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Annemarie Bean - Inside the minstrel mask: readings in nineteenth-century blackface minstrelsy

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As the blackface minstrel show evolved from its beginnings in the American Revolution to its peak during the late 1800s, its frenetic dances, low-brow humor, and lively music provided more than mere entertainment. Indeed, these imitations and parodies shaped societys perceptions of African Americans-and of women-as well as made their mark on national identity, policymaking decisions, and other entertainment forms such as vaudeville, burlesque, the revue, and, eventually, film, radio, and television. Gathered here are rare primary materials-including firsthand accounts of minstrel shows, minstrelsy guides, jokes, sketches, and sheet music-and the best of contemporary scholarship on minstrelsy.

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title Inside the Minstrel Mask Readings in Nineteenth-century Blackface - photo 1

title:Inside the Minstrel Mask : Readings in Nineteenth-century Blackface Minstrelsy
author:Bean, Annemarie.
publisher:Wesleyan University Press
isbn10 | asin:0819563005
print isbn13:9780819563002
ebook isbn13:9780585370897
language:English
subjectMinstrel shows--United States--History--19th century.
publication date:1996
lcc:PN3195.I58 1996eb
ddc:791/.12/097309034
subject:Minstrel shows--United States--History--19th century.
Page iii
Inside the Minstrel Mask
Readings in Nineteenth-Century Blackface Minstrelsy
Edited by
Annemarie Bean, James V. Hatch, and Brooks McNamara
Foreword by
Mel Watkins
Page iv Wesleyan University Press Published by University Press of New - photo 2
Page iv
Wesleyan University Press
Published by University Press of New England, Hanover, NH 03755
1996 by Wesleyan University Press
All rights reserved
Printed in the United States of America 5 4 3 2 1
CIP data appear at the end of the book
Some of the material in this volume has been previously published:
"Blackface and Blackness: The Minstrel Show in American Culture." From Love and Theft: Blackface Minstrelsy and the American Working Class by Eric Lott. Copyright 1993 by Eric Lott. Reprinted by permission of Oxford University Press, Inc.
"The Performance of the Virginia Minstrels." From Dan Emmett and the Rise of Early Negro Minstrelsy by Hans Nathan. Copyright 1962 by the University of Oklahoma Press.
"Black Musicians and Early Ethiopian Minstrelsy" by Eileen Southern. Originally published in the Black Perspective in Music, vol. 3, no. 1 (1975), ed. Eileen Southern. Reprinted by permission of the author.
"Blackface Minstrelsy." From The Rise and Fall of the White Republic by Alexander Saxton. Copyright 1990 by Alexander Saxton. Reprinted by permission of Alexander Saxton and Verso.
"Social Commentary in Late-Nineteenth-Century White Minstrelsy." From Blacking Up: The Minstrel Show in Nineteenth-Century America by Robert C. Toll. Copyright 1974 by Oxford University Press, Inc. Reprinted by permission.
"Early Minstrel Show Music, 18431852" by Robert B. Winans. Originally published in Musical Theatre in America: Papers and Proceedings of the Conference on the Musical Theatre in America, ed. Glenn Loney. Copyright 1984 by Greenwood Publishing Group, Inc. Reprinted with permission of Greenwood Publishing Group, Inc., Westport, Conn.
"The Georgia Minstrels: The Early Years" by Eileen Southern. Originally published in the Inter-American Music Review, vol. 10, issue 2 (1989), ed. Robert Stevenson.
"Ethiopian Skits and Sketches: Contents and Contexts of Blackface Minstrelsy, 18401890" by William J. Mahar. Originally published in Prospects, vol. 16 (1991). Copyright by Cambridge University Press. Reprinted with the permission of Cambridge University Press.
"Juba and American Minstrelsy" by Marian Hannah Winter. Originally published in Dance Index 6 (1947), and subsequently reprinted by Arno Press.
Page v
We dedicate this book to John Graziano
Page vii
CONTENTS
Foreword
Mel Watkins
ix
Editors' Preface
xi
Introduction
Blackface and Blackness: The Minstrel Show in American Culture
Eric Lott
3
Early Minstrelsy
The Performance of the Virginia Minstrels
Hans Nathan
35
Black Musicians and Early Ethiopian Minstrelsy
edited by Eileen Southern
43
Picture 3
The Origin of Negro Minstrelsy
Colonel T. Allston Brown
44
Picture 4
Fun in Black
Charles Day
46
Picture 5
Who Are Our National Poets?
James K. Kennard, Jr.
50
Political Climate
Blackface Minstrelsy
Alexander Saxton
67
Social Commentary in Late-Nineteenth-Century White Minstrelsy
Robert C. Toll
86
The Show
Selection of Minstrelsy Memorabilia
111
Negro Minstrels
Charles Townsend
121
The Hop of Fashion
Charles T. White
126
Speech on Woman's Rights from"Dick's Ethiopian Scenes, Variety Sketches, and Stump Speeches"
135

Page viii
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