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Michael Wyatt (Editor) - The Cambridge Companion to the Italian Renaissance

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Michael Wyatt (Editor) The Cambridge Companion to the Italian Renaissance
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The Renaissance in Italy continues to exercise a powerful hold on the popular imagination and on scholarly enquiry. This Companion presents a lively, comprehensive, interdisciplinary, and current approach to the period that extends in Italy from the turn of the fourteenth century through the latter decades of the sixteenth. Addressed to students, scholars, and non-specialists, it introduces the richly varied materials and phenomena as well as the different methodologies through which the Renaissance is studied today both in the English-speaking world and in Italy. The chapters are organized around axes of humanism, historiography, and cultural production, and cover a wide variety of areas including literature, science, music, religion, technology, artistic production, and economics. The diffusion of the Renaissance throughout Italian territories is emphasized. Overall, the Companion provides an essential overview of a period that witnessed both a significant revalidation of the classical past and the development of new, vernacular, and increasingly secular values.

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The Cambridge Companion to the Italian Renaissance

The Renaissance in Italy continues to exercise a powerful hold on the popular imagination and on scholarly inquiry. This Companion presents a lively, comprehensive, interdisciplinary, and current approach to the period that extends in Italy from the turn of the fourteenth century through the latter decades of the sixteenth. Addressed to students, scholars, and non-specialists, it introduces the richly varied materials and phenomena as well as the different methodologies through which the Renaissance is studied today both in the English-speaking world and in Italy. The chapters are organized around axes of humanism, historiography, and cultural production, and cover a wide variety of areas including literature, science, music, religion, technology, artistic production, and economics. The diffusion of the Renaissance throughout Italian territories is emphasized. Overall, the Companion provides an essential overview of a period that witnessed both a significant revalidation of the classical past and the development of new, vernacular, and increasingly secular values.

MICHAEL WYATT is an independent scholar. His work is engaged with the pre-modern cultural histories of Italy, England, and France, particularly questions of translation as both a textual practice and a socio-political phenomenon. He is the author of The Italian Encounter with Tudor England: A Cultural Politics of Translation (2005) and co-edited (with Deanna Shemek) Writing Relations : American Scholars in Italian Archives Essays for Franca Nardelli Petrucci and Armando Petrucci (2008). He is currently working on a second monograph, John Florio and the Circulation of Stranger Cultures in Early Stuart Britain , a critical edition of Florios 1603 translation of Montaigne, The Essayes or Morall, Politike and Millitarie Discourses , and he is an associate-editor of The Encyclopedia of Renaissance Philosophy .

Cambridge Companions to Culture

For a list of titles published in the series, please see .

The Cambridge Companion to the Italian Renaissance
Edited by
Michael Wyatt
University Printing House Cambridge CB2 8BS United Kingdom Cambridge - photo 1
University Printing House Cambridge CB2 8BS United Kingdom Cambridge - photo 2
University Printing House, Cambridge CB2 8BS, United Kingdom
Cambridge University Press is part of the University of Cambridge.
It furthers the Universitys mission by disseminating knowledge in the pursuit of education, learning and research at the highest international levels of excellence.
www.cambridge.org
Information on this title: www.cambridge.org/9780521699464
Cambridge University Press 2014
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2014
Printed in the United Kingdom by Clays, St Ives plc
A catalog record for this publication is available from the British Library
Library of Congress Cataloging-in-Publication Data
The Cambridge companion to the Italian Renaissance / edited by Michael Wyatt.
pages cm. (Cambridge companions to culture)
Summary: The Renaissance in Italy continues to exercise a powerful hold on the popular
imagination and on scholarly enquiry.
ISBN 978-0-521-87606-3 (Hardback) ISBN 978-0-521-69946-4 (Paperback)
1. RenaissanceItaly. 2. ItalyCivilization1268-1559. 3. ItalyIntellectual
life1268-1559. 4. ItalySocial conditions1268-1559. I. Wyatt, Michael, 1956-
DG533.C36 2014
945.05dc23 2013024948
ISBN 978-0-521-87606-3 Hardback
ISBN 978-0-521-69946-4 Paperback
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

For Jacques Grs-Gayer

Contents
Michael Wyatt
Stephen J. Campbell
Kathleen Wren Christian
Francesca Fiorani
Patricia L. Reilly
Michael Wyatt
Maurizio Campanelli
Brian Richardson
Deanna Shemek
Jon R. Snyder
Giuseppe Gerbino
Ronald L. Martinez
Diego Pirillo
Adriano Prosperi
Mark Jurdjevic
Judith C. Brown
Giovanna Benadusi
Katharine Park and Concetta Pennuto
Illustrations
Triumphal Arch of Alfonso I (1443, Castel Nuovo, Naples).
Reproduced courtesy of Scala/Art Resource, New York.
Cesare da Sesto, Madonna and Child with St. John the Baptist and St. George ( c . 151315, Fine Arts Museums of San Francisco).
Reproduced courtesy of Alinari/Art Resource, New York.
Lorenzo Lotto, Virgin and Child with Saints (151316, Church of S. Bartolommeo, Bergamo).
Reproduced courtesy of Alinari/Art Resource, New York.
Donatello, St. Mark (141113, Orsanmichele, Florence).
Reproduced courtesy of Scala/Minstero per i Beni e le Attivit culturali/Art Resource, New York.
Luca Signorelli, Court of Pan ( c . 1484, formerly in Berlin but destroyed in 1945).
Reproduced courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, New York.
Filippino Lippi, Strozzi Chapel , The Expulsion of a Daemon from the Temple of Mars in Hierapolis (14971502, Santa Maria Novella, Florence).
Reproduced courtesy of Erich Lessing/Art Resource, New York.
Michelangelo, Battle of the Centaurs ( c . 1492, Casa Buonarroti, Florence).
Reproduced courtesy of Kunsthistorisches Institut in Florenz Max-Planck-Institut.
Titian, Bacchus and Ariadne (152023, National Gallery, London).
Reproduced courtesy of the National Gallery Picture Library, The National Gallery, London.
Pomponius Mela, World Map , from P. Bertij tabvlarvm geographicarvm contractarvm libri septem .
Reproduced courtesy of the Tracy W. McGregor Library of American History, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville.
Ptolemy, World Map (first half of fifteenth century, illuminated manuscript on vellum, Florence, Biblioteca Medicea Laurenziana).
Reproduced courtesy of Scala/Art Resource, New York.
First Map of Europe ( Tabula Europ I ), engraving, from Ptolemy, Geografia .
Reproduced courtesy of the Tracy W. McGregor Library of American History, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville.
Giacomo Gastaldi, Modern Map of the British Isles ( Anglia et Hibernia Nova ), engraving, from Ptolemy, Geografia .
Reproduced courtesy of the Tracy W. McGregor Library of American History, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville.
Fra Mauro, World Map (1459, illuminated manuscript on vellum, Biblioteca Nazionale Marciana, Venice).
Reproduced courtesy of Scala/Art Resource, New York.
The Cantino Map (1502, Biblioteca Estense Universitaria, Modena).
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