The Search for the Genuin e
Also by Jim Harrison
FICTION
Wolf: A False Memoir
A Good Day to Die
Farmer
Legends of the Fall
Warlock
Sundog
Dalva
The Woman Lit by Fireflies
Julip
The Road Home
The Beast God Forgot to Invent
True North
The Summer He Didnt Die
Returning to Earth
The English Major
The Farmers Daughter
The Great Leader
The River Swimmer
Brown Dog
The Big Seven
The Ancient Minstrel
CHILDRENS LITERATURE
The Boy Who Ran to the Woods
POETRY
Plain Song
Locations
Outlyer and Ghazals
Letters to Yesenin
Returning to Earth
Selected & New Poems: 19611981
The Theory & Practice of Rivers and New Poems
After Ikky and Other Poems
The Shape of the Journey: New and Collected Poems
Braided Creek: A Conversation in Poetry, with Ted Kooser
Saving Daylight
In Search of Small Gods
Songs of Unreason
Dead Mans Float
Jim Harrison: The Essential Poems
Collected Ghazals
Complete Poems
ESSAYS
Just Before Dark: Collected Nonfiction
The Raw and the Cooked: Adventures of a Roving Gourmand
A Really Big Lunch: The Roving Gourmand on Food and Life
MEMOIR
Off to the Side
JIM HARRISON
The Search for the Genuin e
Nonfiction, 1970 2015
Grove Press
New York
Copyright 2022 by the James T. Harrison Trust
Introduction copyright 2022 by Luis Alberto Urrea
Jacket photograph by Dennis Gripentrog
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Printed simultaneously in Canada
Printed in the United States of America
This book was set in 12-pt. Goudy Oldstyle by Alpha Design & Composition of Pittsfield, NH.
First Grove Atlantic hardcover edition: September 2022
Library of Congress Cataloging-in-Publication data is available for this title.
ISBN: 978-0-8021-5721-8
e ISBN: 978-0-8021-5723-2
Grove Press
an imprint of Grove Atlantic
154 West 14th Street
New York, NY 10011
Distributed by Publishers Group West
groveatlantic.com
Contents
Notes on Jim Harrisons Nonfiction
On Love, Spirit, and Literature
On Hunting
On Good Friends and Foul Weather
On Fishing, and on the Water
Immense River:
Notes on Jim Harrisons Nonfiction
By Luis Alberto Urrea
Each morning I walk four blocks
to this immense river,
surprised that its still there,
that it wont simply disappear
into the ground like the rest of us.
Livingston Suite
Limberlost Press, 2005.
I first found Jim Harrison in a box under a stairway in the Woolworths on Broadway in San Diego.
I was still shuffling along through bad luck and bad jobs, taking buses and trolleys for hours to hand out language tapes to Mexican students trying to learn English. Minimum wage or below. When I wasnt doing that, my Jesus complex took me into Tijuana on my free days to feed orphans. I was dreaming of literary salvation, not knowing that to get someone to read about my topics, Id have to first have the patience to teach them the words to care about them. Basically, I was wrenched from side to side by the eruptions of my enthusiasms and obsessions. On reflection, it doesnt seem that far in its sad comedy from Harrisons belletristic expeditions.
I was low on pocket money for new books. But on the layover downtown, between the Tijuana Trolley and the northbound bus, I wandered into Woolworths to look at the cheap parakeets and goldfish. This small pet ghetto was off to the west side of the store, and there I beheld a white bin piled with unwanted hardcovers. Very cheap. Cheaper than a paperback. A. R. Ammonspoetry; Jim Harrisonprose and poetry. Forgive me, Jim, but I might have bought Ammonss books first. I was fancying myself a Great American Chicano Polyglot Poet in those days.
I was back the next week, haunted by the memory of those classic white Harrison hardcovers adorned with Russell Chatham art. And the one-dollar-per-book price tag. For first editions. What a score: Farmer , Wolf , Legends of the Fall , A Good Day to Die , Sundog , and Selected & New Poems . I was a McGuaniac in those days, and the Harrison books kept whispering from their shadowy stall that Tom McGuane knew all about this work. Of course, they were friends. Turned out everybody was Jim Harrisons friend.
I worried that some literary pirate would beat me to the book box and Id be left with my limp ten-dollar bill dangling from my fist. But the Typing God relented and spared my books for me. I dragged them home in a paper bag that started tearing immediately from their weight.
After being bulldozed by Harrisons writing, I found out somehow where to write to him. I probably wrote to him via his publisher. Isnt that what we did before the internet? I told him I started to cry on the second page of Farmer and cried for most of it. How do you do that? I asked. To my utter shock, some months later, he wrote back. Offered to look at my work and to introduce me to his agent. This was my first impression of the man, and it never abated.
I thanked him and did not send any work. You dont send the Buddha a basket of unripe plums. Shortly after this correspondence, I packed a duffel with clothes and books and a couple of records, grabbed my used electric typewriter, and headed out into shadowy America to find out what surprises it held in its pockets. All along the long road, Harrison books. Sometimes, a letter, or messages from mutual acquaintances at parties or readings or chilaquiles breakfasts in Tucson. I think Harrison accepted my timidity, but he didnt share it. He was the ambassador of Ikkyu, the Crazy Cloud of Zen poetsthe shuffling madman and alleged drunkard, the mad lover and the raging heart, the man of wild waysand I dont think he had the time or the constitution to be timid. A fine mentor who reached out from fifteenth-century Japan to Harrisons various hideouts and riverbanks. Ikkyu said: Learn to read the love letters sent by the wind and the rain, the snow and the moon. And, in a thousand ways, so did Jim Harrison.
He extended welcomes and invitations until I felt ready, and that was when Charles Bowden died.
In 2015, I was invited by Chucks family to partake in a memorial event in his honor at the Tucson Festival of Books. They told me that Id be sitting on the stage beside Jim. If this wasnt the right moment to sit with him, there would be no right time. I recall there was a slight trepidation about what Rabelaisian outburst might escape from his mouth. As if, it was implied, I could keep the damage under control. What was more devastating than any mad quote from Jim was the way he delivered poetry and koans in his freestyle eulogy.