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(Lecturer in English) Tony Howe (editor) - Romanticism and the letter

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(Lecturer in English) Tony Howe (editor) Romanticism and the letter

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Contents
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Palgrave Studies in the Enlightenment Romanticism and Cultures of Print - photo 1
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
Series Editors
Anne K. Mellor
Department of English, University of California Los Angeles, Los Angeles, CA, USA
Clifford Siskin
Department of English, New York University, New York, NY, USA

Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print features work that does not fit comfortably within established boundaries whether between periods or between disciplines. Uniquely, it combines efforts to engage the power and materiality of print with explorations of gender, race, and class. By attending as well to intersections of literature with the visual arts, medicine, law, and science, the series enables a large-scale rethinking of the origins of modernity.

Editorial Board: Isobel Armstrong, Birkbeck College, University of London, UK; John Bender, Stanford University, USA; Alan Bewell, University of Toronto, Canada; Peter de Bolla, University of Cambridge, UK; Robert Miles, University of Victoria, Canada; Claudia Johnson, Princeton University, USA; Saree Makdisi, UCLA, USA; Felicity A Nussbaum, UCLA, USA; Mary Poovey, New York University, USA; Janet Todd, University of Cambridge, UK.

More information about this series at http://www.palgrave.com/gp/series/14588

Editors
Madeleine Callaghan and Anthony Howe
Romanticism and the Letter
Editors Madeleine Callaghan University of Sheffield Sheffield UK Anthony - photo 2
Editors
Madeleine Callaghan
University of Sheffield, Sheffield, UK
Anthony Howe
Birmingham City University, Birmingham, UK
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print
ISBN 978-3-030-29309-3 e-ISBN 978-3-030-29310-9
https://doi.org/10.1007/978-3-030-29310-9
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG.

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

For Michael ONeill (19532018)

Acknowledgements

The editors would like to thank the contributors for their patience and general excellence, and Ben Doyle, Shaun Vigil, and Millie Davies at Palgrave for their support. We also would like to thank the anonymous reader, who offered a number of helpful suggestions. Anthony Howe would like to thank his colleagues at Birmingham City University for their help and support. Madeleine Callaghan is grateful to many people for their encouragement, help, and stimulating conversations, especially to her colleagues and PhD students at the University of Sheffield. We would particularly like to thank the late Michael ONeill, to whom this book is dedicated, for being an ever brilliant source of inspiration and conversation.

Contents
Madeleine Callaghan and Anthony Howe
Mary OConnell
Stephen C. Behrendt
Oliver Clarkson
Susan J. Wolfson
Gregory Leadbetter
Lynda Pratt
Timothy Webb
Joe Bray
Daniel Westwood
Jane Stabler
Madeleine Callaghan
Michael ONeill
Andrew Bennett
Anthony Howe
Angela Wright
Notes on Contributors
Stephen C. Behrendt

is University Professor and George Holmes Distinguished Professor of English at the University of Nebraska. He has published several highly regarded monographs and edited works (alongside numerous articles and chapters), and his most recent book isBritish Women Poets and the Romantic Writing Community(2009). His current projects involve an edition of Romantic-era Irish women poets and a new interdisciplinary study of William BlakesSongs of Innocence and of Experience. In addition to his scholarly work, he is also a widely published poet whose most recent book isRefractions(2014).

Andrew Bennett

is Professor of English at the University of Bristol. He has published widely on Romantic literature, includingWordsworth Writing(2007),Romantic Poets and the Culture of Posterity(1999), andKeats, Narrative and Audience(1994); he is also editor ofWilliam Wordsworth in Context(2015). His other books includeSuicide Century: Literature and Suicide from James Joyce to David Foster Wallace(2017),Ignorance: Literature and Agnoiology(2009), andThe Author(2005). With Nicholas Royle, he has publishedAn Introduction to Literature, Criticism and Theory(5th ed., 2016) andThis Thing Called Literature: Reading, Thinking, Writing(2015).

Joe Bray

is Professor of Language and Literature at the University of Sheffield and the author of several books on eighteenth- and early nineteenth-century fiction, includingThe Epistolary Novel: Representations of Consciousness(2003),The Female Reader in the English Novel(2009), and, most recently,The Portrait in Fiction of the Romantic Period(2016) andThe Language of Jane Austen(2018). He is also the co-editor of, amongst others,The Routledge Companion to Experimental Literature(2012).

Madeleine Callaghan

is Senior Lecturer in Romantic Literature at the University of Sheffield. Her research specialty is the poetry of Wordsworth, Byron, Shelley, and Yeats. Liverpool University Press published her first monograph,Shelleys Living Artistry: The Poetry and Drama of Percy Bysshe Shelley, in 2017, and her monograph,The Poet-Hero in the Work of Byron and Shelley(2019), is published by Anthem Press. She has published various articles and chapters on Romantic and post-Romantic poetry, and, with Michael ONeill, co-authoredThe Romantic Poetry Handbook(2018).

Oliver Clarkson

is currently Departmental Lecturer in the Faculty of English at the University of Oxford and Balliol College. He has published various articles on Romantic poetry and is finishing a book on Wordsworth for the British Councils

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