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Marko Juvan - Worlding a Peripheral Literature

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Marko Juvan Worlding a Peripheral Literature
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Bringing together the analyses of the literary world-system, translation studies, and the research of European cultural nationalism, this book contests the view that texts can be attributed global importance irrespective of their origin, language, and position in the international book market. Focusing on Slovenian literature, almost unknown to world literature studies, this book addresses world literatures canonical function in the nineteenth-century process of establishing European letters as national literatures. Aware of their dependence on imperial powers, (semi)peripheral national movements sought international recognition through, among other things, the newly invented figure of the national poet. Writers central to dependent national communities were canonized to represent their respective cultures to the norm-giving Other - the emerging world literary canon and its aesthetic ideology. Hence, national literatures asserted their linguo-cultural individuality through the process of worlding; that is, by their positioning in the international literary world informed by the supposed universality of the aesthetic.

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Marko Juvan - Worlding a Peripheral Literature
Worlding a Peripheral Literature
Marko Juvan
Worlding a Peripheral Literature

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Canon and World Literature Series Editor Zhang Longxi City University of Hong - photo 1
Canon and World Literature
Series Editor
Zhang Longxi
City University of Hong Kong, Kowloon, Hong Kong

World literature is indeed the most exciting new phenomenon in literary studies today. It is on the rise as the economic, political, and demographic relationships and balances are changing rapidly in a globalized world. A new concept of world literature is responding to such changes and is advocating a more inclusive and truly global conceptualization of canonical literature in the worlds different literary and cultural traditions. With a number of anthologies, monographs, companions, and handbooks already published and available, there is a real need to have a book series that convey to interested readers what the new concept of world literature is or should be. To put it clearly, world literature is not and cannot be the simple conglomeration of all the literary works written in the world, but only the very best works from the worlds different literatures, particularly literary traditions that have not been well studied beyond their native environment. That is to say, world literature still needs to establish its canon by including great works of literature not just from the major traditions of Western Europe, but also literary traditions in other parts of the world as well as the minor or insufficiently studied literatures in Europe and North America.

More information about this series at http://www.palgrave.com/gp/series/15725

Marko Juvan
Worlding a Peripheral Literature
Marko Juvan Research Center of the Slovenian Academy of Sciences and Arts - photo 2
Marko Juvan
Research Center of the Slovenian Academy of Sciences and Arts, Ljubljana, Slovenia
Canon and World Literature
ISBN 978-981-32-9404-2 e-ISBN 978-981-32-9405-9
https://doi.org/10.1007/978-981-32-9405-9
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2019
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Cover illustration: PjrStatues / Alamy Stock Photo

Title: Monument to France Preeren (national poet, 1800-1849) in Preernov trg (Preeren Square), Ljubljana, Slovenia.

This Palgrave Macmillan imprint is published by the registered company Springer Nature Singapore Pte Ltd.

The registered company address is: 152 Beach Road, #21-01/04 Gateway East, Singapore 189721, Singapore

Acknowledgments
In this book, which is partly based on the ideas of my Slovenian monograph Preernovska struktura in svetovni literarni sistem (The Preernian Structure and the Literary World System, Ljubljana: LUD Literatura, 2012), I have rewritten, adapted, and updated more or less extensive segments of the texts in English that have been previously published under the following titles:

  • World Literature(s) and Peripheries. In: Marko Juvan, Literary Studies in Reconstruction: An Introduction to Literature. Frankfurt/M. etc.: P. Lang, 2011. Pp. 7386. Peter Lang.

  • Introduction to World Literatures from the Nineteenth to the Twenty-First Century. CLCWeb: Comparative Literature and Culture 15.5 (December 2013). Web. Purdue University Press.

  • Worlding Literatures between Dialogue and Hegemony. CLCWeb: Comparative Literature and Culture 15.5 (December 2013). Web. Purdue University Press.

  • The Crisis of Late Capitalism and the Renaissance of World Literature. In: Irma Ratiani, ed. National Literatures and the Process of Cultural Globalization . Tbilisi: Shota Rustaveli Institute of Georgian literature, 2014. Pp. 2133.

  • Peripheries and the World System of Literature: A Slovenian Perspective. In: Amaury Dehoux, ed. Centres et priphries de la littrature mondiale . Saint-Denis: Connaissances et Savoirs, 2018. Pp. 91118. ed. Connaissances et Savoirs.

  • Perspectivizing World Literature. Literaturna misal 61.1 (2018): 319.

  • Literary Self-Referentiality and the Formation of the National Literary Canon: The Topoi of Parnassus and Elysium in the Slovene Poetry of the 18th and 19th Centuries. Transl. Marta Pirnat Greenberg. Neohelicon: Acta Comparationis Litterarum Universarum 31.1 (2004): 113123. Springer Nature.

  • Romanticism and National Poets on the Margins of Europe: Preeren and Hallgrmsson. In: Sonja Stojmenska-Elzeser et al., eds. Literary Dislocations . Skopje: Institute of Macedonian Literature, 2012. Pp. 592600.

  • World Literature in Carniola: Transfer of Romantic Cosmopolitanism and the Making of National Literature. Transl. Jean McCollister. In: Jri Talvet, ed. World Literature and National Literatures (Interlitteraria, 17). Tartu: Tartu University Press, 2012. Pp. 2749.

  • In the Background of the Alphabet War: Slovenian-Czech Interliterary Relations and World Literature. Transl. Jean McCollister. In: Liina Lukas, ed. Taming World Literature (Interlitteraria, 20, 1). Tartu: University of Tartu Press, 2015. Pp. 148158.

  • The Nation between the Epic and the Novel: France Preerens the Baptism on the Savica as a Compromise World Text. Transl. Mojca orli and Neville Hall. Canadian Review of Comparative Literature 42.4 (2015): 382395. CRCL/RCLC.

  • The Aesthetics and Politics of Belonging: National Poets between Vernacularism and Cosmopolitanism. Arcadia: Zeitschrift fur vergleichende Literaturwissenschaft 52.1 (2017): 1028. de Gruyter.

I would like to thank Shota Rustaveli Institute of Georgian literature, Institute of Macedonian Literature, Bulgarian Academy of Sciences, Peter Lang, Purdue University Press, de Gruyter, Connaissances et Savoirs, Springer Nature, University of Tartu Press, and Canadian Review of Comparative Literature (CRCL/RCLC) for their permissions to use my texts published in their editions.

I am most grateful to Professor Zhang Longxi, the editor of the series Canon and World Literature, for his care and confidence. I would also like to express my gratitude to Ms. Sara Crowley-Vigneau, the responsible editor of my book, and Ms. Connie Li, the editorial assistant, for all their support during the preparation of this book.

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