(Lecturer in English) Tony Howe (editor) - Romanticism and the letter
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Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print features work that does not fit comfortably within established boundaries whether between periods or between disciplines. Uniquely, it combines efforts to engage the power and materiality of print with explorations of gender, race, and class. By attending as well to intersections of literature with the visual arts, medicine, law, and science, the series enables a large-scale rethinking of the origins of modernity.
Editorial Board: Isobel Armstrong, Birkbeck College, University of London, UK; John Bender, Stanford University, USA; Alan Bewell, University of Toronto, Canada; Peter de Bolla, University of Cambridge, UK; Robert Miles, University of Victoria, Canada; Claudia Johnson, Princeton University, USA; Saree Makdisi, UCLA, USA; Felicity A Nussbaum, UCLA, USA; Mary Poovey, New York University, USA; Janet Todd, University of Cambridge, UK.
More information about this series at http://www.palgrave.com/gp/series/14588
This Palgrave Macmillan imprint is published by the registered company Springer Nature Switzerland AG.
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
For Michael ONeill (19532018)
The editors would like to thank the contributors for their patience and general excellence, and Ben Doyle, Shaun Vigil, and Millie Davies at Palgrave for their support. We also would like to thank the anonymous reader, who offered a number of helpful suggestions. Anthony Howe would like to thank his colleagues at Birmingham City University for their help and support. Madeleine Callaghan is grateful to many people for their encouragement, help, and stimulating conversations, especially to her colleagues and PhD students at the University of Sheffield. We would particularly like to thank the late Michael ONeill, to whom this book is dedicated, for being an ever brilliant source of inspiration and conversation.
is University Professor and George Holmes Distinguished Professor of English at the University of Nebraska. He has published several highly regarded monographs and edited works (alongside numerous articles and chapters), and his most recent book isBritish Women Poets and the Romantic Writing Community(2009). His current projects involve an edition of Romantic-era Irish women poets and a new interdisciplinary study of William BlakesSongs of Innocence and of Experience. In addition to his scholarly work, he is also a widely published poet whose most recent book isRefractions(2014).
is Professor of English at the University of Bristol. He has published widely on Romantic literature, includingWordsworth Writing(2007),Romantic Poets and the Culture of Posterity(1999), andKeats, Narrative and Audience(1994); he is also editor ofWilliam Wordsworth in Context(2015). His other books includeSuicide Century: Literature and Suicide from James Joyce to David Foster Wallace(2017),Ignorance: Literature and Agnoiology(2009), andThe Author(2005). With Nicholas Royle, he has publishedAn Introduction to Literature, Criticism and Theory(5th ed., 2016) andThis Thing Called Literature: Reading, Thinking, Writing(2015).
is Professor of Language and Literature at the University of Sheffield and the author of several books on eighteenth- and early nineteenth-century fiction, includingThe Epistolary Novel: Representations of Consciousness(2003),The Female Reader in the English Novel(2009), and, most recently,The Portrait in Fiction of the Romantic Period(2016) andThe Language of Jane Austen(2018). He is also the co-editor of, amongst others,The Routledge Companion to Experimental Literature(2012).
is Senior Lecturer in Romantic Literature at the University of Sheffield. Her research specialty is the poetry of Wordsworth, Byron, Shelley, and Yeats. Liverpool University Press published her first monograph,Shelleys Living Artistry: The Poetry and Drama of Percy Bysshe Shelley, in 2017, and her monograph,The Poet-Hero in the Work of Byron and Shelley(2019), is published by Anthem Press. She has published various articles and chapters on Romantic and post-Romantic poetry, and, with Michael ONeill, co-authoredThe Romantic Poetry Handbook(2018).
is currently Departmental Lecturer in the Faculty of English at the University of Oxford and Balliol College. He has published various articles on Romantic poetry and is finishing a book on Wordsworth for the British Councils
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