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Joel B. Lande - How Literatures Begin: A Global History

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A comparative history of the practices, technologies, institutions, and people that created distinct literary traditions around the world, from ancient to modern times
Literature is such a familiar and widespread form of imaginative expression today that its existence can seem inevitable. But in fact very few languages ever developed the full-fledged literary cultures we take for granted. Challenging basic assumptions about literatures by uncovering both the distinct and common factors that led to their improbable invention, How Literatures Begin is a global, comparative history of literary origins that spans the ancient and modern world and stretches from Asia and Europe to Africa and the Americas.
The book brings together a group of leading literary historians to examine the practices, technologies, institutions, and individuals that created seventeen literary traditions: Chinese, Japanese, Korean, Indian, Greek, Latin, Hebrew, Syriac, Arabic, English, Romance languages, German, Russian, Latin American, African, African American, and world literature. In these accessible accounts, which are framed by general and section introductions and a conclusion by the editors, literatures emerge as complex weaves of phenomena, unique and deeply rooted in particular times and places but also displaying surprising similarities. Again and again, new literatures arise out of old, come into being through interactions across national and linguistic borders, take inspiration from translation and cultural cross-fertilization, and provide new ways for groups to imagine themselves in relation to their moment in history.
Renewing our sense of wonder for the unlikely and strange thing we call literature, How Literatures Begin offers fresh opportunities for comparison between the individual traditions that make up the rich mosaic of the worlds literatures.
The book is organized in four sections, with seventeen literatures covered by individual contributors: Part I: East and South Asia: Chinese (Martin Kern), Japanese (Wiebke Denecke), Korean (Ksenia Chizhova), and Indian (Sheldon Pollock); Part II: The Mediterranean: Greek (Deborah Steiner), Latin (Joseph Farrell), Hebrew (Jacqueline Vayntrub), Syriac (Alberto Rigolio), and Arabic (Gregor Schoeler); Part III: European Vernaculars: English (Ingrid Nelson), Romance languages (Simon Gaunt), German (Joel Lande), and Russian (Michael Wachtel); Part IV: Modern Geographies: Latin American (Rolena Adorno), African (Simon Gikandi), African American (Douglas Jones), and world literature (Jane O. Newman).

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HOW LITERATURES BEGIN How Literatures Begin A GLOBAL HISTORY EDITED BY - photo 1

HOW LITERATURES BEGIN

How Literatures Begin

A GLOBAL HISTORY

EDITED BY

JOEL B. LANDE & DENIS FEENEY

PRINCETON UNIVERSITY PRESS

PRINCETON & OXFORD

Copyright 2021 by Princeton University Press

Princeton University Press is committed to the protection of copyright and the intellectual property our authors entrust to us. Copyright promotes the progress and integrity of knowledge. Thank you for supporting free speech and the global exchange of ideas by purchasing an authorized edition of this book. If you wish to reproduce or distribute any part of it in any form, please obtain permission.

Requests for permission to reproduce material from this work should be sent to

Published by Princeton University Press

41 William Street, Princeton, New Jersey 08540

6 Oxford Street, Woodstock, Oxfordshire OX20 1TR

press.princeton.edu

All Rights Reserved

Library of Congress Cataloging-in-Publication Data

Names: Lande, Joel B., editor. | Feeney, D. C., editor.

Title: How literatures begin : a global history / edited by Joel B. Lande and Denis Feeney.

Description: Princeton : Princeton University Press, [2021] | Includes bibliographical references and index.

Identifiers: LCCN 2020044596 (print) | LCCN 2020044597 (ebook) | ISBN 9780691186528 (paperback) | ISBN 9780691186535 (hardback) | ISBN 9780691219844 (ebook)

Subjects: LCSH: LiteratureHistory and criticism.

