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Peter Parr - Sketching for Animation: Developing Ideas, Characters and Layouts in Your Sketchbook

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Peter Parr Sketching for Animation: Developing Ideas, Characters and Layouts in Your Sketchbook
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Sketching for Animation: Developing Ideas, Characters and Layouts in Your Sketchbook: summary, description and annotation

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Drawing and sketching are central to the art of animation and can be crucial tools in designing and developing original stories, characters and layouts. Sketching for Animation offers a wealth of examples, exercises and tips from an army of professional animators to help you develop essential sketching, technical drawing and ideation techniques.With interviews and in-depth case studies from some of todays leading animators, including Bill Plympton, Glen Keane, Tori Davis and John Canemaker, this is a unique guide to turning your sketchbook - the worlds cheapest, most portable pre-visualisation tool - into your own personal animation armory.

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Fairchild Books An imprint of Bloomsbury Publishing Plc Imprint previously - photo 1

Fairchild Books

An imprint of Bloomsbury Publishing Plc

Imprint previously known as AVA Publishing

50 Bedford Square1385 Broadway
LondonNew York
WC1B 3DPNY 10018
UKUSA

www.bloomsbury.com

This electronic edition published in 2017 by Bloomsbury Publishing Plc

FAIRCHILD BOOKS, BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc

Bloomsbury Publishing Plc, 2016

Peter Parr has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work.

All rights reserved
You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author.

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library.

ISBN: 978-1-4742-2144-3 (PB)
ISBN: 978-1-3500-3391-7 (eBook)
ISBN: 978-1-4742-2145-0 (ePDF)

Library of Congress Cataloging-in-Publication Data

Parr, Peter.

Sketching for animation / Peter Parr. -- [First edition].

pages cm

ISBN 978-1-4742-2144-3 (pbk.) -- ISBN: 978-1-3500-3391-7 (eBook) -- ISBN 978-1-4742-2145-0 (epdf) 1. Animated films. 2. Drawing--Technique. I. Title.

NC1765.P37 2016

741.58--dc23

2015015970

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TABLE OF CONTENTS DED ICATION This book is dedicated to my - photo 2

TABLE OF CONTENTS

DED ICATION

This book is dedicated to my wife, Astor, and our family.

INTRODUCTION

Most people think the word sketching suggests an enjoyable and playful thing to do, and indeed it is! Sketching is a pleasurable way to gain confidence in your drawing, offering you a personal place to externalize your ideas at very little cost. Sketching for Animationcelebrates a freedom of approach to gathering observations that may influence your ideas for designing and animating.

THE SKETCHBOOK

A sketchbook is a book in which to sketch, draw and have fun. That is enough to fulfil many peoples needs, but for others, this is where the story only begins. My own sketchbooks have been constant lifelong companions that have fostered my curiosity and have developed my observational skills to such an extent that they have played a central role in my work as a teacher, illustrator, animator and filmmaker.

Its been a part of my career, and my pleasure, to encourage students to nurture their skills through observational drawing, while enjoying the benefits of drawing as an art form. The practice of sketching is always beneficial; it will develop your ability to look, draw and, at the same time, refresh your sense of wellbeing.

Animation is a performance art. Therefore, I believe that when we look, think and draw, we do so as performers. To observe and then interpret what you see involves you becoming your subject.

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