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Jon Fosse - Scenes from a Childhood

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Jon Fosse Scenes from a Childhood
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    Scenes from a Childhood
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Scenes from a Childhood: summary, description and annotation

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One of Norways most celebrated authors and playwrights, Jon Fosse is famed for the minimalist and unsettling quality of his writing. Scenes from a Childhood draws together a number of Fosses most powerful short pieces, spanning his entire career.
In the title work, we are presented with a loosely autobiographical narrative strand made up of multiple shards of memory covering infancy to awkward adolescence. The collection also contains Fosses haunting and dream-like novella And Then My Dog Will Come Back for Me, along with his first published story, `Him, written in 1981.
Taken from various sources, this will be the first time that these pieces appear alongside each other in the same collection, offering readers the chance to discover the best of Fosses inimitable spare and poetic prose

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Jon Fosse is a major European writer.

Karl Ove Knausgaard, author of My Struggle

Jon Fosse is less well-known in America than some other Norwegian novelists, but revered in Norway winner of every prize, a leading Nobel contender. I think of the four elder statesmen of Norwegian letters as a bit like the Beatles: Per Petterson is the solid, always dependable Ringo; Dag Solstad is John, the experimentalist, the ideas man; Karl Ove Knausgaard is Paul, the cute one; and Fosse is George, the quiet one, mystical, spiritual, probably the best craftsman of them all His writing is pure poetry.

Paris Review, from an essay by the translator

Fosse has been compared to Ibsen and to Beckett, and it is easy to see his work as Ibsen stripped down to its emotional essentials. But it is much more. For one thing, it has a fierce poetic simplicity.

New York Times

With its heavy silences and splintered dialogue, his work has reminded some of Beckett, others of Pinter.

Guardian

Undoubtedly one of the worlds most important and versatile literary voices.

Irish Examiner

He has a surgeons ability to use the scalpel and to cut into the most prosaic, everyday happenings, to tear loose fragments from life, to place them under the microscope and examine them minutely, in order to present them afterward sometimes so endlessly desolate, dark, and fearful that Kafka himself would have been frightened.

Aftenposten

SCENES FROM A CHILDHOOD

JON FOSSE

Translated and selected by

DAMION SEARLS

CONTENTS AND THEN MY DOG WILL COME BACK TO ME SCENES FROM A CHILDHOOD ITS - photo 1
CONTENTS

AND THEN MY DOG WILL
COME BACK TO ME

SCENES FROM A CHILDHOOD
ITS MAYBE FOUR OCLOCK

Its maybe four oclock when Trygve and I go out to the old barn. My grandfather built this barn but now its falling apart, the unpainted planks in the walls are rotting away, there are holes in the wall you can see through in some places and a couple of roof tiles lying in the nettles, three more sticking out of a puddle of mud. A rusty hook is hanging from the door-frame. The door is hanging from the door-frame too, attached with hay-baling cord, swinging crookedly. A warm summer day, afternoon. Trygve and I sit on a large round stone a few yards from the barn. There are plastic bags under our legs with our lunches inside, slices of bread with brown cheese, we each have a soft drink. Its hot. Were both sweating. Mosquitoes are buzzing round our heads.

I JUST CANT GET THE GUITAR TUNED

I just cant get the guitar tuned and the dance is about to start. Theres already a big crowd in the room, most of them people involved with the event and their friends and girlfriends, but still a lot of people, when I look up from the shelter of the long hair hanging down over my eyes I see them moving around the room. Im bent over my guitar, turning and turning a tuning knob, I turn it all the way down and the string almost dangles off the fretboard, all forlorn, and then I strum on it while I turn the knob up, up, I hear the tone slide higher, I strum on two strings, now is this right? no, it always sounds a little off, doesnt it, and I turn it more, I turn and turn, up and down, I turn it and turn it and the drummer is pounding for all hes worth and hitting the cymbals and the bassist is thumping too and the other guy on guitar is standing there strumming chord after chord and I just cant get this damn guitar in tune. I turn the knob more, and the string breaks. I push my hair back and shout that the string broke. The others just keep the noise going. I unplug the guitar and go backstage, I have spare strings in my guitar case. I find a new third string. I change the string, turn the knob until the string is on. I walk back onstage. I plug the guitar in again and start tuning it. I cant hear anything. I shout for the others to stop playing. They stop. I try to tune the guitar. I cant do it. I ask the other guitarist to give me the note, he plays a G on his third string. I turn the knob.

Little more, he says.

I turn it a little more. I look at the other guitarist and he shakes his head a little. I turn it a little more, strum the string. He looks up, stops, listens.

Little higher, he says.

I turn it a little higher and strum.

Little more, he says.

And now it starts to sound right.

Almost there, he says. Maybe a little more.

I turn it a little higher and strum.

Little lower, he says.

I turn it down slightly and strum.

Damn it, he says. Take it all the way down, well try it again, he says.

I turn the knob all the way down. He plays the open third string on his guitar. I start to turn the knob up. I hear it getting closer. Its getting closer. I see the other guitarist nod. I turn it a little more. And now it sounds right, almost perfect.

Almost, the other guitarist says.

I turn it a little more and now its off, I turn it more and I hear it getting closer again. A little more.

Careful now, the other guitarist says.

I turn it a little bit more. And I hear the string break.

Fuck, I say.

Go get another one, the other guitarist says.

I go backstage again and go to the guitar case to get another string. But I dont have any more third strings. I shout and say I dont have any more third strings, I say I need to borrow one, and the other guitarist goes to his guitar case and looks for a string. I see him put one knee on the floor and dig around in his guitar case and look for a string. He looks at me.

I dont think I have one, he says.

He digs around in his guitar case some more. He gets up and shakes his head.

Nope, he says. No G string.

Then I guess Ill have to play with five strings, I say.

Thatll probably work, he says.

People are already here, I say.

Thatll work, he says.

THE AXE

One day Father yells at him and he goes out to the woodshed, he gets the biggest axe, he carries it into the living room and puts it down next to his fathers chair and asks his father to kill him. As one might expect, this only makes his father angrier.

IT HAS STOPPED SNOWING

It has stopped snowing. Geir and Kjell are out in the new snow but theyre not going skiing, no theyre busy with their snow shovels, pushing the snow around and beating it down flat and hard. Im standing at my window spying on what theyre doing out there. I ask my mother if I can go outside and she says OK. I bundle up, gloves and everything, and go outside. I run over to Geir and Kjell and ask them what theyre doing and they say theyre going to play car and make streets and a tunnel and everything in the snow. I run home and get two cars. I come back and Geir and Kjell have finished with the snow shovels and theyve already started working on the construction. And then Geir and Kjell and I build a tunnel, and a garage, and a house. This is going to be great. Geir loads snow onto the truck with an excavator. Kjell drives the snow in the truck, then dumps it out. I build a road. We are working and building. We dont know what will happen next but we crawl around in the snow, humming and whistling, driving and dumping. Snow is falling steadily on us, light and white, so that the road has to be cleared again and again. We work and build and clear the road. Time passes, but we dont notice. We plough the road and gravel it with the lightest new snow. We dont notice that some slightly bigger boys, boys we barely know even though they live only a few houses away, have come walking up to us through the yard. The boys dont live far away but we dont know them. They stand and look at us. They ask what were doing, and we say were playing car. They ask if they can play too, and we hand them our cars, our excavator. Then we stand and watch the other boys play. They yell louder and push the wheels down into the road, they laugh and shout.

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