Table of Contents
List of Illustrations
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 9
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 18
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
Guide
Pages
A Companion to Photography
Edited by Stephen Bull
This edition first published 2020
2020 John Wiley & Sons Ltd
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Library of Congress CataloginginPublication Data
Names: Bull, Stephen, 1971 editor.
Title: A companion to photography / edited by Stephen Bull.
Description: Hoboken, NJ, USA : WileyBlackwell, 2020. | Includes bibliographical references and index. |
Identifiers: LCCN 2018060332 (print) | LCCN 2018061636 (ebook) | ISBN 9781118598795 (Adobe PDF) | ISBN 9781118598801 (ePub) | ISBN 9781405195843 (hardback)
Subjects: LCSH: Photographic criticism. | PhotographyPhilosophy. | Photography, Artistic. | BISAC: PHOTOGRAPHY / Criticism.
Classification: LCC TR185 (ebook) | LCC TR185 .C66 2019 (print) | DDC 770dc23
LC record available at https://lccn.loc.gov/2018060332
Cover Design: Wiley
Cover Image: Hannah Starkey MirrorUntitled, September 2015 (Courtesy of Maureen Paley, London)
List of Figures
The cover of William Shepperley's A History of Photography (1929). Source: Sabine T. Kriebel. |
Notice in Erich Stenger's The History of Photography: Its Relationship to Civilization and Practice (1939). Source: Sabine T. Kriebel. |
Yasuzo Nojima Nude torso (1930). Source: The National Museum of Modern Art, Kyoto. Reproduced with permission. |
Lionel Wendt (19001944). Untitled. n.d. Gelatin silver print. Source: Christopher Pinney. |
Documentation of the making of Towards a Promised Land by Wendy Ewald. Photograph by Pete Mauney. Source: Courtesy of Wendy Ewald. |
Documentation of the making of Open Shutters by Eugenie Dolberg. Source: Courtesy of Eugenie Dolberg. |
Cover of Austerlitz by W.G. Sebald (2001). 63 |
Susie Freeman, Liz Lee, and David Critchley, Cradle to Grave installation at the British Museum (2005). Source: Susie Freeman, Liz Lee and David Critchley. Image courtesy of Susie Freeman. |
William Henry Fox Talbot Crossed Muslin (18521858). Source: National Media Museum/Science & Society Picture Library. Reproduced with permission. |
Child recycling. Source: Fotolia.com. |
Recycling at school. Source: Fotolia.com. |
Boy and wind turbines. Source: Fotolia.com. |
Man in green office. Source: Fotolia.com. |
A Boots photographic services advert, aimed at women, from 1918. Source: Courtesy of Alliance Boots Archive and Museum Collection. |
A Boots photographic services advert, aimed at women, from 1998. Source: Courtesy of Alliance Boots Archive and Museum Collection. |
Maybelline, The Eraser advert (2011). Source: L'Oral UK and Ireland. Reproduced with permission. |
Julia Roberts, Lancme, Teint Miracle advert (2011). Source: L'Oral UK and Ireland. Reproduced with permission. |
Viviane Sassen, Kinee Diouf for An Other Magazine Fall/Winter 20132014. Styled by Mattias Karlsson. Source: Courtesy of Viviane Sassen. |
R.H. Allan (2014). Caged Serenity. Source: Rachel Hope Allan. Image courtesy of Rachel Hope Allan. On the edges of each photograph that comprise the diptych we can see exact same simulated (digital) emulsion marks, which on a traditional analog Tintype would be different and unique to each photograph: on Hipstamatic, they are the same on every image, produced by a computer algorithm. |
R.H. Allan (2013). Ladydrive #1 (Installation Image). Source: Rachel Hope Allan. Image courtesy of Rachel Hope Allan. 1120 Digital Chromogenic prints, dimensions variable. Simulation and repetition are key tropes in App photography.320 |
Uta Barth From and of time. (Untitled 00.4), 2000; LightJet prints in artist frames; Diptych, 3590inch (88.9228.6cm) overall; Edition of 2, 2 Aps. Source: Uta Barth. Reproduced with permission. |
Laura Letinsky Untitled #54, from Hardly More Than Ever series, 2002. Source: Laura Letinsky. Reproduced courtesy of the artist. |
Walker Evans (American, 19031975). Tin Building, Moundville, Alabama, 1936. Gelatin silver print (1936). 1723.2cm (6 11/169 1/8inch). The J. Paul Getty Museum, Los Angeles. |
Sarah Pickering, Denton Underground Station from Public Order (2003). Source: Sarah Pickering. Reproduced with permission. |
Mishka Henner, Unknown site, Noordwijk aan Zee from the series |
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