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Sherry Robinson - Apache Voices: Their Stories of Survival as Told to Eve Ball

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    Apache Voices: Their Stories of Survival as Told to Eve Ball
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Apache Voices: Their Stories of Survival as Told to Eve Ball: summary, description and annotation

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In the 1940s and 1950s, long before historians fully accepted oral tradition as a source, Eve Ball (1890-1984) was taking down verbatim the accounts of Apache elders who had survived the armys campaigns against them in the last century. These oral histories offer new versions--from Warm Springs, Chiricahua, Mescalero, and Lipan Apache--of events previously known only through descriptions left by non-Indians.

A high school and college teacher, Ball moved to Ruidoso, New Mexico, in 1942. Her house on the edge of the Mescalero Apache Reservation was a stopping-off place for Apaches on the dusty walk into town. She quickly realized she was talking to the sons and daughters of Geronimo, Cochise, Victorio, and their warriors. After winning their confidence, Ball would ultimately interview sixty-seven people.

Here is the Apache side of the story as told to Eve Ball. Including accounts of Victorios sister Lozen, a warrior and medicine woman who was the only unmarried woman allowed to ride with the men, as well as unflattering portrayals of Geronimos actions while under attack, and Mescalero scorn for the horse thief Billy the Kid, this volume represents a significant new source on Apache history and lifeways.

Sherry Robinson has resurrected Eve Balls legacy of preserving Apache oral tradition. Her meticulous presentation of Eves shorthand notes of her interviews with Apaches unearths a wealth of primary source material that Eve never shared with us. Apache Voices is a must read!--Louis Kraft, author of Gatewood & Geronimo

Sherry Robinson has painstakingly gathered from Eve Balls papers many unheard Apache voices, especially those of Apache women. This work is a genuine treasure trove. In the future, no one who writes about the Apaches or the conquest of Apacheria can ignore this collection.--Shirley A. Leckie, author of Angie Debo: Pioneering Historian

