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Sandra Cox - Intersectional Feminist Readings of Comics: Interpreting Gender in Graphic Narratives

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Intersectional Feminist Readings of Comics collects several theoretically informed close reading of comics and graphic literature that apply an intersectional feminist lens to the interpretation of several contemporary North American graphic narratives.

The essays examine use a range of interpretive lenses drawn from theoretical models used in contemporary aesthetics, media studies, and literary criticism to analyze mainstream figures like DCs Catwoman and Marvels Miss America and Doctor Strange, to contextualize historical and speculative comics by Indigenous American illustrators, and to explicate autography by critically lauded Jewish, queer and female cartoonists. In the first half of the book, the chapters examine ways in which superhero comics and the cinematic and televisual adaptations thereof, reify, revise and reject gender parity, systemic misogyny and heteropatriarchy through visual and textual rhetorics of representation. In the second part of the volume, the chapters look at the ways that feminist interpretive practices illuminate the radical work undertaken by cartoonists from historically marginalized communities in the U.S. and Canada. Across both halves, readers will find applications of longstanding feminist critical traditions, like ecofeminism, as well as new intersectional extrapolations of narratology, autobiographical studies, and visual rhetoric, which have been applied to the selected comics in insightful and innovative ways.

This is a lively and varied collection suitable for students and scholars in gender studies, cultural studies, media studies and literary studies.

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Intersectional Feminist Readings of Comics
Intersectional Feminist Readings of Comics collects theoretically informed close readings of comics and graphic literature that apply an intersectional feminist lens to the interpretation of multiple contemporary North American graphic narratives.
The essays use a range of interpretive lenses drawn from theoretical models in contemporary aesthetics, media studies, and literary criticism to analyze mainstream figures like DCs Catwoman and Marvels Miss America and Doctor Strange, to contextualize historical and speculative comics by Indigenous American illustrators, and to explicate autography by critically lauded Jewish, queer, and female cartoonists. In the first half of the book, the chapters examine ways in which superhero comics, and the cinematic and televisual adaptations thereof, reify, revise, and reject gender parity, systemic misogyny, and heteropatriarchy through visual and textual rhetorics of representation. In the second part of the volume, the chapters look at the ways that feminist interpretive practices illuminate the radical work undertaken by cartoonists from historically marginalized communities in the US and Canada. Across both halves, readers will find applications of longstanding feminist critical traditions, like ecofeminism, as well as new intersectional extrapolations of narratology, autobiographical studies, and visual rhetoric, which have been applied to the selected comics in insightful and innovative ways.
This is a lively and varied collection suitable for students and scholars in gender studies, cultural studies, media studies, and literary studies.
Sandra Cox is Assistant Professor of English at Southeast Missouri State University, where she teaches courses in American literature by writers from historically marginalized communities. She holds a doctorate in literary studies from the University of Kansas (2011). Her first monograph, entitled An Ethics of Reading, was published in 2015. Dr. Cox has written articles on comics published in The Journal of Comics and Graphic Novels and twice in Watchung Review, and articles on feminist literary criticism published in the journals Assuming Gender, Postcolonial Interventions, Parlour, Red Feather, and [Inter]sections. She has also contributed chapters on visual media and/or gender studies to edited collections that include Bodies and Culture: Discourses, Communities, Representations (2012), Weaving the Legacy: Remembering Paula Gunn Allen (2017), and Where Is Adaptation (2018).
Interdisciplinary Research in Gender
Classical Hollywood Cinema, Sexuality, and the Politics of the Face
Paul Morrison
Representing Abortion
Edited by Rachel Alpha Johnston Hurst
Dismantling Rape Culture
The Peacebuilding Power of Me Too
Tracey Nicholls
Freewomen, Patriarchal Authority and the Accusation of Prostitution
Stephanie Lynn Budin
Spatialities in Italian American Womens Literature
Beyond the Mean Streets
Eva Pelayo Sanudo
Womens Suffrage in Word, Image, Music, Stage and Screen
The Making of a Movement
Edited by Christopher Wiley and Lucy Ella Rose
Intersectional Feminist Readings of Comics
Interpreting Gender in Graphic Narratives
Edited by Sandra Cox
Caffie Greene and Black Women Activists
Unsung Women of the Black Liberation Movement
Kofi Charu Nat Turner
Forced Migration in the Feminist Imagination
Transcultural Movements
Anna Ball
https://www.routledge.com/Interdisciplinary-Research-in-Gender/book-series/IRG
Intersectional Feminist Readings of Comics
Interpreting Gender in Graphic Narratives
Edited by Sandra Cox
First published 2022 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 1
First published 2022
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
605 Third Avenue, New York, NY 10158
Routledge is an imprint of the Taylor & Francis Group, an informa business
2022 selection and editorial matter Sandra Cox; individual chapters, the contributors
The right of Sandra Cox to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Names: Cox, Sandra, Ph.D., editor.
Title: Intersectional feminist readings of comics: interpreting gender in graphic narratives / edited by Sandra Cox.
Description: Abingdon, Oxon; New York, NY: Routledge, 2022. | Series: Interdisciplinary research in gender | Includes bibliographical references and index. |
Identifiers: LCCN 2021012606 (print) | LCCN 2021012607 (ebook) | ISBN 9780367704728 (paperback) | ISBN 9780367704711 (hardback) | ISBN 9781003146520 (ebook)
Subjects: LCSH: Comic books, strips, etc.United StatesHistory and criticism. | Motion pictures and comic books. | Superhero filmsUnited StatesHistory and criticism. | Women in literature. | Sex role in literature. | Women in motion pictures. | Sex role in motion pictures. | Feminist theory. | LCGFT: Literary criticism.
Classification: LCC PN6725 .I58 2022 (print) | LCC PN6725 (ebook) | DDC 741.5/973082--dc23
LC record available at https://lccn.loc.gov/2021012606
LC ebook record available at https://lccn.loc.gov/2021012607
ISBN: 978-0-367-70471-1 (hbk)
ISBN: 978-0-367-70472-8 (pbk)
ISBN: 978-1-003-14652-0 (ebk)
DOI: 10.4324/9781003146520
Typeset in Sabon
by MPS Limited, Dehradun
Contents
List of figures
List of contributors
Acknowledgements
Introduction: Drawn to and from gender: some of what it means to critique comics through intersectional feminist theory
SANDRA COX
PART I
Racialized heroes and sexualized villains
Contested adaptations: legacies of orientalism, the she-hero, and Hollywoods diversity aesthetic in Marvels Doctor Strange (2016)
MICHAEL REINHARD AND MONICA ROXANNE SANDLER
On the fringes and tassels of respectability: Catwoman and censoring the femme form
A. LUXX MISHOU
Queer, Latina, and punching Nazis: a New America breaking borders
ANDE DAVIS
Unweaving the world: militant ecofeminism in the anti-fairy tale Beautiful Darkness
SHANE GOMES
PART II
National histories and personal autographies
Drawn into being: the transformative voices of Native American and First Nations Women in comics and visual narratives
NICOLE DIB
Comics and gendered subjectivity: the multifaceted truth of Alison Bechdels graphic memoirs
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