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Katalin Cseh-Varga - Performance Art in the Second Public Sphere

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Katalin Cseh-Varga Performance Art in the Second Public Sphere
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Performance Art in the Second Public Sphere Performance Art in the Second - photo 1
Performance Art in the Second Public Sphere

Performance Art in the Second Public Sphere is the first interdisciplinary analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the particular critical roles that this work assumed under conditions of censorship.

The artistic networks of Yugoslavia, Hungary, Latvia, Lithuania, Poland, Romania, East Germany and Czechoslovakia are discussed with a particular focus on the discourses that shaped artistic practice at the time, drawing on the methods of Performance Studies and Media Studies as well as more familiar reference points from art history and area studies.

Katalin Cseh-Varga is a lecturer at the Universitt Wien and a postdoctoral fellow at the Ludwig-Maximilians-Universitt, Germany. Her research focuses on the theory of public spheres in the former Eastern bloc, archival theory, and performative and medial spaces of the experimental art scene of the 1960s1980s.

Adam Czirak is Assistant Professor in Performance Studies at the Freie Universitt Berlin, Germany. His research focuses on aesthetics of contemporary theatre, visual culture, and performance art in Eastern Europe. His publications include Partizipation der Blicke (Bielefeld 2011) and Melancholy and Politics (co-ed., Athens 2013).

Routledge Advances in Theatre and Performance Studies

www.routledge.com/Routledge-Advances-in-Theatre Performance-Studies/book- series/RATPS

Global Insights on Theatre Censorship

Edited by Catherine OLeary, Diego Santos Snchez, Michael Thompson

Performance and the Politics of Space

Theatre and Topology

Edited by Erika Fischer-Lichte, Benjamin Wihstutz

Adapting Chekhov: The Text and its Mutations

Edited by J. Douglas Clayton, Yana Meerzon

Food and Theatre on the World Stage

Edited by Dorothy Chansky, Ann Folino White

Grotowski, Women, and Contemporary Performance

Meetings with Remarkable Women

By Virginie Magnat

Art, Vision, and Nineteenth-Century Realist Drama

Acts of Seeing

By Amy Holzapfel

Performance and Phenomenology

Traditions and Transformations

Edited by Maaike Bleeker, Jon Foley Sherman, Eirini Nedelkopoulou

Historical Affects and the Early Modern Theater

Edited by Ronda Arab, Michelle Dowd, Adam Zucker

Theatre and Dictatorship in the Luso-Hispanic World

Edited by Diego Santos Sanchez

Performance Art in the Second Public Sphere

Event-based Art in Late Socialist Europe

Edited by Katalin Cseh-Varga and Adam Czirak

Performance Art in the Second Public Sphere
Event-based Art in Late Socialist Europe

Edited by Katalin Cseh-Varga
and Adam Czirak

First published 2018 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 2

First published 2018

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

and by Routledge

711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2018 selection and editorial matter, Katalin Cseh-Varga and Adam Czirak; individual chapters, the contributors

The right of Katalin Cseh-Varga and Adam Czirak to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data

Names: Cseh-Varga, Katalin, editor. | Czirak, Adam, editor.

Title: Performance art in the second public sphere : event-based art in late socialist Europe / edited by Katalin Cseh-Varga and Adam Czirak.

Description: New York : Routledge, 2018. | Series: Routledge advances in theatre and performance studies | Includes bibliographical references and index.

Identifiers: LCCN 2017048525 | ISBN 9781138723276 (hardback : alk. paper) | ISBN 9781315193106 (e-book)

Subjects: LCSH: Performance artEurope, Eastern. | Arts and societyEurope, EasternHistory20th century.

Classification: LCC NX456.5.P38 P464 208 | DDC 709.040/755dc23

LC record available at https://lccn.loc.gov/2017048525

ISBN: 978-1-138-72327-6 (hbk)
ISBN: 978-1-315-19310-6 (ebk)

Typeset in Bembo
by Apex CoVantage, LLC

Contents

KATALIN CSEH-VARGA AND ADAM CZIRAK

Part I
Geopolitics and transnationalism of art production

RODDY HUNTER

MIKO UVAKOVI

DIETMAR UNTERKOFLER

ILEANA PINTILIE

Part II
Locating the second public sphere

CRISTIAN NAE

ANDREJ MIREV

ANDREA BTOROV

BERENIKA SZYMANSKI-DLL

KATA KRASZNAHORKAI

LAINE KRISTBERGA

ADAM CZIRAK

Part III
Facets of gender in the second public sphere

AMY BRYZGEL

JASMINA TUMBAS

BETA HOCK

ANGELIKA RICHTER

Part IV
Post-socialist performance

MAJA FOWKES AND REUBEN FOWKES

Andrea Btorov, PhD works at the Comenius Universitys Institute of Cultural Studies in Bratislava, Slovakia. She was engaged as an assistant curator at the Staatsgalerie Stuttgart and published her PhD thesis Action Art in Slovakia in the 1960s: Actions by Alex Mlynrik in German in 2009.

Amy Bryzgel, PhD is Senior Lecturer in Film and Visual Culture at the University of Aberdeen. In 2017, she published a monograph with Manchester University Press entitled Performance Art in Eastern Europe since 1960. She is Director of the George Washington Wilson Centre for Visual Culture and Director of Postgraduate Studies in the School of Language, Literature, Music and Visual Culture, and a Director of the Demarco Archive Trust.

Maja Fowkes, PhD, is an art historian, curator and co-director of the Translocal Institute for Contemporary Art. She is the author of The Green Bloc: Neo-Avant-Garde Art and Ecology under Socialism (2015), as well as numerous articles and book chapters on Central and East European art history and environmental humanities.

Reuben Fowkes, PhD, is an art historian, curator and co-director of the Translocal Institute for Contemporary Art. His published research ranges across the visual culture of socialism, monumental sculpture and the contemporary art history of Eastern Europe, along with curatorial and theoretical contributions to the field of art and ecology.

Beta Hock, PhD, is Research Associate of the Department of Entanglements and Globalization at the Leibniz Institute for the History and Culture of Eastern Europe (GWZO, Leipzig). Her areas of research and teaching include art history, feminist cultural theory, and the cultural dimensions of the global Cold War.

Roddy Hunter

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