Marvin DLugo - The Routledge Companion to Latin American Cinema

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THE ROUTLEDGE COMPANION TO LATIN AMERICAN CINEMA

The Routledge Companion to Latin American Cinema is the most comprehensive survey of Latin American cinemas available in a single volume. While highlighting state-of-the-field research, essays also offer readers a cohesive overview of multiple facets of filmmaking in the region, from the production system and aesthetic tendencies, to the nature of circulation and reception. The volume recognizes the recent new cinemas in Argentina, Brazil, Chile, and Mexico, and, at the same time, provides a much deeper understanding of the contemporary moment by commenting on the aesthetic trends and industrial structures in earlier periods. The collection features essays by established scholars as well as up-and-coming investigators in ways that depart from existing scholarship and suggest new directions for the field.

Contributors: Gonzalo Aguilar, Salom Aguilera Skvirsky, Luisela Alvaray, Jens Andermann, Mara Fernanda Arias Osorio, Josetxo Cerdn, Maite Conde, Amalia Crdova, Nilo Couret, Andrea Cuarterolo, Gerard Dapena, Luis Duno-Gottberg, Tamara L. Falicov, Miguel Fernndez Labayen, Silvana Flores, Geoffrey Kantaris, Alejandro Kelly Hopfenblatt, Mariana Lacunza, Horacio Legrs, Adrin Prez Melgosa, Mariano Mestman, Rielle Navitski, Mara Luisa Ortega, Roberto Carlos Ortiz, Joanna Page, Juan Poblete, Victoria Rutalo, Masha Salazkina, Ignacio M. Snchez Prado, Freya Schiwy, Laura Isabel Serna, Lisa Shaw, Niamh Thornton, Dolores Tierney, David Wood.

Marvin DLugo is Research Professor at Clark University, USA. He has written extensively on Hispanic transnational cinema, focusing on audio politics in Latin American film. He is currently completing a book on the digital cinema revolution in Mexico.

Ana M. Lpez is Director of the Cuban and Caribbean Studies Institute at Tulane University, USA. Her research is focused on Latin American and Latino film and cultural studies. She is currently the editor of Studies in Spanish and Latin American Cinemas .

Laura Podalsky has authored The Politics of Affect and Emotion in the Contemporary Latin American Cinema (2011) and Specular City: Transforming Culture, Consumption, and Space in Buenos Aires, 19551973 (2004). She teaches Latin American film and cultural studies at the Ohio State University, USA.

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THE ROUTLEDGE
COMPANION TO LATIN
AMERICAN CINEMA

Edited by Marvin DLugo, Ana M. Lpez,
and Laura Podalsky

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First published 2018
by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2018 selection and editorial matter, Marvin DLugo, Ana M. Lpez and Laura Podalsky; individual chapters, the contributors

The right of Marvin DLugo, Ana M. Lpez and Laura Podalsky to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data
Names: DLugo, Marvin editor. | Lopez, Ana M. editor. | Podalsky, Laura,
1964- editor.
Title: The Routledge companion to Latin American cinema / edited by Marvin DLugo, Ana M. Lopez and Laura Podalsky.
Description: New York : Routledge, 2017.
Identifiers: LCCN 2017016053 | ISBN 9781138855267 (hardback)
Subjects: LCSH: Motion picturesLatin AmericaHistory and criticism.
Classification: LCC PN1993.5.L3 R68 2017 | DDC 791.43098dc23
LC record available at https://lccn.loc.gov/2017016053

ISBN: 978-1-138-85526-7 (hbk)
ISBN: 978-1-315-72044-9 (ebk)

Typeset in Goudy Std
by Swales & Willis Ltd, Exeter, Devon, UK

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To our families, with gratitude for all they put up with.

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Gonzalo Aguilar is Professor of Brazilian and Portuguese Literatures at the University of Buenos Aires. Among his books are Otros mundos. Un ensayo sobre el nuevo cine argentino (2006) and Ms all del pueblo. Imgenes, indicios y polticas del cine (2015).

Salom Aguilera Skvirsky is Assistant Professor in the Cinema and Media Studies Department at the University of Chicago. Her articles have appeared in Cinema Journal , Journal of Latin American Cultural Studies , and Social Identities .

Luisela Alvaray is an Associate Professor at DePaul University. Her research explores globalization and media, cultural studies, documentary studies, and film historiography. Her articles have appeared in Cinema Journal , Transnational Cinemas , and Studies in Hispanic Cinemas , among other publications.

Jens Andermann is Professor of Spanish and Portuguese at New York University and editor of the Journal of Latin American Cultural Studies . Among his recent books are The Optic of the State: Visuality and Power in Argentina and Brazil (2007) and New Argentine Cinema (2011).

Mara Fernanda Arias Osorio holds a Ph.D. in Film and Media Studies from Indiana University. She is Associate Professor at the University of Antioquia (Colombia). Her areas of research are the social history of Latin American cinema, and film and media audiences.

Josetxo Cerdn is Associate Professor of Media Studies at Universidad Carlos III de Madrid and member of the research group TECMERIN. He is part of the editorial board of the Aproximaciones a las culturas Hispnicas series (Iberoamericana Vervuert).

Maite Conde is University Lecturer in Brazilian Culture at the University of Cambridge. Her books include Consuming Visions: Cinema Writing and Modernity in Rio de Janeiro (2011) and a translation of Marilena Chaus Between Conformity and Resistance: Essays on Politics Culture and the State (2011).

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Amalia Crdova is Latino Curator for Digital and Emerging Media at the Smithsonian Institutions Center for Folklife and Cultural Heritage, where she has developed video programs for their Museum of the American Indian. She teaches at New York Universitys Gallatin School of Individualized Study.

Nilo Couret is an Assistant Professor at the University of Michigan. He is currently completing his book manuscript Mock Classicism on interwar Latin American popular culture and film comedy. He has published in SubStance , Social Identities , and forthcoming in Discourse .

Andrea Cuarterolo is a full-time researcher specializing in the study of Argentine and Latin American photography and cinema. She is the author of De la foto al fotograma: Relaciones entre cine y fotografa en la Argentina 18401933 (2013) and the co-editor of Pantallas transnacionales (2017).

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