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APACHE VOICES SHERRY ROBINSON Apache Voices THEIR STORIES OF SURVIVAL AS - photo 1
APACHE VOICES
SHERRY ROBINSON
Apache Voices
THEIR STORIES OF SURVIVAL AS TOLD TO EVE BALL
ISBN for this digital edition 978-0-8263-1848-0 2000 by Sherry Robinson All - photo 2
ISBN for this digital edition 978-0-8263-1848-0 2000 by Sherry Robinson All - photo 3
ISBN for this digital edition: 978-0-8263-1848-0
2000 by Sherry Robinson
All rights reserved.
First paperbound printing, 2003
Paperbound ISBN 978-0-8263-2163-3
21 20 19 18 17 16 4 5 6 7 8 9
The Library of Congress has cataloged the printed edition as follows:
Robinson, Sherry.
Apache voices: their stories of survival as
told to Eve Ball / Sherry K. Robinson 1st ed.
p. cm.
Includes bibliographical references and index.
ISBN 0-8263-2162-3 (cloth: alk. paper)
1. Apache IndiansHistory. 2. Apache IndiansInterviews.
I. Ball, Eve. II. Title
E99.A6 R59 2000
979'.004972dc21
99-05069
Cover photos: (large) Photo by Ben Wittick,
courtesy of Museum of New Mexico, #14221;
(small) courtesy of Museum of New Mexico, #38195.
Back cover: Courtesy of Western Collections,
University of Oklahoma, Rose Collection #860.
This book is dedicated to
Eve Ball, a noble lady,
and the Apache people
.
Contents
Acknowledgments
When I showed up at Brigham Young University in 1995, I was a stranger to curator Dennis Rowley. And yet he and his staff, which included Susan Thompson, treated me like visiting royalty. Without their help and cooperation, this book would not have been possible. I regret that he didnt live to see the results of that friendship.
Writers often complain of their isolation. I was much less isolated on this trip because of Jo Martn, then working on her masters thesis on Apache women. In months of long weekly phone calls, we visited, commiserated, and exchanged information. Im indebted to Jo for some of my critical information, as well as for her encouragement and support. Similarly, researcher Alicia Delgadillo, whom I met after completing the work, helped fill in some gaps and provided support.
And I thank Ed Sweeney for his information, his interest, and for keeping me honest.
Introduction
In one of my first jobs, I worked for a mining tycoon who had made his fortune reprocessing tailings piles from the last century. He figured the old technology had left gold behind in the rust-colored mounds that dotted Colorados mountains, and he was right. Ive thought a lot about him in the years spent on this work.
I did the scholarly equivalent in mining the raw data of historian Eve Ball. She had interviewed the elderly survivors of the Apache wars and written In the Days of Victorio and Indeh: An Apache Odyssey. Like others who read the books, I wanted to write about Victorios sister Lozen, the woman warrior. Seeking more information, I tracked Eves papers to Brigham Young University in Provo, Utah. There I prowled page by page through seventeen boxes of stuff that hadnt been sorted, much less archived. It was still in the same state in which Eve had shipped it years earlier. This is no criticism of BYU; Dennis Rowley, curator of special collections, intended to archive the papers, but cancer would see that he didnt. Still, Dennis and his staff were enormously helpful to me.
It quickly became clear that this wouldnt be the usual research project. As I sat in the library, sneezing and blowing my nose from years-old dust and pollen in the files, my search became more personal. The boxes yielded portions of transcripts, manuscripts, notes to clerical helpsometimes held together with Eves bobby pinsalong with letters to friends and fellow writers, written in large script, describing her deteriorating vision and repeated cataract operations. At one point, I found the magnifying screen she used to see her own work.
Eve wasnt a young woman when she began interviewing Apache elders in the 1940s, and it took her decades to gather information and run hurdles with skeptical publishers. By the time she was finishing Indeh, her health and eyesight were failing. It was humbling to grasp the enormity of her obstacles. At the same time I realized that not only were the old Apaches, Eves subjects, long gone, but so too were the people who knew most about themEve, Angie Debo, and Dan Thrapp.
Paging through reams of paper, I began to suspect that Eve hadnt used all her material. With a mixed sense of excitement and trepidation, I felt obliged to mine these tailings as my old boss had, tell the untold stories, and be as faithful as possible to Eves purpose and that of her Apache friends.
I returned home with a box of photocopies and spent six months organizing it. Nothing was in its proper file, the result of use by someone who couldnt see. And because Eve had cut her transcripts to pieces in the course of writing stories for western magazines, a whole transcript was rare. I literally had to piece transcripts and manuscripts back together, attempting to match typeface or even wrinkles and tears in the paper.
It seemed I had some interesting bits and pieces, but whether there was enough to justify a book, I didnt know. I began keyboarding my precious bits. In another six months, I decided I did have enough to knit together some accountsnot the revelations of Indeh and Victorio, but some darn good stories.
And I had something elsesome needed corrections, clarifications, and reinterpretation. I have the greatest respect for Eve and the work she did, but it doesnt mean Ive set aside my objectivity. Anyone manipulating that much information, no matter how careful, will make some mistakes and I found some. I also believe that she was impartial, but given her close relationship to some of her informants, she couldnt help but take up their point of view. And finally, there is the matter of style.
Eves good friends and fellow Apache scholars Dan Thrapp and Angie Debo supported her work and defended her presentation of the Apache side of the story when others didnt. But her stylefirst person and somewhat fictionalizedwas problematic. Eve was a regular contributor to western magazines and carried that style of writing into Victorio. Fellow historians urged her to write in third person, quoting from her Apache sources, but as she wrote Dan Thrapp in 1967, she felt strongly that people of ordinary reading ability and interests might get some history without encountering what is to them forbidding in the way of scholarly concepts of writing history.
To such arguments, Angie Debo responded, You are entirely right in saying that history should be interesting. There is no excuse for bad writing, either in history or any other non-fiction. But when you are writing history, you cannot invent, say conversation, facial expression, weathernot anything. If you do, this is not history, but excellent historical fiction.
As a journalist, I certainly understood and sympathized with Eves passionate desire for history to be understandable to everyone. And I enjoyed Victorio because it gave me a more personal view of the Apaches than the usual statistical tallies of battles and casualties. However, as a journalist, I was uncomfortable with this dramatized history and preferred to hear peoples own words.
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