The Shakespearean World
The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. Shakespeare signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeares world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts:
- Shakespeare on stage internationally since the late seventeenth century;
- Shakespeare on film throughout the world;
- Shakespeare in the arts beyond drama and performance;
- Shakespeare in everyday life;
- Shakespeare and critical practice.
Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies such as ecology, tourism, and new media and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists.
Jill L. Levenson is Emeritus Professor of English at Trinity College, University of Toronto, Canada, and is an honorary vice president of the International Shakespeare Association.
Robert Ormsby is Associate Professor of English at Memorial University of Newfoundland, Canada.
THE ROUTLEDGE WORLDS
THE CELTIC WORLD
Edited by Miranda Green
THE GREEK WORLD
Edited by Anton Powell
THE REFORMATION WORLD
Edited by Andrew Pettegree
THE EARLY CHRISTIAN WORLD
Edited by Philip F. Esler
THE ROMAN WORLD
Edited by John Wacher
THE MEDIEVAL WORLD
Edited by Peter Linehan and Janet L. Nelson
THE BIBLICAL WORLD
Edited by John Barton
THE HINDU WORLD
Edited by Sushil Mittal and Gene Thursby
THE ENLIGHTENMENT WORLD
Edited by Martin Fitzpatrick
THE WORLD OF POMPEII
Edited by Pedar W. Foss and John J. Dobbins
THE BABYLONIAN WORLD
Edited by Gwendolyn Leick
THE RENAISSANCE WORLD
Edited by John Jeffries Martin
THE EGYPTIAN WORLD
Edited by Toby Wilkinson
THE ISLAMIC WORLD
Edited by Andrew Rippin
THE VIKING WORLD
Edited by Stefan Brink and Neil Price
THE BYZANTINE WORLD
Edited by Paul Stephenson
THE ELIZABETHAN WORLD
Edited by Susan Doran and Norman Jones
THE WORLD OF THE AMERICAN WEST
Edited by Gordon Morris Bakken
THE VICTORIAN WORLD
Edited by Martin Hewitt
THE ORTHODOX CHRISTIAN WORLD
Edited by Augustine Casiday
THE SUMERIAN WORLD
Edited by Harriet Crawford
THE ETRUSCAN WORLD
Edited by Jean MacIntosh Turfa
THE GOTHIC WORLD
Edited by Glennis Byron and Dale Townshend
THE WORLD OF THE REVOLUTIONARY AMERICAN REPUBLIC
Edited by Andrew Shankman
THE WORLD OF INDIGENOUS
NORTH AMERICA
Edited by Robert Warrior
THE FIN-DE-SICLE WORLD
Edited by Michael Saler
THE OCCULT WORLD
Edited by Christopher Partridge
THE MODERNIST WORLD
Stephen Ross and Allana Lindgren
THE ATLANTIC WORLD
Edited by DMaris Coffman, Adrian Leonard and William OReilly
THE BUDDHIST WORLD
John Powers
THE CRUSADER WORLD
Adrian Boas
THE POSTCOLONIAL WORLD
Jyotsna Singh and David Kim
Forthcoming :
THE WORLD OF FORMATIVE EUROPE
Edited by Martin Carver and Madeleine Hummler
THE OTTOMAN WORLD
Edited by Christine Woodhead
THE FAIRY TALE WORLD
Edited by Andrew Teverson
The Shakespearean World
Edited by
Jill L. Levenson and Robert Ormsby
First published 2017
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
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Routledge is an imprint of the Taylor & Francis Group, an informa business
2017 Jill L. Levenson and Robert Ormsby
The right of the editors to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
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British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Names: Levenson, Jill L., editor. | Ormsby, Robert, editor.
Title: The Shakespearean world/edited by Jill L. Levenson and Robert Ormsby.
Description : Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017. | Includes bibliographical references.
Identifiers: LCCN 2016036085 | ISBN 9780415732529 (hardback) | ISBN 9781317696193 (web pdf) ISBN 9781317696186 (epub) | ISBN 9781317696179 (mobipocket)
Subjects: LCSH: Shakespeare, William, 15641616Criticism and interpretation. | Shakespeare, William, 15641616Stage history.
Classification: LCC PR2976 .S33899 2017 | DDC 822.3/3dc23
LC record available at https://lccn.loc.gov/2016036085
ISBN: 978-0-415-73252-9 (hbk)
ISBN: 978-1-315-77834-1 (ebk)
Typeset in Sabon
by Apex CoVantage, LLC
This volume is dedicated to our families and to our generations of students.
Contents
Guide
Disclaimer
The publishers have made every effort to contact the copyright holders of images reprinted in The Shakespearean World and to obtain permission to publish these images. This has not been possible in every case, however, and we would welcome correspondence from those individuals/companies whom we have been unable to trace. Any omissions brought to our attention will be remedied in future editions.
Susan Bennett is University Professor and Professor of English at the University of Calgary, Canada. She has published widely on contemporary performances and adaptations of Shakespeares plays, including Performing Nostalgia (Routledge, 1996); and, more recently, she co-edited with Christie Carson Shakespeare Beyond English (Cambridge, 2013). Performing Environments: Site-Specificity in Medieval and Early Modern Performance , a collection co-edited with Mary Polito, was published by Palgrave in 2014. Bennetts current research looks at the relationship between brand Shakespeare and corporate sponsorship of the arts.
Michael Best is Professor Emeritus of English at the University of Victoria, British Columbia. His current work is focused on the Internet Shakespeare Editions (ISE), of which he is co-ordinating editor. He has edited King John for the ISE, and is currently editing King Lear . In print, he has published editions of works of Elizabethan magic and huswifery; a collection of letters from the Australian gold-fields; and, most recently, Shakespeare on the Art of Love . He has written for both print and online media, principally on questions raised by new media in the editing and publication of texts.