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Zahra Newby - The Materiality of Mourning: Cross-disciplinary Perspectives

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Tangible remains play an important role in our relationships with the dead; they are pivotal to how we remember, mourn and grieve. Historians of funerary monuments have often been reluctant to theorize about grief, preferring the cold certainties of social structure and elite self-representation to the messy world of lived experience. Yet without a consideration of how objects function in the context of human emotions, we are left with an incomplete analysis of the nature of grief and mourning. The Materiality of Mourning brings together three major themes of current research: emotion, memory studies, and the agency of material objects. The volume, co-edited by a classist and an anthropologist, brings together eleven original chapters by scholars in history, art history, thanatology, religious studies, archaeology, sociology, and political science. It presents analysis of a diverse and compelling range of objects, from the blood-stained uniforms of World War One soldiers to bone fragments recovered from exhumed graves in crowded Singapore, from an ivory doll found beside the mummy of a child in a Roman tomb to the disarticulated remains of bodies recovered from the World Trade Center Towers following 9/11. Cumulatively, the chapters form an innovative and provocative volume that will not only appeal to scholars of material culture, and of the emotions, but to anyone concerned with the wider questions of how societies can better deal with dying, death and grief.

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The Materiality of Mourning Tangible remains play an important role in our - photo 1
The Materiality of Mourning
Tangible remains play an important role in our relationships with the dead; they are pivotal to how we remember, mourn and grieve. The chapters in this volume analyse a diverse range of objects and their role in the processes of grief and mourning, with contributions by scholars in anthropology, history, fashion, thanatology, religious studies, archaeology, classics, sociology and political science. The book brings together consideration of emotions, memory and material agency to inform a deeper understanding of the specific roles played by objects in funerary contexts across historical and contemporary societies.
Zahra Newby is Professor of Classics and Ancient History at the University of Warwick, UK.
Ruth E. Toulson is Assistant Professor of Anthropology at Maryland Institute College of Art, Baltimore, USA.
The Materiality of Mourning
Cross-Disciplinary Perspectives
Edited by Zahra Newby and Ruth E. Toulson
The Materiality of Mourning Cross-disciplinary Perspectives - image 2
First published 2019
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2019 selection and editorial matter, Zahra Newby and Ruth E. Toulson; individual chapters, the contributors
The right of Zahra Newby and Ruth E. Toulson to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
A catalog record for this book has been requested
ISBN: 978-0-815-35663-9 (hbk)
ISBN: 978-1-351-12766-0 (ebk)
Typeset in Times New Roman
by Apex CoVantage, LLC
Contents
RUTH E. TOULSON AND ZAHRA NEWBY
Part 1
The afterlife of possessions
VALERIE M. HOPE
EMILY BRAYSHAW
ERIC VENBRUX
Part 2
Representational objects
ZAHRA NEWBY
ANNE KJRSGAARD
HELEN I. ACKERS
KATE A. BEATS
Part 3
The body as material for mourning
LUCY NOAKES
RUTH E. TOULSON
CHARLOTTE HEATH-KELLY
MICHAEL BRENNAN
DOUGLAS J. DAVIES
  1. i
  2. ii
Helen I. Ackers is a Classical Archaeologist whose research is focused on the art and material culture of the Ancient World. Her current research interests are Roman womens portraiture and the function and display of the portrait bust in the Roman era. In 2016 she received her DPhil on Portrait Busts of Roman Women in the Third century AD from Wolfson College, University of Oxford. She has subsequently held an All Scholars Fulbright award, for which she was based at Duke University, and a Teaching Fellowship in Classical Visual Culture at the University of Warwick.
Kate A. Beats is Ceramics Specialist at the Cambridge Archaeological Unit, University of Cambridge. She received her Doctorate in Classics from the University of Warwick. Her work on the history of collections at the Fitzwilliam Museum led to an interest in the reception of ancient vases in eighteenth-century Britain, particularly in the funerary context. Currently, Kate is researching antiquarian collecting habits in Britain as well as continuing to develop her interest in neoclassicism.
Emily Brayshaw works at the Faculty of Design, Architecture and Building at the University of Technology Sydney, where she received her PhD in 2016. Emilys research and pedagogical interests include how fashion, dress and performance costume were used to communicate economic, social and cultural meanings in the 19th and 20th Centuries.
Michael Brennan is Senior Lecturer in Sociology at Liverpool Hope University. His recent work has explored the material practices and identificatory dynamics surrounding public mourning; the narrative practices of the self invoked in pathographic accounts of public dying; and the productive uses of creativity triggered by absence and loss. He is the author of Mourning and Disaster (2008) and editor of The A-Z of Death and Dying (2014).
Douglas J. Davies is Professor in the Study of Religion at the University of Durham. He is both an anthropologist and a theologian with theoretical and practical interests. He has published widely on death and funerary customs, and is also interested in the connections between religion and emotions and was part of the AHRC Emotions Network between 2008 and 2011. His books include Emotion, Identity, and Religion: Hope, Reciprocity, and Otherness (2011); with Hannah Rumble, Natural Burial: Traditional-Secular Spiritualities and Funeral Innovation (2012) and Mors Britannica: Lifestyle and Death-style in Britain Today (2015). He also co-edited (with Lewis Mates) the Encyclopedia of Cremation (2005).
Charlotte Heath-Kelly is Associate Professor of Politics and International Studies at Warwick University. Her research explores the memorialisation of post-terrorist space across Europe and the United States from psychoanalytic and Heideggerian angles. She has published two monographs, Death and Security: Memory and Mortality at the Bombsite (2016) and Politics of Violence: Militancy, International Politics, Killing in the Name (2013).
Valerie M. Hope is a Senior Lecturer in Classical Studies at the Open University, with research interests centred on Roman funerary and mourning customs. Publications include: Roman Death (2009), Death in Ancient Rome: A Sourcebook (2007); and the co-edited volumes War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict (2015), Memory and Mourning: Studies on Roman Death (2011) and Death and Disease in the Ancient City (2000).
Anne Kjrsgaard is a Postdoctoral researcher in the Department of Practical Theology and Church History, School of Society and Culture, Aarhus University, Denmark. She conducted her doctoral research at the Centre for Thanatology, Radboud University, the Netherlands. She is the author of Funerary Culture and the Limits of Secularization in Denmark (2017). In her current position she takes part in the research project Death, Memory and Religion and she focuses on how grave-visting is experienced by mourners.
Zahra Newby is Professor of Classics and Ancient History at the University of Warwick. Her research focuses on Roman art and she has published widely on the subject of Roman funerary art, ancient athletics, art and text, and the uses of myth in Roman art. Her books include
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