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Larry A. Hickman - John Dewey Between Pragmatism and Constructivism

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Larry A. Hickman John Dewey Between Pragmatism and Constructivism

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Many contemporary constructivists are particularly attuned to Deweys penetrating criticism of traditional epistemology, which offers rich alternatives for understanding processes of learning and education, knowledge and truth, and experience and culture.
This book, the result of cooperation between the Center for Dewey Studies at Southern Illinois University Carbondale, and the Dewey Center at the University of Cologne, provides an excellent example of the international character of pragmatist studies against the backdrop of constructivist concerns. As a part of their exploration of the many points of contact between classical pragmatism and contemporary constructivism, its contributors turn their attention to theories of interaction and transaction, communication and culture, learning and education, community and democracy, theory and practice, and inquiry and methods.
Part One is a basic survey of Deweys pragmatism and its implications for contemporary constructivism. Part Two examines the implications of the connections between Deweyan pragmatism and contemporary constructivism. Part Three presents a lively exchange among the contributors, as they challenge one another and defend their positions and perspectives. As they seek common ground, they articulate concepts such as power, truth, relativism, inquiry, and democracy from pragmatist and interactive constructivist vantage points in ways that are designed to render the preceding essays even more accessible. This concluding discussion demonstrates both the enduring relevance of classical pragmatism and the challenge of its reconstruction from the perspective of the Cologne program of interactive constructivism.

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SPEAKING ABOUT TORTURE
Speaking about Torture Edited by JULIE A CARLSON AND ELISABETH WEBER - photo 1
Speaking about Torture
Edited by
JULIE A. CARLSON AND ELISABETH WEBER
Frontispiece John Nava Signing Statement Law or An Alternate Set of - photo 2
Frontispiece: John Nava, Signing Statement Law or An Alternate Set of Procedures, oil on canvas, 41 41 inches, from the series Neo-Icons, 2006. Courtesy of the artist and Sullivan GossAn American Gallery.
Copyright 2012 Fordham University Press
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any meanselectronic, mechanical, photocopy, recording, or any otherexcept for brief quotations in printed reviews, without the prior permission of the publisher.
Fordham University Press has no responsibility for the persistence or accuracy of URLs for external or third-party Internet websites referred to in this publication and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
Fordham University Press also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.
Library of Congress Cataloging-in-Publication Data
Speaking about torture / edited by Julie A. Carlson and Elisabeth Weber. 1st ed.
p. cm.
Includes bibliographical references (p.) and index.
ISBN 978-0-8232-4224-5 (cloth : alk. paper)
ISBN 978-0-8232-4225-2 (pbk. : alk. paper)
1. Torture in literature. 2. Torture in mass media.
I. Carlson, Julie Ann, 1955 II. Weber, Elisabeth, 1959
PN56.T62S64 2012
809.93355dc23 2012002863
Printed in the United States of America
14 13 12 5 4 3 2 1
First edition
CONTENTS
JULIE A. CARLSON AND ELISABETH WEBER
LISA HAJJAR
ALFRED W. McCOY
REINHOLD GRLING
SUSAN DERWIN
ELISABETH WEBER
SINAN ANTOON
JOHN NAVA
ABIGAIL SOLOMON-GODEAU
STEPHEN F. EISENMAN
HAMID DABASHI
VIOLA SHAFIK
PETER SZENDY
CHRISTIAN GRNY
JULIE A. CARLSON
DARIECK SCOTT
COLIN DAYAN
RICHARD FALK
ACKNOWLEDGMENTS
We thank the College of Letters and Sciences at UC Santa Barbara for selecting Torture and the Future for the Critical Issues in America lecture series in 2007, and especially David Marshall, the Dean of Humanities and Fine Arts, for his generous support of this project. We thank co-convener Lisa Hajjar for her initial vision and ongoing counsel, as well as committee members Roman Baratiak, Peter Bloom, Giles Gunn, and Nancy Kawalek. We thank our contributors for making the process of moving from live event to printed text an enlivening experience, and we thank Helen Tartar, the external reviewers, and the editorial staff at Fordham University Press for their endorsement of this volume and of the value of the humanities. We thank Charlotte Becker for her keen eye in helping us prepare the manuscript for publication.
The launching of any book evokes prospects whose structure of hope is embedded in the nature of writing. The prospect associated with ours is deeply imperiled. In that recognition, we mobilize our best things, including words, and dedicate this effort with love to David and Ruben Saatjian.
SPEAKING ABOUT TORTURE
For the Humanities
Julie A. Carlson and Elisabeth Weber
In his introduction to the collection Poems from Guantnamo: The Detainees Speak, published in 2007 by American and British lawyers who represent pro bono detainees of the camp, Marc Falkoff makes an observation, the implications of which underlie the impulse for this volume to speak about torture from the perspective of the humanities. Noting that the collection does not offer a complete portrait of the poetry composed at Guantnamo, largely because many of the detainees poems were destroyed or confiscated before they could be shared with the authors lawyers, Falkoff lists as a second inhibiting factor the Pentagons refusal to allow the publication of most of the existing detainees poems on the grounds that poetry presents a special risk to national security because of its content and formatthe ostensible fear being that detainees will try to smuggle coded messages out of the prison camp. In addition, he writes that most of the poems that have been cleared are in English translation only, because the Pentagon believes that their original Arabic or Pashto versions represent an enhanced security risk. As pertains to their translation, then, these poems are rendered in English by linguists whose special competency as translators of poetry resides in their secret-level security clearances, and
Leaving aside for the moment the question of how words do justice to the experiences about which these detainees speak, we wish to pause over the significance of these Poems from Guantnamo and the admission by Pentagon officials that they present a special risk to national security for the clarity with which they pose the question of the centrality of literature to the sustainability of human rights and their legislation, especially of those harder human rights such as the right not to be tortured. as well as claims to the originality, autonomy, and value of its speakers.
Yet these detainees speak, and in a mediumpoetrythat accommodates the limits that experiences of torture and trauma foreground. Through figuration, indirection, non-sense-making semiotic and affective processes, poetic discourse has long been said to grant space and even sanctuary to what precisely cannot be captured by logos. Assuming that media of transmission are not external to history and its representations, the American authorities, by disappearing the original languages of these poems and by classifying them as an enhanced security risk, attest to one of the structural conditions of witnessing: the fundamental possibility of untranslatability.
The remarkable admission, that the country that has at its disposal arguably the most technically advanced security apparatus sees itself threatened by the medium poem, especially the medium poem that is written in Arabic or Pashtoin other words, in languages whose potential of secret codes is deemed uncontrollablesignals some of what literature and humanistic endeavor bring to the project of legislating against torture: providing modes of witness that, through their powers of insinuation, may not be withstood. Of course, the admission is also remarkable because public discourse on torture as well as on the humanities generally proceeds from the opposite assumption: namely, that hermetic figurations of poetry and post-structural humanistic discourses distract and detract from consideration of urgent, real world policy issues such as torture, which is why such issues are best left in the hands of social scientists, political theorists, and military, legal, and government officials. We disagree. The essays in this volume explore how torture and humanist discourses each draw precise attention to the forms and histories of mastery, domination, and misrecognition lodged within concepts of truth. Consequently, we believe that efforts to address the long, though not continuous, history of justifying recourse to torture on the grounds of its capacity to uncover or extract truth from subjects deemed existentially untrustworthy require incorporating into policy discussions on torture the reconceptualizations of subjectivity, opposition, law, and representation that it has been the constant effort of humanist discourse, especially post-1945, to pursue.
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