Classification: LCC PN523 .H69 2021 (print) | LCC PN523 (ebook) | DDC 809dc23

LC record available at https://lccn.loc.gov/2020044596

LC ebook record available at https://lccn.loc.gov/2020044597

Version 1.0

British Library Cataloging-in-Publication Data is available

Editorial: Anne Savarese and James Collier

Production Editorial: Sara Lerner

Text and Cover Design: Chris Ferrante

Production: Erin Suydam

Publicity: Alyssa Sanford and Amy Stewart

Copyeditor: Kathleen Kageff

Cover images (top left to bottom right): Rubbing of the inscription from the Shi Qiang basin (ca. 900 BCE), Western Zhou dynasty (ca. 1046771 BCE); leaf from The Record of So Hynsng, undated. Manuscript. Image courtesy of the Kyujanggak Archive; manuscript leaf from one of the oldest copies of the Koran (Sanaa/Yemen; seventh to eighth century CE); detail of manuscript BnF fonds franais 854 (Occitan chansonnier I), f. 142v. Paris, Bibliothque nationale de France, Paris

CONTENTS
  1. VII
  2. IX
  3. 19
  4. 43
  5. 63
ACKNOWLEDGMENTS

The most important beginning of this book on beginnings was a Humanities Council Capstone Seminar, How Literatures Begin, in spring 2017, cotaught by the editors. We would like to express our warm thanks to the wonderful group of undergraduates and graduates who took part and whose enthusiasm made us feel we wanted to take this project further: James Brown-Kinsella, Allison Fleming, Yitz Landes, Robert Marshall, Alexander Robinson, Lily Xia, Zhuming Yao, Rafail Zoulis. For the funding of the next step, the symposium on April 13, 2018, we thank the Princeton University Departments of Classics, Comparative Literature, East Asian Studies, German, and Slavic, together with the Princeton Humanities Council; we also thank Eileen Robinson for her invaluable assistance. We gladly acknowledge the assistance of the Department of Classics Magie Fund toward the publication of this volume. Many thanks to our editor Anne Savarese and to the two readers for the press, whose comments made a big difference. Finally, we give our warm thanks to Maggie Kurkoski, whose expertise and cheerful energy made it possible to include the images in this volume.

CONTRIBUTORS

Rolena Adorno
Yale University

14. Latin American

Ksenia Chizhova
Princeton University

3. Korean

Wiebke Denecke
Massachusetts Institute of Technology

2. Japanese

Joseph Farrell
University of Pennsylvania

6. Latin

Simon Gaunt
Kings College London

11. Romance Languages

Simon Gikandi
Princeton University

15. African

Douglas Jones
Rutgers University

16. African American

Martin Kern
Princeton University

1. Chinese

Joel Lande
Princeton University

12. German

Ingrid Nelson
Amherst College

10. English

Jane O. Newman
University of CaliforniaIrvine

17. World Literature

Sheldon Pollock
Columbia University

4. Indian

Alberto Rigolio
Durham University

8. Syriac

Gregor Schoeler
Universitt Basel

9. Arabic

Deborah Steiner
Columbia University

5. Greek

Jacqueline Vayntrub
Yale University

7. Hebrew

Michael Wachtel
Princeton University

13. Russian

HOW LITERATURES BEGIN

INTRODUCTION

Literatures are rather improbable things. While storytelling and myth making seem to be fixtures of human society, literatures are much more rare. After all, very few spoken languages ever developed a script, let alone enduring institutions of the kind surveyed in this volume. And in those instances where a literary tradition does take hold, survival is far from guaranteed. Literatures require technologies for their preservation and circulation, groups interested in their continuing production, audiences invested in their consumption, and so on. Literatures are sustained over time by diverse practices. But much like individual lives or entire cultures, they also experience birth and death, periods of florescence and of decay, migration from one place to another, and transformation from one shape into another.

With all the specialized interest in individual literatures, in addition to the widespread use of big-picture categories like postcolonial and world literature, one can easily lose track of just how strange it is that literatures exist in the first place. This book embraces such strangeness, asking how an array of literatures, extending across time and space, came to be. By examining the factors that have brought forth and kept alive various literary traditions, the case studies presented here provide the occasion to rethink many of our most basic assumptions about literature in the singular and literatures in the plural.

It is not hard to recognize the risks built into such a project. Neither the concept of literature, nor that of a beginning, can be taken for granted. There are, to be sure, intrinsic difficulties in translating the concept of literature from one idiom to another, especially because of the terms modern European provenance. Using the term literature universally, that is, runs the risk of projecting a historically and culturally specific set of textual practices and aesthetic values onto times and places that worked very differently. Along the same lines, the search for beginnings can easily be construed as the attempt to uncover a single pattern or a uniform set of enabling conditions, common to each of the case studies included here. In reflecting on processes of literary beginning, it is all too easy to impose a hegemonic mold that all examples either manage or fail to live up to.

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