans most iconic foods are foraged, not grown, in its forests, fields, and coastal waters--yet most Westerners have never heard of them.

In this book, journalist Winifred Bird eats her way from one end of the country to the other in search of the hidden stories of Japans wild foods, the people who pick them, and the places whose histories theyve shaped.

A beautiful and thoughtful exploration of the deep relationship--past and present--between people and wild plants in one of the worlds richest foraging regions.Samuel Thayer, author of Incredible Wild Edibles and The Foragers Harvest

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Published by Stone Bridge Press P - photo 1

Published by Stone Bridge Press P O Box 8208 Berkeley CA 94707 - photo 2

Published by
Stone Bridge Press
P. O. Box 8208, Berkeley, CA 94707
TEL 510-524-8732

The information in this publication is accurate to the best of our knowledge. Its text is not intended to serve as a foraging guide, and the author and publisher accept no liability for negative outcomes arising from misidentifying, collecting, or consuming plants it describes.

Poem on page 97 from Shinkokinshu: New Collection of Poems Ancient and Modernby Laurel Rasplica Rodd, published by Brill. Used by permission.

Poem on page 132 from A Waka Anthology, volume 1: The Gem-Glistening Cup, by Edwin Cranston, 1993 by the Board of Trustees of the Leland Stanford Jr. University. All rights reserved. Used by permission of the publisher, Stanford University Press. sup.org .

Illustration on page 144 from a photo hanging in the restaurant Tsubaki Jaya, Noto Peninsula.

Text 2021 Winifred Bird.
Front-cover design and illustrations by Paul Poynter.
Book design and layout by Peter Goodman.

All rights reserved.

No part of this book may be reproduced in any form without permission from the publisher.

Printed in the United States of America.

10 9 8 7 6 5 4 3 2 1 2024 2023 2022 2021

p- ISBN 978-1-61172-061-7
e- ISBN 978-1-61172-943-6

For John, Julian, and Rowan,
the best berry-picking companions I could ever wish for.

Introduction

For you, beloved

I walk the fields in springtime

Picking wild greens

As snowflakes fall and fall on

The sleeves of my kimono

Emperor Koko (83087), from the Hyakunin Isshu

What little I know of Japans immense and intricate culture of wild foods I owe to many peopleto housewives and farmers, scientists and geographers, bureaucrats, back-to-the-landers, and countless others I met in the eight years I lived in rural Japan and the three I spent researching this book after returning to the United States. To none, however, do I owe a greater debt of gratitude than to my neighbor of three years, Sadako Ban, because it was she who first showed me that these foods are woven into Japanese culture in ways far deeper than the pages of a cookbook or field guide might suggest.

Ban-san befriended me at a funeral. My then-husband and I had just moved into a cavernous farmhouse on the outskirts of Matsumoto, that lovely old city in central Japan with its wedding-cake castle and views of the Japan Alps, and were going about our own back-to-the-land experiment in rice farming, carpentry (him), and writing (me). Ours was a traditional apple-growing neighborhood, and custom had it that whenever anyone within the community of eighty households died, a member of each household was expected to pay their respects. This time the matriarch of the local temple had passed away. Ban-san was her sister-in-lawthe daughter of the temples former priestand after the service ended she stationed herself at the temple door to bid farewell to departing mourners. My first impression was of a tiny, bird-like, but very self-possessed woman with bobbed white hair and a gentle smile. She was already eighty-five, more than half a century older than me. Perhaps because she was curious about the new foreigner in town, or perhaps because she intuited in me a kindred spirit, she invited me to stop by her house for tea some time.

It was an early winter day when I walked the hundred yards or so up the steep road we both lived on and knocked on her door. She greeted me graciously, tucked me under the blanket of a snug kotatsuin the living room, and disappeared into the kitchen to get the tea ready. As I waited, I looked over her bookcases (being the offspring of a bookselling family, this is my habit in new places). There were two: a large one filled with Japanese novels and a small one for Western classics. I deciphered the names of Jean Paul Sartre and Simone de Beauvoir written in katakana on several spines before she returned. How oddly comforting it was, and how rare in that distant corner of the world, to think that she might have read those writers that I, too, admired. She set down the tray.

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