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Laurie Schneider Adams - 19th-Century Art A Beginner’s Guide

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Laurie Schneider Adams 19th-Century Art A Beginner’s Guide
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Munchs The Scream. Van Goghs Starry Night. Rodins The Thinker. Monets Water Lilies. Constables landscapes. The 19th century gave us a wealth of artistic riches so memorable in their genius that we can picture many of them in an instant. At the time, however, their avant-garde nature was the cause of much controversy. Professor Laurie Schneider Adams vividly brings to life the paintings, sculpture, photography and architecture, of the period with her infectious enthusiasm for art and detailed explorations of individual works. Offered fascinating biographical details and the relevant social, political, and cultural context, the reader is left with a deep appreciation for the works and an understanding of how revolutionary they were at the time, as well as the reasons for their enduring appeal.

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A Oneworld Book Published by Oneworld Publications 2014 This ebook e - photo 1

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A Oneworld Book Published by Oneworld Publications 2014 This ebook edition - photo 4

A Oneworld Book

Published by Oneworld Publications, 2014

This ebook edition published by Oneworld Publications, 2014

Copyright Laurie Schneider Adams 2014

The moral right of Laurie Schneider Adams to be identified as the Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988

All rights reserved
Copyright under Berne Convention
A CIP record for this title is available
from the British Library

ISBN 978-1-78074-541-1

ISBN (ebook) 978-1-78074-542-8

Typeset by Siliconchips Services Ltd, UK

Oneworld Publications
10 Bloomsbury Street
London WC1B 3SR
UK

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For Joseph T. Ruggiero

Contents

At Oneworld Publications, I would like to thank Mike Harpley for encouraging the publication of this book, Andrea DCruz for her excellent editing, Paul Nash, Laura McFarlane, and Kathleen McCully. John Adams read the entire manuscript and saved it from many errors. The anonymous reader offered several useful suggestions for which I am also grateful.

Plates

Plate 1

Jacques-Louis David, The Coronation of Napoleon , 18051807

Plate 2

Jean-Auguste-Dominique Ingres, The Apotheosis of Homer , 1827

Plate 3

Joseph Mallord William Turner, The Fighting Temeraire Tugged to Her Last Berth to Be Broken Up , 1838 , 1838

Plate 4

Albert Bierstadt, Sunrise, Yosemite Valley , c .1870

Plate 5

Francisco de Goya y Lucientes, The Executions of May 3, 1808 , 1814

Plate 6

Eugne Delacroix, Liberty Leading the People , 1830

Plate 7

Claude Monet, Impression, Sunrise , 1872

Plate 8

douard Manet, The Railway , 18721873

Plate 9

douard Manet, Corner of a Caf-Concert , 1879

Plate 10

Pierre-Auguste Renoir, The Swing , 1876

Plate 11

James McNeill Whistler, Symphony in White No. 2: The Little White Girl , 1864

Plate 12

Georges Seurat, Sunday Afternoon on the Island of the Grande Jatte , 18841886

Plate 13

Vincent van Gogh, Self-Portrait with Bandaged Ear, Arles, January 1889 , 1889

Plate 14

Paul Gauguin, Te Arii Vahine (The Noble Woman) , 1896

Plate 15

Paul Czanne, Large Bathers , c .19051906

Plate 16

Edvard Munch, The Scream , 1893

Figures

Figure 1

Richard Boyle (Earl of Burlington), Chiswick House, 17251729

Figure 2

Labeled diagram of the three Greek Orders: Doric, Ionic, and Corinthian

Figure 3

Carl Gotthard Langhans, Brandenburg Gate, 17881791

Figure 4

Thomas Jefferson, Richmond Virginia State Capitol, 1788

Figure 5

Jacques-Louis David, The Oath of the Horatii , 1784

Figure 6

Jacques-Louis David, The Tennis Court Oath , 17891791

Figure 7

Antonio Canova, Maria Paolina Borghese as Venus , 1808

Figure 8

Jean-Auguste-Dominique Ingres, La Grande Odalisque , 1814

Figure 9

Henry Fuseli, The Nightmare , 1781

Figure 10

William Blake, Frontispiece of Jerusalem: The Emanation of the Giant Albion , 18041820

Figure 11

Caspar David Friedrich, The Stages of Life , 18341835

Figure 12

John Constable, The Hay Wain , 1821

Figure 13

Thomas Cole, The Course of Empire: Desolation , 1836

Figure 14

Asher B. Durand, Kindred Spirits , 1849

Figure 15

Francisco de Goya y Lucientes, Duendecitos (Hobgoblins), from Los Caprichos, 17971798, plate 49 of first edition of 1799

Figure 16

Francisco de Goya y Lucientes, Y son fieras (And They Are Wild Beasts), Fatal Consequences of the Bloody War in Spain with Bonaparte, Disasters of War , plate 5, 18101820

Figure 17

Thodore Gricault, The Raft of the Medusa , 18181819

Figure 18

Thodore Gricault, Portrait of a Kleptomaniac , c .1822

Figure 19

Eugne Delacroix, Lion of the Atlas , c .1829

Figure 20

Jean-Franois Millet, The Gleaners , 1857

Figure 21

Honor Daumier, Rue Transnonain, April 15, 1834 , 1834

Figure 22

Jean-Louis-Ernest Meissonier, Memory of Civil War (also known as The Barricade, Rue de la Mortellerie, June 1848 ), c .18481850

Figure 23

Gustave Courbet, A Burial at Ornans , 1849

Figure 24

Gustave Courbet, The Stonebreakers , 18491850

Figure 25

Rosa Bonheur, Plowing in the Nivernais: The Dressing of the Vines , 1849

Figure 26

Camille Corot, Ville dAvray , c. 1867

Figure 27

douard Manet, Olympia , 1865

Figure 28

Titian, Venus of Urbino , c .1538

Figure 29

John Everett Millais, Christ in the House of His Parents , 1850

Figure 30

William Holman Hunt, The Awakening Conscience , 18531854

Figure 31

Ford Madox Brown, The Last of England , 18521855

Figure 32

Wilhelm Leibl, Village Politicians , 18761877

Figure 33

William Sidney Mount, California News , 1850

Figure 34

Winslow Homer, Prisoners from the Front , 1866

Figure 35

William Rimmer, The Dying Centaur , 1871

Figure 36

Thomas Eakins, The Gross Clinic , 1875

Figure 37

William Edward Kilburn, The Great Chartist Meeting on Kennington Common, April 10, 1848 , 1848

Figure 38

Jacob Riis, Bandits Roost, Mulberry Street, New York , c. 1888

Figure 39

Louis Sullivan, Wainwright Building, 18901891

Figure 40

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