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Robert Murray Davis - Playing Cowboys: Low Culture and High Art in the Western

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    Playing Cowboys: Low Culture and High Art in the Western
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In Playing Cowboys, Robert Murray Davis examines the Western hero-a principal image of American manhood since publication of The Virginian-as portrayed by a variety of post-World War II novelists and filmmakers. Innovative artists have used the Western to discuss issues of ethics and aesthetics, but its greatest impact may have been on popular cultural values. Davis shows that the Western is not primarily about escape or violence, but, at its best, is about development. The would-be hero adopts the existing role only to find it inadequate, and, forced to reimagine himself, he defines the Western hero anew. At the core of this process is strength-not power over others, but courage to go beyond the established boundaries. Although women do appear in the Western (often as proponents of civilization), it is fundamentally a mans world, offering an important view of male identity.Focusing on The Virginian, chapter 1 explores the origin of the Western hero and the source of the genres major plots and issues. Chapter 2 evaluates history, myth, and the relative reality of the two in the works of Oakley Hall. Citing the novels of Richard Brautigan, E.L. Doctorow, John Hawkes, and Michael Ondaatje, chapter 3 compares the Western and the gothic novel, focusing on the concept of space. These works portray the West as a wasteland devoid of any vitality, but chapter 4 takes up science fiction Westerns (including works by John Jakes, John Boyd, and Robert Sheckley) that use the Western frontier to ironic and liberating effect. Chapter 5, on the motion picture Blazing Saddles and the postmodern Western novels of Ishmael Reed and Alvin Greenberg, examines the role playing by which identity is created. And in his Preface, Introduction, and Epilogue, Davis frames these discussions with personal observations on the West and its relation to the American masculine mystique.For those interested in Western movies or novels, popular culture, gender studies, or literary criticism, Playing Cowboys is a unique and indispensable guide to the territory from here to the sunset.

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title Playing Cowboys Low Culture and High Art in the Western author - photo 1

title:Playing Cowboys : Low Culture and High Art in the Western
author:Davis, Robert Murray.
publisher:University of Oklahoma Press
isbn10 | asin:0806126272
print isbn13:9780806126272
ebook isbn13:9780585168753
language:English
subjectAmerican fiction--West (U.S.)--History and criticism, Western stories--History and criticism, Western films--History and criticism, Cowboys in literature.
publication date:1994
lcc:PS374.W4D38 1994eb
ddc:813/.087409
subject:American fiction--West (U.S.)--History and criticism, Western stories--History and criticism, Western films--History and criticism, Cowboys in literature.
Page iii
Playing Cowboys
Page iv
By Robert Murray Davis
(editor) John Steinbeck (Englewood Cliffs, 1972)
Evelyn Waugh, Writer (Norman, 1981)
(editor) Owen Wister's West (Albuquerque, 1981)
Evelyn Waugh and the Forms of His Time (Washington, 1989)
Mid-Lands: A Family Album (Athens, 1992)
Page v
Playing Cowboys
Low Culture and High Art in the Western
by Robert Murray Davis
Playing Cowboys Low Culture and High Art in the Western - image 2
University of Oklahoma Press
Norman and London
Page vi
Library of Congress Cataloging-in-Publication Data
Davis, Robert Murray.
Playing cowboys: low culture and high art in the western / by
Robert Murray Davis.
p. cm.
Includes bibliographical references and index.
ISBN 0-8061-2402-4 (alk. paper)
1. American fiction West (U.S.) History and criticism.
2. Western stories History and criticism. 3. Western filmsHistory and criticism. 4. Cowboys in literature. I. Title.
PS374.W4D38 1991
813'.87409 dc20Picture 3Picture 4Picture 5Picture 691-34453
Picture 7Picture 8Picture 9Picture 10Picture 11Picture 12CIP
Permission to use the following is gratefully acknowledged: "To Frank Chin" appeared in the fall 1991 issue of The Redneck Review of Literature 21, "New Frontiers on the Pacific Rim." The beginning and scattered paragraphs of chapter 1 are revised from ''The Virginian: Social Darwinist Pastoral," Acta Litteraria Academicae Scientiarum Hungaricae 23 (1981): 27179; reprinted in Southwestern American Literature 9 (Fall 1983): 2231. Chapter 2 is revised and expanded from "Oakley Hall's Westerns: A Sense of Period," Southwest Review 69 (Autumn 1984): 44461. Chapter 4 is revised and expanded from "The Frontiers of Genre: Science Fiction Westerns,'' Science Fiction Studies 12 (March 1985): 3341. Chapter 5 incorporates material revised from "Scatting the Myths: Ishmael Reed," Arizona Quarterly 39 (Winter 1983): 40620 (copyright held by the Arizona Board of Regents); and from "Playing Cowboys: The Paradoxes of Genre," Heritage of Kansas 12 (Spring 1979): 38, reprinted by permission of Heritage of the Great Plains.
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources, Inc.Picture 13
Copyright 1992 by the University of Oklahoma Press. Published by the University of Oklahoma Press, Norman, Publishing Division of the University. All rights reserved. Manufactured in the U.S.A. First edition
Page vii
Contents
Preface
ix
Acknowledgments
xvii
Introduction
xix
1. The Virginian: Inventing the Westerner
3
2. Reinventing the Westerner: Oakley Hall
30
3. Gothic Space and the Disintegration of the Hero
58
4. Playing with Cowboys: Science Fiction Westerns
93
5. The Reader as Cowboy: Postmodern Westerns
115
Epilogue
152
Notes
155
Index
161

Page ix
Preface
Scenes:
Driving with a Canadian friend and collaborator on academic projects whose idea of a good Western movie is Zorro the Gay Blade, I stop outside Checotah, Oklahoma, for gas and coffee. From the condition of the heavy glass door, starred and patched with duct tape, someone was in a hurry to enter. The Crimestoppers number by the phone was a little late.
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