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Anne Rice - The feast of All Saints

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Anne Rice The feast of All Saints
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    The feast of All Saints
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    1986
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In the days before the Civil War, there lived a Louisiana people unique in Southern histroy. Though descended from African slaves, they were also descended from the French and Spanish who enslaved them. Called the Free People of Color, this dazzling historical novel chronicles the lives of four of them--men and women caught perilously between the worlds of master and slave, privilege and oppression, passion and pain.

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BY ANNE RICE

Interview with the Vampire

The Feast of All Saints

Cry to Heaven

The Vampire Lestat

The Queen of the Damned

The Mummy

The Witching Hour

The Tale of the Body Thief

Lasher

Taltos

Memnoch the Devil

Servant of the Bones

Violin

Pandora

The Vampire Armand

Vittorio, The Vampire

Merrick

Blood and Gold

Blackwood Farm

Blood Canticle

Christ the Lord: Out of Egypt

Christ the Lord: Road to Cana

Called Out of Darkness: A Spiritual Confession

Angel Time

AFTERWORD

The Feast of All Saints is a work of fiction, but certain real people are mentioned in the book, among them the quardoon fencing master, Basile Crockere; the mulatto Daguerreotypist, Jules Lion; the colored inventor, Norbert Rillieux; and the Metoyer Family of the Cane River, including Grandpre Augustin who built the church of St. Augustine which exists on Isle Brevelle today. The African house described in the novel stands on the Melrose Plantation which was called Yucca at the time this story takes place.

LAlbum Littraire, the quarterly of prose and poetry by men of color, probably commenced publication in 1843, not 1842 as the novel suggests.

But aside from a few liberties with dates, every effort has been made to render the world of New Orleans Free People of Color accurately. And the occupations of real men and women of color provided the inspiration for the purely fictional characters in the book.

Therefore, I am deeply indebted to many who have written about New Orleans and the Free People of Color in the ante-bellum South, from the popular writers who have kept alive the romance and richness of those days to the scholars whose books, articles, theses and dissertations continue to swell the growing body of work on the free Afro-American before the Civil War.

But above all, I am indebted to the gens de couleur themselves who left us painting, sculpture, music and literatureto Armand Lanusse, poet, editor and teacher, for his work with LAlbum Littraire and the later anthology, Les Cenelles; and to R.L. Desdunes, whose unique and priceless Our People and Our History remains the cornerstone of research in this field.

A NNE R ICE

A BOUT THE A UTHOR

Anne Rice was born in New Orleans, where she now lives with her husband, the poet Stan Rice, and their son, Christopher.

PART ONE

I O NE MORNING in New Orleans in that part of the Rue Ste Anne before it - photo 1

I

O NE MORNING in New Orleans, in that part of the Rue Ste. Anne before it crosses Cond and becomes the lower boundary of the Place dArmes, a young boy who had been running full tilt down the middle of the street stopped suddenly, his chest heaving, and began to deliberately and obviously follow a tall woman.

This was the street in which he lived, though he was blocks from home, and the woman lived in it also. So a number of people on the way to marketor lounging in the doors of their shops to garner a little breezeknew the pair of them and thought as they glanced at the boy, that is Marcel Ste. Marie, Ceciles son, and what is he doing now?

These were the riverfront streets of the 1840s, packed with immigrants, where the worlds met over the back fence, and gallery to gallery; yet despite the throng, and the wilderness of masts above the levee markets, the French Quarter was then as forever a small town. And the woman was famous in it.

But all were used to her occasional meandering, a senselessly disheveled figure with beauty and money enough to make her a public offense. It was Marcel they worried about when they saw them together (the woman didnt know they were together). And dozens of others stared at him, too, not knowing him, just for the sake of staring because he was a striking figure.

That he was part African, a quadroon most likely, anyone could figure, and the white and the black blood in him had combined in an unusual way that was extremely handsome and clearly undesirable. For though his skin was lighter than honey, indeed lighter than that of many white people who were forever studying him, he had large vivid blue eyes which made it dusky. And his blond hair, tightly kinked and hugging his round head like a cap, was distinctly African. He had ridgeless eyebrows which were high and gave his expression an appealing openness, a delicate nose with small flared nostrils, and a full mouth like a childs even to the pale rose color. Later it might be sensual, but now, in his fourteenth year, it was a Cupids bow without a single hard line to it, and the down on his upper lip was smoky as was the bit of curling hair that made up his sideburns.

In short, his was an appearance of contrasts, but everyone knew darker men could pass for white while Marcel would never, and those bound to believe him deprived of a coveted asset were disturbed at times to find themselves so drawn to looking at him, unable to anatomize him in a glance. And women thought him positively exquisite.

The yellow skin on the backs of his hands appeared silky and translucent, and he tended to grasp things that interested him, suddenly, with long fingers that appeared reverent. And sometimes if he turned to look up at you abruptly from a glass display case under a lamp, the light would make his close-cropped hair a halo around his head, and he stared with the serious radiance of those roundfaced Byzantine saints who are rapt with the Beatific Vision.

In fact, this expression was fast becoming habitual with him. He had it now as he hurried across the Rue Cond after the woman, his hands unconsciously formed into fists, his mouth slack. He saw only what was ahead of him, or his own thoughts, you couldnt always tell which, but he never seemed to see himself in the eyes of others, to sense the power of the impression he made.

And it was indeed a powerful impression. For though such dreaminess might have been past all patience in a poor man, or some drifting nuisance for whom things had endlessly to be repeated, it was perfectly fine in Marcel because he was by no means poor, as everyone knew, and was invariably well dressed.

For years hed been the gentleman in miniature in the streets, on errands or carrying his missal to Mass, his frock coats too perfectly fitted as if he werent sure to outgrow them in half a year, linen immaculate, waistcoats so smooth over his narrow chest that they hadnt the slightest bulge or wrinkle. On Sundays, he wore a small jeweled stickpin in his silk tie, and had lately been carrying a gold pocket watch which he sometimes stopped dead in the streets to study, teeth pressed to his lower lip, his blond eyebrows knit in a sharp look of distress that strained the taut skin of his forehead. His boots were always new.

In short, slaves of the same color knew at once he was free, and white men thought him at a glance a fine boy, but when all that is put aside, which is only the beginning, his preoccupation seemed the absence of pride, he was no snob, but possessed a genuine and precocious gentility.

You couldnt imagine him climbing a tree, or playing stick ball, or wetting his hands except to wash them. The books he carried eternally were ancient and tattered, leather covers bound with ribbon or string; but even this was elegant. And he had about him often the subtle scent of a cologne seldom lavished on boys.

Of course Marcel was the son of a white planter, Philippe Ferronaire, Creole gentleman to his fingertips, and in debt on the next crop to the hilt, his white children crowding the family box at the opera every season. And though no one would have thought of calling the man Marcels father, that is what he was, and the sight of his carriage listing in the narrow Rue Ste. Anne before the Ste. Marie cottage was somewhat regular.

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