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Kenyon Cox - An Artist of the American Renaissance: The Letters of Kenyon Cox, 1883-1919

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Kenyon Cox was born in Warren, Ohio, in 1856 to a nationally prominent family. He studied as an adolescent at the McMicken Art School in Cincinnati and later at the Pennsylvania Academy of Fine Arts in Philadelphia. From 1877 to 1882, he was enrolled at the Ecole des Beaux Arts in Paris, and then in 1883 he moved to New York City, where he earned his living as an illustrator for magazines and books and showed easel works in exhibitions. He eventually became a leading painter in the classical style particularly of murals in state capitols, courthouses, and other major buildings and one of the most important traditionalist art critics in the United States.An Artist of the American Renaissance is a collection of Coxs private correspondence from his years in New York City and the companion work to editor H. Wayne Morgans An American Art Student in Paris: The Letters of Kenyon Cox, 1877-1882 (Kent State University Press, 1986). These frank, engaging, and sometimes na?ve and whimsical letters show Coxs personal development as his career progressed. They offer valuable comments on the inner workings of the American art scene and describe how the artists around Cox lived and earned incomes. Travel, courtship of the student who became his wife, teaching, politics of art associations, the process of painting murals, the controversy surrounding the depiction of the nude, promotion of the new American art of his day, and his support of a modified classical ideal against the modernism that triumphed after the 1913 Armory Show are among the subjects he touched upon.Coxs letters are little known and have never before been published. This collection will appeal to those with an interest in late 19th century American architecture, art and culture, mural painting, art criticism and the history of Ohio.

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title An Artist of the American Renaissance The Letters of Kenyon Cox - photo 1

title:An Artist of the American Renaissance : The Letters of Kenyon Cox, 1883-1919
author:Cox, Kenyon.; Morgan, H. Wayne
publisher:Kent State University Press
isbn10 | asin:0873385179
print isbn13:9780873385176
ebook isbn13:9780585262260
language:English
subjectCox, Kenyon,--1856-1919--Correspondence, Painters--United States--Correspondence.
publication date:1995
lcc:ND237.C8A3 1995eb
ddc:759.13
subject:Cox, Kenyon,--1856-1919--Correspondence, Painters--United States--Correspondence.
Page iii
An Artist of the American Renaissance
The Letters of Kenyon Cox, 18831919
Edited by H. Wayne Morgan
THE KENT STATE UNIVERSITY PRESS
Kent, Ohio, and London, England
Page iv
1995 by The Kent State University Press, Kent, Ohio 44242
All rights reserved
Library of Congress Catalog Card Number 95-1587
Manufactured in the United States of America
LIBRARY OF CONGRESS CATALOGING-IN PUBLICATION DATA
Cox, Kenyon, 18561919
An artist of the american renaissance: the letters of Kenyon Cox,
18831919 / edited by H. Wayne Morgan.
p. cm
Includes index.
ISBN 0-87338-517-9 (cloth)
1. Cox, Kenyon, 18561919Correspondence. 2. Painters
United StatesCorrespondence. I. Morgan, H. Wayne(Howard
Wayne) II. Title.
ND237.C8A3 1995
759.13dc20
[B]
95-1587
CIP
British Library Cataloging-in-Publication data are available.
Page v
IN MEMORIAM
The children of Louise and Kenyon Cox
Leonard
Allyn
Caroline
Page vii
CONTENTS
Preface
ix
Abbreviations
xiii
Introduction
1
The Letters
31
1. Getting Established: 18831889
33
2. Travel, Matrimony, Public Reputation: 18871900
84
3. Muralist, Traditional Thinker, Critic of Modernism: 19001919
123
Afterword
187
Index
189

Page ix
PREFACE
Kenyon Cox was born in Warren, Ohio, in 1856 and died in New York in 1919. In these years he developed a career as a painter and art critic that made him a national cultural figure. Both sides of his family played prominent roles in the history of his state and nation. His mother was the daughter of the famous evangelist and founder-leader of Oberlin College, Charles Grandison Finney. Cox's father first studied for the ministry, then switched to politics as a liberal Republican when the great sectional crisis of the 1850s prepared to divide the Union. He emerged from the Civil War as a major general, was governor of Ohio in the postwar term, served as secretary of the interior for President Ulysses S. Grant in 186970, and was a member of the national House of Representatives for the 187779 term. He spent the rest of his life as a lawyer, legal educator, and university administrator at the Cincinnati Law School and the University of Cincinnati. Whatever their roles, the family valued intellectual achievement and supported their son Kenyon's desire to be an artist at a time when such a career choice was both unusual and financially hazardous.
Kenyon studied as an adolescent at the McMicken Art School in Cincinnati, for one year at the Pennsylvania Academy of Fine Arts in Philadelphia in 187677, then for five years between 1877 and 1882 at the Ecole des Beaux-Arts in Paris. He returned to Ohio in the winter of 1882 and moved to New York, the country's art center, in the fall of 1883. Once there, he made a living as an illustrator for magazines and books, showed easelworks in exhibitions, and then became a mural painter, using a personal classical style derived from Renaissance models. He decorated some of the country's major buildings, including state capitols at St. Paul, Des Moines, and Madison; courthouses in New York City, Wilkes-Barre, Pennsylvania, and Newark, New Jersey; the Library of Congress; and other important structures that, with few exceptions, remain in place today. He reached the height of his prestige and influence in the art world in the decade before World War I as a supporter of a modified classical ideal and an opponent of modernism. He left a large body of critical writing and an equally interesting and important quantity of private correspondence.
Good letters have at least three large attributes. They show the development of a
Page x
personality in an interesting human drama. Cox was an excellent letter writer, who described his own feelings, fears, anxieties, and hopes candidly and well. In them, one senses a real personality doing real things. Letters should also describe developments within an important and interesting enterprise. These letters cover years of great excitement in the American art world. They begin when a new generation of painters studied abroad and then returned home to display their talents at drawing and painting, which they hoped would revolutionize American art and make it and the new country's culture in general an important part of world affairs. And they hoped to broaden the coverage of this new art to include a freshly examined idealism as well as landscape, genre, and portraiture, all drawn from an era that seemed to be on the march to progress in most sectors of human affairs. In short, they hoped to make their art interesting, expansive, and central to the society. Cox's letters comment on many of these developments, on the inner workings of the art scene, and on how artists lived and earned incomes. And last, good letters should show how both the personality and the milieu fitted into the large scheme of things, as Cox's do.
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